How The Dead Dream

The newest novel from critically acclaimed Lydia Millet, How the Dead Dream is a beautiful, heart-wrenching tale and a riveting commentary on community in the modern suburban landscape and how the lives of animals are affected by it.

Fifty years after the Grateful Dead was formed, the band still exerts a powerful influence over hundreds of thousands of fans around the world. Today, an entire generation of Deadheads who have never experienced a live Dead show are still drawn to the music and the complex and colorful subculture that has grown up around it. In This Is All a Dream We Dreamed, Blair Jackson and David Gans, two of the most well-respected chroniclers of the Dead, reveal the band's story through the words of its members and their creative collaborators, as well as a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry. Woven into this musical saga is an examination of the subculture that developed into its own economy, touching fans from all walks of life, from penniless hippies to celebrities, and at least one U.S. vice president. The book traces the band's evolution from its folk/bluegrass beginnings through the Jug Band craze, an early incarnation as Rolling Stones wannabes, feral psychedelic warriors, the Americana jam band that blazed through the '70s, to the shockingly popular but still iconoclastic stadium-filling band of later years. The Dead broke every rule of the music business along the way, taking risks and venturing into new territory as they fused inspired ideas and techniques with intuition and fearlessness to create a sound-and a business model-unlike anything heard and seen before.

Paranormal warrior Jessica Walsh enlists the help of her psychic neighbor, Daisy Giordano, to help discover who or what is causing Nightshade, California, residents to die in their sleep with horrified looks on their faces.

Populists on both sides of the political aisle routinely announce that the American Dream is dead. According to them, the game has been rigged by elites, workers can’t get ahead, wages have been stagnant for decades, and the middle class is dying. Michael R. Strain, director of economic policy studies at the American Enterprise Institute, disputes this rhetoric as wrong and dangerous. In this succinctly argued volume, he shows that, on measures of economic opportunity and quality of life, there has never been a better time to be alive in America. He backs his argument with overwhelming—and underreported—data to show how the facts favor realistic optimism. He warns, however, that the false prophets of populism pose a serious danger to our current and future prosperity. Their policies would leave workers worse off. And their erroneous claim that the American Dream is dead could discourage people from taking advantage of real opportunities to better their lives. If enough people start to believe the Dream is dead, they could, in effect, kill it. To prevent this self-fulfilling prophecy, Strain’s book is urgent reading for anyone feeling the pull of the populists. E. J. Dionne and Henry Olsen provide spirited responses to Strain’s argument.

Dreams and Dead Ends provides a compelling history of the twentieth-century American gangster film. Beginning with Little Caesar (1930) and ending with Things To Do In Denver When You're Dead (1995), Jack Shadoian adroitly analyzes twenty notable examples of the crime film genre. Moving chronologically through nearly seven decades, this volume offers illuminating readings of a select group of the classic films--including The Public Enemy, D.O.A., Bonnie and Clyde, and The Godfather--that best define and represent each period in the development of the American crime film. Richly illustrated with more than seventy film stills, Dreams and Dead Ends details the evolution of the genre through insightful and precise considerations of cinematography, characterization, and narrative style. This updated edition includes new readings of three additional movies--Once Upon a Time in America, Things To Do In Denver When You're Dead, and Criss Cross--and brings this clear and lively discussion of the history of the gangster film to the end of the twentieth century.

When magic and superpowers emerge in the masses, Wendy Deere is contracted by the government to bag and snag supervillains in Hugo Award-winning author Charles Stross' Dead Lies Dreaming: A Laundry Files Novel. As Wendy hunts down Imp—the cyberpunk head of a band calling themselves “The Lost Boys”— she is dragged into the schemes of louche billionaire Rupert de Montfort Bigge. Rupert has discovered that the sole surviving copy of the long-lost concordance to the one true Necronomicon is up for underground auction in London. He hires Imp’s sister, Eve, to procure it by any means necessary, and in the process, he encounters Wendy Deere. In a tale of corruption, assassination, thievery, and magic, Wendy Deere must navigate rotting mansions that lead to distant pasts, evil tycoons, corrupt government officials, lethal curses, and her own moral qualms in order to make it out of this chase alive. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Valley of Dead Dreams is an inspired revelation of a world where dreams go when they are unfulfilled in the real world. This powerful story is told with captivating and riveting imagery, visionary detail and narrated in first person. Enter into a world of dreams, fascinating landscapes, and realms within realms. See the battle of life unfold before your very eyes; the valley of dead dreams will expose the truth of the spiritual realm and showcase a reality where our actions and inaction meet the truth of consequence.

Nina O'Reilly collaborates with a grave exhumation expert and triggers a cat-and-mouse game between her former investigator Paul van Wagoner and a brilliant killer.

December, and the river is rising. The village of Ledwardine has never been flooded in living memory. Within days it will be an island. There's no electricity. The church is serving as a temporary mortuary for two people who drowned. Only one man feels safer. An aggressively atheist author has been moved, for his own safety, Rushdie-style, into a secluded house just outside the village. Fundamentalist Christians have hated him for years. Now he's offended the Muslims. Bad move. Meanwhile, archaeologists, assisted by Merrily's teenage daughter, Jane, are at work in Coleman's Meadow, unearthing an ancient row of standing stones which some people would rather stay buried. The atheist's temporary home is close to the site. And his young wife is becoming conspicuously agitated. Is it the fear of discovery--or the kind of fear that she, of all people, could never disclose? One thing is clear: the last person who's going to be welcome in that house is an exorcist. With the flood water washing up Church Lane towards the vicarage and the shop running out of cigarettes it looks like a cold and complex Christmas for Merrily Watkins in an ancient community forced to untangle its own history against the swirling uncertainty of the future.