Houses That Change The World

Millions of Christians around the world are becoming aware of an imminent reformation of global proportions within the church. God is changing this revered institution and is making a new collective awareness of an age-old revelation, a corporate spiritual echo that reflects God's desire for the church. In this book, Simson brings to light what God is saying to Christians everywhere. Researched across the globe, he presents the case for the reformation of the church's existence. In a world where the church is being ignored, it is time to bring the church to the people and not the people to the church. Whether it is what we know as church from the last five years or the last five hundred years, no one has truly been able to break free from the structures of the past. Many may see this book as radical, many may see it as a reforming of old ideals but all who read it will be challenged and their priorities refocused in a life-changing way.

Originally published as "Houses That Change the World," this updated work offers a comprehensive understanding of the past, present, and future of the house church movement--and the vital role of "ordinary" people in saturating the world with God's truth.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

From an unrestored masterpiece such as the Aiken-Rhett House in Charleston, South Carolina, to a farmhouse in upstate New York, inhabited only by a bird nesting in the bathroom sink, Old Houses profiles 20 houses whose peeling paint, faded fabrics, and antique furniture impart a surprising elegance and beauty. An unusual volume, this book will appeal to historians, restoration specialists, and style-conscious homeowners lookingfor new ideas form examples of the past. Over 250 full-color photographs.

For more than twenty-five years House + House Architects have crafted intimate, personal architecture. Cathi and Steven House's extensive travels throughout Europe, Asia and Latin America, with focused studies in the Mediterranean and Mexico, have molded

Climate, environment, history, and technology are transforming architecture worldwide. The second volume in the Homes for Our Time series documents this housing revolution. It explores new approaches in building and presents resourceful and green private homes. This is a multilingual edition - English, French, German.

For more than fifty years, Robert A.M. Stern Architects has designed extraordinary houses and residences around the world, each suffused with a rich understanding of traditional architecture and an intuitive sense of how to shape a home to the needs of modern life. Many of the firm's important early commissions were houses, and while RAMSA has since evolved into an internationally renowned firm with an extraordinarily broad portfolio, an unflagging dedication to timeless residential design has remained a cornerstone of the practice. In Houses: Robert A.M. Stern Architects, RAMSA's residential Partners--Roger H. Seifter, Randy M. Correll, Grant F. Marani, and Gary L. Brewer--offer an intimate look at RAMSA houses from the last ten years and explore how these residences embody the spirit of place and find harmony between the traditional and the contemporary. A 424-page visual feast of rich, full-color photographs and elegant drawings, the book presents a selection of 17 homes that showcase RAMSA's mastery of diverse styles and highlight the firm's collaboration with leading interior designers, landscape architects, craftspeople, and builders from around the world. Featured are a rambling oceanside retreat in East Hampton; a mountain penthouse in the Rocky Mountains; a lakeside cottage in the Midwest; an urbane Park Avenue apartment; an elegant Mediterranean Revival villa in Fort Lauderdale; and a house in Singapore in that city's distinctive "Black-and-White" style. Together, the homes epitomize the quality, craftsmanship, and undeniable presence that define every RAMSA residence. With every page, readers will gain a deeper understanding of how RAMSA's architects honor context and time-honored design principles while always looking to the future, infusing established tradition with fresh life and anticipating how each home will grow, change, and evolve over the years.

The House of a Thousand Floors is one of the earliest science-fiction novels in European literature, published first in 1929. Besides being a pioneer in its genre, the book is highly regarded for its general merits as psychological literature. The novel tells the story of a dream in fever of a soldier wounded in World War I. He finds himself in the stairway of a gigantic (and kafkaesque) tower-like building, which is a metaphor for modern society. He learns that his task is to rescue Princess Tamara from Muller, the lord of the edifice. After a number of surrealistic encounters in the building, during which he is hailed as a liberator by many and is hunted by the cruel security guards, the main character finds Tamara and faces the cruel lord of Mullerdom. The novel makes fine use of a range of experimental styles and techniques. At times, linear storytelling gives way to a collage of incongruous elements: excerpts from fictitious books, encyclopedia articles, radio broadcast transcripts are used as a shortcut to describe places or events; other narrative ingredients include fanciful advertisements, ludicrous administrative documents or political slogans which highlight the idiosyncrasies of this decadent world.