House Of Light

Roger and Carolyn Perron purchased the home of their dreams and eventual nightmares in December of 1970. The Arnold Estate, located just beyond the village of Harrisville, Rhode Island seemed the idyllic setting in which to raise a family. The couple unwittingly moved their five young daughters into the ancient and mysterious farmhouse. Secrets were kept and then revealed within a space shared by mortal and immortal alike. Time suddenly became irrelevant; fractured by spirits making their presence known then dispersing into the ether. The house is a portal to the past and a passage to the future. This is a sacred story of spiritual enlightenment, told some thirty years hence. The family is now somewhat less reticent to divulge a closely-guarded experience. Their odyssey is chronicled by the eldest sibling and is an unabridged account of a supernatural excursion. Ed and Lorraine Warren investigated this haunting in a futile attempt to intervene on their behalf. They consider the Perron family saga to be one of the most compelling and significant of a famously ghost-storied career as paranormal researchers. During a seance gone horribly wrong, they unleashed an unholy hostess; the spirit called Bathsheba; a God-forsaken soul. Perceiving herself to be the mistress of the house, she did not appreciate the competition. Carolyn had long been under siege; overt threats issued in the form of firea mother's greatest fear. It transformed the woman in unimaginable ways. After nearly a decade the family left a once beloved home behind though it will never leave them, as each remains haunted by a memory. This tale is an inspiring testament to the resilience of the human spirit on a pathway of discovery: an eternal journey for the living and the dead.

This collection of poems by Mary Oliver once again invites the reader to step across the threshold of ordinary life into a world of natural and spiritual luminosity. Tell me, what is it you plan to do with your one wild and precious life? —Mary Oliver, "The Summer Day" (one of the poems in this volume) Winner of a 1991 Christopher Award Winner of the 1991 Boston Globe Lawrence L. Winship Book Award

The story of the Nosler Residence at 625 Hobart Street in Menlo Park, CA designed by John H. Thodos, FAIA for Peter and Kay Nosler.

Bonnie is scavenging on a beach when she finds a battered old row boat. And under the boat, a bare-footed boy-cold, hungry, and in need of help. The authorities have already been troubling Bonnie and Granda for breaking rules, but how can she leave this boy when he has no-one? Bonnie does her best to keep the boy hidden from the border guards, but as their suspicions grow, she wonders if it's time to escape the life she's always known. Under cover of darkness they set sail to the 'house of light' in search of a new beginning, and a sense of hope.

“Full of yearning, ponderances about art and what it means to be an artist, and self-revelation, A Scatter of Light has a simmering intensity that makes it hard to put down."—NPR An Instant New York Times Bestseller Last Night at the Telegraph Club author Malinda Lo returns to the Bay Area with another masterful queer coming-of-age story, this time set against the backdrop of the first major Supreme Court decisions legalizing gay marriage. Aria Tang West was looking forward to a summer on Martha’s Vineyard with her best friends—one last round of sand and sun before college. But after a graduation party goes wrong, Aria’s parents exile her to California to stay with her grandmother, artist Joan West. Aria expects boredom, but what she finds is Steph Nichols, her grandmother’s gardener. Soon, Aria is second-guessing who she is and what she wants to be, and a summer that once seemed lost becomes unforgettable—for Aria, her family, and the working-class queer community Steph introduces her to. It’s the kind of summer that changes a life forever. And almost sixty years after the end of Last Night at the Telegraph Club, A Scatter of Light also offers a glimpse into Lily and Kath’s lives since 1955.

A hilarious farce, in which a coastal New England hotel, the reader’s expectations, and possibly The Novel itself, are turned inside out by an outrageous cast of characters, a mutinous Author, and the onset of a disastrous storm.

Formerly announced as Maps and Territories, this collection of essays written by landscape historian Alessandra Ponte, begins with an investigation of the American obsession with lawns and then continues to collectively map the aesthetic, scientific and technological production of past and present North American landscapes. These include the American desert as a privileged site of scientific and artistic testing; the faraway projects of electrification of the Canadian North; the transformation of the notion and perception of waste and wasteland during the twentieth century; the photographic medium and its encounters with Native Americans; as well as an introductory essay, 'The Map and the Territory', written specifically for this volume.

Two gods, two houses, one quest, and the eternal war between life and death To save his kingdom, Anubis, Lord of the Dead, sends forth his servant on a mission of vengeance. At the same time, from The House of Life, Osiris sends forth his son, Horus, on the same mission to destroy utterly and forever The Prince Who Was a Thousand. But neither of these superhuman warriors is prepared for the strange and harrowing world of mortal life, and The Thing That Cries in the Night may well destroy not only their worlds, but all mankind. As Zelazny did with the Hindu pantheon in the legendary, groundbreaking classic Lord of Light, the master storyteller here breathes new life into the Egyptian gods with another dazzling tale of mythology and imagination.

American architect Hank Schubart was regarded as a genius for finding the perfect site for a house and for integrating its design into the natural setting, so that his houses appear to be as native to the forest around them as the trees and rocks. Salt Spring Island, one of the Gulf Islands in British Columbia, Canada, offered him a place to create the kind of architecture that responded to its surroundings, and Schubart-designed homes populate the island. Built of wood and glass, suffused with light, and oriented to views, they display characteristic features: random-width cedar siding, exposed beams, rusticated stonework. Over time, Schubart’s homes on Salt Spring Island came to be considered uniquely Gulf Islands homes. This inviting book offers the first introduction to the life and architecture of West Coast modernist Henry A. Schubart, Jr. (1916–1998). While still in his teens, Schubart persuaded Frank Lloyd Wright to accept him as a Taliesin Fellow, and his year’s apprenticeship in the master’s workshop taught him principles of designing in harmony with nature that he explored throughout the rest of his life. Michele Dunkerley traces Schubart’s career from his early practice in San Francisco at the noted firm Wurster, Bernardi & Emmons, to his successful firm with Howard Friedman, to his most lasting professional achievements on Salt Spring Island, where he became the de facto community architect, designing more than 230 residential, commercial, educational, and religious projects. Drawing lessons from his mentors over his decades on the island, he forged an everyday architecture with his mastery of detail and inventiveness. In doing so, he helped define how the island could grow without losing its soul. Color photographs and site plans display Schubart’s remarkable homes and other commissions.

The House of the Hidden Light (1904) has long been regarded by occultists as a great magical text, albeit one that has so far defied satisfactory explanation. The authors, Arthur Machen and A.E. Waite, were aficionados of turn of the century Bohemian London: both were members of the Order of the Golden Dawn; Machen had gained a certain reputation as a writer of outré supernaturalist fiction, including The Great God Pan (1894), whilst Waite was a talented scholar of magic. Such has been the reputation of The House of the Hidden Light that many investigators, including Aleister Crowley, have sought the key to the book, though none have unlocked its secrets.But now, ninety-nine years after its initial printing in an edition of only three copies, The House of the Hidden Light is published with an explanatory introduction and fully annotated text. At last, renowned Waite scholar R.A. Gilbert provides us with the key to The House of the Hidden Light, hitherto concealed in the everyday lives of the two authors themselves. In his authoritative Introduction, Gilbert reveals the book to be a coded record of Machen and Waite's nocturnal adventures around London. It may not be the great magical text that some had hoped for, but R.A. Gilbert's meticulous research serves to illuminate an important period in the lives of two influential literary figures.