Hook Your Readers

Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just "kid's stuff" anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you.

In the dead of winter, a super EMP destroys the nation's power grid. No electricity. No cars or phones. Worst of all: No heat. The country is plunged into instant chaos. But for twenty-six-year-old Hannah Sheridan, it's the best day of her life. For the last five years, she's been held captive by a sadistic psychopath--until the EMP releases the lock of her prison.Hannah emerges from her underground cell into a hostile winter landscape with no way to call for help, no vehicle that will drive, armed with nothing but the clothes on her back and her own determination to survive.Liam Coleman, cynical loner and former soldier, is headed nowhere fast. He believed he was prepared for any disaster--until the EMP took everything he'd ever cared about in a matter of seconds. When he runs across a desperate woman who will die without his help, he's forced to make a choice.Two hundred frozen, perilous miles stand between them and their destination in rural Michigan. But the lack of power, desperate people, and the treacherous elements aren't the only threats.Hannah's captor isn't about to let her go. He will hunt her to the ends of the earth and beyond, destroying anything and anyone who gets in his way. For she has something he wants--she's nine months pregnant with his child.Edge of Collapse is a gripping post-apocalyptic EMP thriller perfect for fans of Ryan Schow, Grace Hamilton, Harley Tate, Jack Hunt, and Boyd Craven.

This guide reveals how writers can utilize cognitive storytelling strategies to craft stories that ignite readers’ brains and captivate them through each plot element. Imagine knowing what the brain craves from every tale it encounters, what fuels the success of any great story, and what keeps readers transfixed. Wired for Story reveals these cognitive secrets—and it’s a game-changer for anyone who has ever set pen to paper. The vast majority of writing advice focuses on “writing well” as if it were the same as telling a great story. This is exactly where many aspiring writers fail—they strive for beautiful metaphors, authentic dialogue, and interesting characters, losing sight of the one thing that every engaging story must do: ignite the brain’s hardwired desire to learn what happens next. When writers tap into the evolutionary purpose of story and electrify our curiosity, it triggers a delicious dopamine rush that tells us to pay attention. Without it, even the most perfect prose won’t hold anyone’s interest. Backed by recent breakthroughs in neuroscience as well as examples from novels, screenplays, and short stories, Wired for Story offers a revolutionary look at story as the brain experiences it. Each chapter zeroes in on an aspect of the brain, its corresponding revelation about story, and the way to apply it to your storytelling right now.

WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.

"While trying to handle their own changing careers and personal issues, two sisters face more crisis when their mother develops Alzheimer's and a new baby enters their lives"--

In this spinoff to the New York Times–bestselling Goosebumps series, two mannequin dolls, props from a horror movie, come to life and terrify a tween boy. Luke Harrison’s dad makes horror films. It’s very fun to be around such scary stuff-especially when you have your own monster museum at home. But when two ventriloquist dummies join the collection, things get real creepy. Real-life creepy! Slappy and Snappy can walk and talk on their own. And they can make you scream on their own. They have a plan to make everyone’s lives miserable. Will Luke be able to stop this terrible twin twosome?

One of the 20th Century's most beloved novels is still winning hearts! I Capture the Castle tells the story of seventeen-year-old Cassandra and her family, who live in not-so-genteel poverty in a ramshackle old English castle. Here she strives, over six turbulent months, to hone her writing skills. She fills three notebooks with sharply funny yet poignant entries. Her journals candidly chronicle the great changes that take place within the castle's walls, and her own first descent into love. By the time she pens her final entry, she has "captured the castle"-- and the heart of the reader-- in one of literature's most enchanting entertainments. “This book has one of the most charismatic narrators I've ever met.” -- J.K. Rowling, author of the Harry Potter series

NEW YORK TIMES BESTSELLER • "Once upon a time, there was a woman who discovered that she had turned into the wrong person." The woman is Rebecca Davitch, a fifty-three-year-old grandmother. "You’ll want to turn back to the first chapter the moment you finish the last.” —PEOPLE On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation—something she married into after Joe Davitch spotted her at an engagement party in his family’s crumbling nineteenth-century Baltimore row house, where giving parties was his family business. What caught Joe's fancy was that she seemed to be having such a wonderful time. Soon this large-spirited divorcé with three little girls swept Beck into his orbit, and before she knew it she was embracing his extended family—plus a child of their own—and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms. Now, some thirty years later, after presiding over a disastrous family party, Rebecca is caught un-awares by the question of who she really is. Is she an impostor in her own life? Is it indeed her own life? How she answers—how she tries to recover her girlhood self, that dignified grownup she had once been—is the story told in this beguiling, funny, and deeply moving novel.

A teenage sociopath rises to power in Britain’s criminal underworld in this “brilliant and uncompromising” thriller (The New York Times). Seventeen-year-old Pinkie Brown, raised amid the casual violence and corruption in the dire prewar Brighton slums, has left his final judgment in the hands of God. On the streets, impelled by his own twisted moral doctrine, he leads a motley pack of gangsters whose sleazy little rackets have most recently erupted in the murder of an informant. Pinkie’s attempts to cover their tracks have led him into the bed of a timid and lovestruck young waitress named Rose—his new wife, the key witness to his crimes, and, should she live long enough, his alibi. But loitering in the shadows is another woman, Ida Arnold—an avenging angel determined to do right by Pinkie’s latest victim. Adapted for film in both 1948 and 2010 and for the stage as both a drama and musical, and serving as an inspiration to such disparate artists as Morrissey, John Barry, and Queen, “this bleak, seething and anarchic novel still resonate[s]” (The Guardian).

Dr. Lucy Peterman was not built for a messy life. A well-respected surgeon whose patients rely on her warmth, compassion, and fierce support, Lucy has always worked hard and trusted in the system. She’s not the sort of person who ends up in a twelve-step program after being caught stealing supplies from her hospital. But that was Lucy before the accident—before her husband and unborn baby were ripped away from her in an instant, before her future felt like a broken promise. Caught red-handed in a senseless act that kept her demons at bay, she’s faced with a choice: get some help or lose her medical license. Now she’s reluctantly sharing her deepest fears with a bunch of strangers, avoiding her loneliness by befriending a troubled girl, pinning her hopes on her husband’s last gift, and getting involved with a rugged cop from her past. It’s only when she is adopted by a stray mutt and moves her group to the dog park that she begins to truly bond with the ragtag dog-loving addicts—and discovers that a chaotic, unplanned life might be the sweetest of all . . .