House Of Sand And Fog

The Oprah Book Club selection for November 2000.

Explosive elements coverge one early September night in a Florida men's club revealing the seamy underside of American life at the moment before the world changed.

"Taut with tension.… [E]nding with a hint of hope."—Rob Merrill, Associated Press Cathartic, affirming, and steeped in the empathy and precise observations of character for which Dubus is celebrated, Gone So Long explores how the wounds of the past afflict the people we become. Gone So Long is a riveting family drama about an ex-con who did time for murder, the estranged daughter he hasn’t seen in forty years, and the grandmother angry enough to kill him. A profound exploration of the struggle between the selves we wish to be, and the ones—shaped by chance and circumstance, as well as character—that we can’t escape, it confirms Andre Dubus’s reputation as a novelist whose “compassion is unsentimental and unblinking, total and unwavering” (Paul Harding).

A collection of short stories examining the lives of suburbanites seeking solace and gratification in food, sex, work, and love.

I've never read a better or more serious meditation on violence, its sources, consequences, and, especially, its terrifying pleasures, than "Townie." It's a brutal and, yes, thrilling memoir that sheds real light on the creative process of two of our best writers, Andre Dubus III and his famous, much revered father. You'll never read the work of either man in quite the same way afterward. You may not view the world in quite the same way either.--Richard Russo, author of "Empire Falls."

With House of Sand and Fog, his National Book Award-nominated novel, Andre Dubus III demonstrated his mastery of the complexities of character and desire. In this earlier novel he captures a roiling time in American history and the coming-of-age of a boy who must decide between desire, ambition, and duty. In the summer of 1967, Leo Suther has one more year of high school to finish and a lot more to learn. He's in love with the beautiful Allie Donovan who introduces him to her father, Chick — a construction foreman and avowed Communist. Soon Leo finds himself in the midst of a consuming love affair and an intense testing of his political values. Chick's passionate views challenge Leo's perspective on the escalating Vietnam conflict and on just where he stands in relation to the new people in his life. Throughout his — and the nation's — unforgettable "summer of love," Leo is learning the language of the blues, which seem to speak to the mourning he feels for his dead mother, his occasionally distant father, and the youth which is fast giving way to manhood.

Passion and betrayal, violent desperation, ambivalent love that hinges on hatred, and the quest for acceptance by those who stand on the edge of society-these are the hard-hitting themes of a stunningly crafted first collection of stories by the bestselling author of House of Sand and Fog. A vigilant young man working in a halfway house finds himself unable to defend against the rage of one of the inmates in the title story. In "White Trees, Hammer Moon," a man soon to leave home for prison finds himself as unprepared for a family camping trip in the mountains of New Hampshire as he has been for most things in his life. And in the award-winning "Forky," an ex-con is haunted by the punishment he receives just as he is being released into the world. With an incisive ability to inhabit the lives of his characters, Dubus travels deep into the heart of the elusive American dream.

It's the summer of 1960 in Atkinson, Vermont. Maria Fermoyle is a strong but vulnerable divorced woman whose loneliness and ambition for her children make her easy prey for dangerous con man Omar Duvall. Marie's children are Alice, seventeen—involved with a young priest; Norm, sixteen—hotheaded and idealistic; and Benny, twelve—isolated and misunderstood, and so desperate for his mother's happiness that he hides the deadly truth he knows about Duvall. We also meet Sam Fermoyle, the children's alcoholic father; Sam's brother-in-law, who makes anonymous "love" calls from the bathroom of his failing appliance store; and the Klubock family, who—in contrast to the Fermoyles—live an orderly life in the house next door. Songs in Ordinary Time is a masterful epic of the everyday, illuminating the kaleidoscope of lives that tell the compelling story of this unforgettably family.

Oscar nominee and Emmy Award–winning actress Shohreh Aghdashloo shares her remarkable personal journey—from a childhood in the Shah’s Iran to the red carpets of Hollywood—in The Alley of Love and Yellow Jasmines, a dazzling memoir of family, faith, and hope. When Shohreh Aghdashloo was growing up in Teheran, stardom was a distant dream, especially since her parents had more practical plans for their daughter… When revolution swept Iran in 1978, the Ayatollah Khomeini’s religious regime brought stifling restrictions on women and art. Shohreh Aghdashloo seized the moment and boldly left her husband for Europe and eventually, America, a vastly different culture. Shohreh Aghdashloo writes poignantly about her struggles as an outsider in a new culture—as a woman, a Muslim, and a Persian—adapting to a new land and a new language, and shares behind-the-scenes stories about what it’s really like to be an actress in Hollywood. The Alley of Love and Yellow Jasmines includes original color photographs from the author.

The twenty-five luminous and intensely personal essays in this collection are, like Andre Dubus's celebrated short stories, a testament to the author's vulnerability, vision, and indestructible faith. Since losing one leg and the use of the other in a 1986 accident, Dubus has experienced despair, learned acceptance, and, finally, found joy in the sacramental magic of even the most quotidian tasks. Whether he is writing of the relationship with his father, the rape of his beloved sister, his Catholic faith, the suicide of a gay naval officer, his admiration for fellow writers like Hemingway and Mailer, or the simple act of making sandwiches for his daughters' lunchboxes, Dubus cuts straight to the heart of things. Here we have a master at the height of his powers, an artist whose work "is suffused with grace, bathed in a kind of spiritual glow" (The New York Times Book Review).