Houses Of Horror

On Oct. 29, 2009, a SWAT team entered Sowell's house to arrest him on a sex charge, and found the bodies of ten women scattered throughout the house and buried in the back yard. Sowell lured his victims with promises of drugs and alcohol, then raped, tortured and strangled them ... and lived among their rotting corpses. Five other women were attacked by Sowell, but lived to tell their stories.--Publisher.

Classic haunted house ghost stories curated by world-renowned filmmaker and horror genre expert John Landis. This beautifully presented, highly collectible anthology features ghost stories that have enthralled, terrified and inspired readers decade after decade. Some are relatively well known; others are long-lost treasures, awaiting rediscovery. The selection includes tales of terror by Bram Stoker, H. P. Lovecraft, and Percival Landon; studies of creeping dread by Edgar Allan Poe and Henry James; short, sharp shockers by Ambrose Bierce, M.R. James and Lafcadio Hearn; and comedic masterpieces by Oscar Wilde and Saki. Mr. Landis' own introduction explores each tale's fascinating impact on the contemporary horror genre. Step inside these ghost-ridden repositories of supernatural evil, if you dare... "The oldest and strongest emotion of mankind is fear and the oldest and strongest kind of fear is fear of the unknown." H. P. Lovecraft

Two stranded couples find shelter in an inn but find themselves trapped in a game with rules setting up a life-or-death situation.

Haunted Homes is a short but groundbreaking study of homes in horror film and television. While haunted houses can be fun and thrilling, Hollywood horror tends to focus on haunted homes, places where the suburban American dream of safety and comfort has turned into a nightmare. From classic movies like The Old Dark House to contemporary works like Hereditary and the Netflix series The Haunting of Hill House, Dahlia Schweitzer explores why haunted homes have become a prime stage for dramatizing anxieties about family, gender, race, and economic collapse. She traces how the haunted home film was intertwined with the expansion of American suburbia, but also explores works like The Witch and The Babadook, which transport the genre to different times and places. This lively and readable study reveals how and why an increasing number of films imagine that home is where the horror is. Watch a video of the author discussing the topic Haunted Homes (https://youtu.be/_irTEfvtZfQ).

“When I was between the ages of five and eight, my sister and I slept in a large attic bedroom. At nightfall the room was filled with gypsies who glided around in clusters. They wore colorful thin flowing dresses and rummaged greedily through my drawers and books as if they would steal everything. I lay in bed as stiff as a board, trying to will myself invisible, praying they would not notice me looking . . . Daylight obliterated the gypsies, rendering them as thoroughly insubstantial as they had been real in the dark. I had a vague understanding that my vision was private, so I never told my family what I saw.” So began Corinne May Botz’s fascination with the invisible, a phenomenon that has profoundly influenced her approach to photography in style and subject matter. For more than ten years, she searched for ghost stories in buildings across the United States. She ventured into these haunted places with both camera and tape recorder in hand; her photographs, accompanied by first-person narratives, reveal a rare glimpse into American interiors, both physical and psychological. This book includes more than eighty haunted buildings, from the legendary to the ordinary, including Edgar Allan Poe’s house in Baltimore, a New Jersey tavern, and a Massachusetts farmhouse, a log cabin in Kentucky, and a number of private residences. The text includes ghost stories told to the author by those who lived through the moving rugs, creaking floors, apparitions, disappearing—and reappearing—objects, cries in the night, mysteriously burning candles, and other unexplained occurrences.

“A fascinating and frightening book” (Los Angeles Times)—the bestselling true story about a house possessed by evil spirits, haunted by psychic phenomena almost too terrible to describe. In December 1975, the Lutz family moved into their new home on suburban Long Island. George and Kathleen Lutz knew that, one year earlier, Ronald DeFeo had murdered his parents, brothers, and sisters in the house, but the property—complete with boathouse and swimming pool—and the price had been too good to pass up. Twenty-eight days later, the entire Lutz family fled in terror. This is the spellbinding, shocking true story that gripped the nation about an American dream that turned into a nightmare beyond imagining—“this book will scare the hell out of you” (Kansas City Star).

Trapped by a storm in a mysterious and frightening house, the reader is given several alternative choices to manipulate the plot and plan an escape.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

An acclaimed ghost hunter and author of Real Hauntings shares real-life stories of hauntings from across America. ”Have you ever come home and wondered what might be lurking up the stairs, in the dark of the corridor where the lights don’t reach and the soft footfalls of the visitor disappear into the thick carpet?” For more than five decades, Hans Holzer has been delving into disturbances from The Other Side. This Vienna-born researcher, the man they call “The Ghost Hunter,” has devoted much of his adult life to tracking those phantom presences that emerge from the shadows when least expected. Whether we call these spectral personages, “ghosts” or “spirits” or “left behinds,” they hover among us, defying easy explanation or dismissal. No one in America has researched these ghostly beings more assiduously or skillfully than Holzer. Indeed, he has been lauded as the most published paranormal investigator of the past century. This collection contains some of his most famous and controversial cases. Houses of Horror takes us deep into history both known and obscure; we encounter accused traitor Aaron Burr and experience the postmortem rustlings of colonial spies. In New Hampshire, a nineteenth century admiral makes things go bump in the night; a girl ghost playfully leaves surprise gifts in an old Kentucky home; and in Illinois, a suicide moves restlessly from room to room. Holzer’s explorations in the seemingly unexplainable have taken him far afield. He ventures down dark corridors in eerie New England mansions and sprawling Southern homes. His ghostly quarry surfaces in Minnesota, the rural Midwest heartland; even in Hollywood and on a moving Swiss train. Ever observant, patiently curious, Holzer jots down the cases and then moves on. This rich collection of hauntings can be read as an extended glimpse into the life beyond life; the realm of the unknown.

Freed of the ancient ghost that pined for Melanie's love, the VanBuren family now faces a modern-day spirit with one terrifying obsession: she wants the children! Melanie and Gary must do all they can to keep Gina, Kyle and Nancy out of the clutches of evil. If they thought the horror was in the past they were sadly mistaken… Don’t miss this electrifying sequel to Ghost House! PRAISE FOR CLARE MCNALLY: “You won’t sleep after you read this one!” —The West Orange Times on Somebody Come and Play "A macabre imagination and a tight rein on your nerves are required for McNally's latest release.” —Publishers Weekly on Good Night Sweet Angel