How To Rule An Empire And Get Away With It

"Full of invention and ingenuity . . . Great fun." - SFX on Sixteen Ways to Defend a Walled City This is the history of how the City was saved, by Notker the professional liar, written down because eventually the truth always seeps through. The City may be under siege, but everyone still has to make a living. Take Notker, the acclaimed playwright, actor, and impresario. Nobody works harder, even when he's not working. Thankfully, it turns out that people enjoy the theater just as much when there are big rocks falling out of the sky. But Notker is a man of many talents, and all the world is, apparently, a stage. It seems that the empire needs him -- or someone who looks a lot like him -- for a role that will call for the performance of a lifetime. At least it will guarantee fame, fortune, and immortality. If it doesn't kill him first. In the follow up to the acclaimed Sixteen Ways to Defend a Walled City, K. J. Parker has created one of fantasy's greatest heroes, and he might even get away with it. For more from K. J. Parker, check out:Sixteen Ways to Defend a Walled City The Two of SwordsThe Two of Swords: Volume OneThe Two of Swords Volume TwoThe Two of Swords: Volume Three The Fencer TrilogyColours in the SteelThe Belly of the BowThe Proof House The Scavenger TrilogyShadowPatternMemory Engineer TrilogyDevices and DesiresEvil for EvilThe EscapementThe CompanyThe Folding KnifeThe HammerSharps

K. J. Parker's new novel is the remarkable tale of the siege of a walled city, and the even more remarkable man who had to defend it. A siege is approaching, and the city has little time to prepare. The people have no food and no weapons, and the enemy has sworn to slaughter them all. To save the city will take a miracle, but what it has is Orhan. A colonel of engineers, Orhan has far more experience with bridge-building than battles, is a cheat and a liar, and has a serious problem with authority. He is, in other words, perfect for the job. Sixteen Ways To Defend a Walled City is the story of Orhan, son of Siyyah Doctus Felix Praeclarissimus, and his history of the Great Siege, written down so that the deeds and sufferings of great men may never be forgotten.

Named one of the ten best books of the year by the Chicago Tribune A Publishers Weekly best book of 2019 | A 2019 NPR Staff Pick A pathbreaking history of the United States’ overseas possessions and the true meaning of its empire We are familiar with maps that outline all fifty states. And we are also familiar with the idea that the United States is an “empire,” exercising power around the world. But what about the actual territories—the islands, atolls, and archipelagos—this country has governed and inhabited? In How to Hide an Empire, Daniel Immerwahr tells the fascinating story of the United States outside the United States. In crackling, fast-paced prose, he reveals forgotten episodes that cast American history in a new light. We travel to the Guano Islands, where prospectors collected one of the nineteenth century’s most valuable commodities, and the Philippines, site of the most destructive event on U.S. soil. In Puerto Rico, Immerwahr shows how U.S. doctors conducted grisly experiments they would never have conducted on the mainland and charts the emergence of independence fighters who would shoot up the U.S. Congress. In the years after World War II, Immerwahr notes, the United States moved away from colonialism. Instead, it put innovations in electronics, transportation, and culture to use, devising a new sort of influence that did not require the control of colonies. Rich with absorbing vignettes, full of surprises, and driven by an original conception of what empire and globalization mean today, How to Hide an Empire is a major and compulsively readable work of history.

Civitas Vadanis is in trouble. The Mezentines have declared war; and the Mezentines are very focused on their goals when it comes to killing. Duke Valens, of Civitas Vadanis, has a dilemma. He knows that his city cannot withstand the invading army; yet its walls are his only defence against the Mezentines. Perhaps the only way to save his people is to flee, but that will not be easy either. Ziani Vaatzes, an engineer exiled by the Mezentines for his abominable creations, has already proven that he can defend a city. But Ziani Vaatzes has his own concerns, and the fate of Civitas Vadanis may not be one of them. "Intelligent and compassionate. . .it should be celebrated." -- Interzone on Devices and Desires "One of the most entertaining fantasy debuts in recent years. . .incredibly vivid, refreshing, fun, thoughtful, absorbing." -- SFX

The city states of the Lowlands have lived in peace for decades, bastions of civilization, prosperity and sophistication, protected by treaties, trade and a belief in the reasonable nature of their neighbors. But meanwhile, in far-off corners, the Wasp Empire has been devouring city after city with its highly trained armies, its machines, it killing Art . . . And now its hunger for conquest and war has become insatiable. Only the aging Stenwold Maker, spymaster, artificer and statesman, can see that the long days of peace are over. It falls upon his shoulders to open the eyes of his people, before a black-and-gold tide sweeps down over the Lowlands and burns away everything in its path. But first he must stop himself from becoming the Empire's latest victim.

A major new history of the spectacular rise and fall of the ancient world's greatest empire

BOOK ONE IN THE BROKEN EMPIRE TRILOGY “Prince of Thorns deserves attention as the work of an iconoclast who seems determined to turn that familiar thing, Medievalesque Fantasy Trilogy, entirely on its head.”—Locus When he was nine, he watched as his mother and brother were killed before him. By the time he was thirteen, he was the leader of a band of bloodthirsty thugs. By fifteen, he intends to be king... It’s time for Prince Honorous Jorg Ancrath to return to the castle he turned his back on, to take what’s rightfully his. Since the day he hung pinned on the thorns of a briar patch and watched Count Renar’s men slaughter his mother and young brother, Jorg has been driven to vent his rage. Life and death are no more than a game to him—and he has nothing left to lose. But treachery awaits him in his father’s castle. Treachery and dark magic. No matter how fierce his will, can one young man conquer enemies with power beyond his imagining?

The Emperor is dead. Long live the Empire. General Bordan has a lifetime of duty and sacrifice behind him in the service of the Empire. But with rebellion brewing in the countryside, and assassins, thieves and politicians vying for power in the city, it is all Bordan can do to protect the heir to the throne. Apprentice Magician Kyron is assigned to the late Emperor’s honour guard escorting his body on the long road back to the capital. Mistrusted and feared by his own people, even a magician’s power may fail when enemies emerge from the forests, for whoever is in control of the Emperor’s body, controls the succession. Seven lives and seven deaths to seal the fate of the Empire.

"In this book, Walter Scheidel provides a unique take on the perennial debates about the rise of the west. His main argument is straightforward and provocative: the fact that nothing like the Roman Empire ever again emerged in Europe was a crucial precondition for modern economic growth, the Industrial Revolution and worldwide conquest much later on. Contra Ken Pomeranz's classic thesis about the "Great Divergence" of the 18th/19th centuries when northwestern Europe pulled away from China and the rest of world in terms of economic performance and overall power, Scheidel argues there was a much more significant "first great divergence" in late antiquity which set the stage. Scheidel argues that it wasn't until the West "escaped" from the dominance of the Roman empire did it flourish economically (unlike China, comparison which will be explored in this book, which despite transformations and setbacks remained a "universal empire" for much of it's 2,200 year history). Scheidel approaches this "first great divergence" via a new take on some central question concerning the life and fate of the Roman Empire: How did the Roman Empire come into existence - did its rise depend on unique conditions that were never repeated later on? Was its fall inevitable? Why was nothing like the Roman Empire ever rebuilt? And did this matter for (much) later developments? He concludes by arguing that the fall and lasting disappearance of the Roman Empire was an indispensable precondition for later European exceptionalism and therefore for the creation of the modern world we now live in. From this perspective, the absence of the Roman Empire had a much greater impact than its previous existence and its subsequent influence on European culture, which is of course well documented in many domains and often accorded great significance. Scheidel does concede that a monopolistic empire like Rome's which first created a degree of shared culture and institutions but subsequently went away for good was perhaps more favorable to later European development than a scenario in which no such empire had ever existed in the first place. But, in answer to the question, ""What have the Romans ever done for us?" Scheidel replies: "fall and go away."" --

In 'Law's Empire', Ronald Dworkin relects on the nature of the law, its authority, its application in democracy, the prominent role of interpretation in judgement and the relations of lawmakers and lawgivers in the community.