Honky Tonk Gospel

Christian cultural analysis of the spiritual tensions and differing values in contemporary country music.

"Today is the day I've been eagerly anticipating. I'm looking out on the largest crowd for any event I've ever organized. I can't help but marvel at how someone like me, a small-town nobody, managed to bring together something of this magnitude!" This is how John Wilson opens the story of his journey from a lonely childhood in a dank basement room in his family's home in Missouri, through drug, alcohol, and gambling addictions, to promoting country music in bars, to marriage and children, to his efforts to take "Church Outside the Walls" via his work as Founder and CEO of Light the Way Ministry. Since receiving Jesus as Savior and acting on the vision John believes was placed in him by his Lord, the ministry has produced events where the Gospel has been presented to more than 100,000 individuals. From these events, more than 3,000 decisions have been made for Christ!

In The Gaithers and Southern Gospel, Ryan P. Harper examines songwriters Bill and Gloria Gaither's Homecoming video and concert series--a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market. The Homecomings represent "southern gospel." Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. The Homecomings' nostalgic orientation--their celebration of "traditional" kinds of American Christian life--harmonize well with southern gospel music, past and present. But amidst the backward gazes, the Homecomings also portend and manifest change. The Gaithers' deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely "southern." Harper reveals how the Gaithers negotiate a tension between traditional and changing community norms as they seek simultaneously to maintain and expand their audience as well as to initiate and respond to shifts within their fan base. Pulling from his field work at Homecoming concerts, behind the scenes with the Gaithers, and with numerous Homecoming fans, Harper reveals the Homecoming world to be a dynamic, complicated constellation in the formation of American religious identity.

Apostles of Rock is the first objective, comprehensive examination of the contemporary Christian music phenomenon. Some see CCM performers as ministers or musical missionaries, while others define them as entertainers or artists. This popular musical movement clearly evokes a variety of responses concerning the relationship between Christ and culture. The resulting tensions have splintered the genre and given rise to misunderstanding, conflict, and an obsessive focus on self-examination. As Christian stars Amy Grant, Michael W. Smith, DC Talk, and Sixpence None the Richer climb the mainstream charts, Jay Howard and John Streck talk about CCM as an important movement and show how this musical genre relates to a larger popular culture. They map the world of CCM by bringing together the perspectives of the people who perform, study, market, and listen to this music. By examining CCM lyrics, interviews, performances, web sites, and chat rooms, Howard and Streck uncover the religious and aesthetic tensions within the CCM community. Ultimately, the conflict centered around Christian music reflects the modern religious community's understanding of evangelicalism and the community's complex relationship with American popular culture.

Presents brief entries covering the history, significant artists, styles and influence of country music.

Country music, an original American artform, has been around since before the recording industry began and long before a singer even had the opportunity to sing into a microphone. From the early beginnings in the hills of Appalachia, to the rise of Hank Williams, Patsy Cline, and the more recent megastars, including Garth Brooks and Carrie Underwood, country music has proven to have staying power. It is one of the most popular styles of music in the world today, garnering more sales and downloads currently than any other genre. Many talented individuals are aspiring to sing country music and are determined to turn it into a successful career. Because of this growing popularity, there is a need to educate interested singers with information and methods that will give them the best possible chance at either having a career as a artist, working in the industry as a background vocalist or session singer, or simply realizing their potential in country music. Kelly K. Garner's So You Want To Sing Country is a book devoted to briefly reviewing the rich heritage of country singing and thoroughly examining the techniques and methods of singing in a country style. Additional topics of discussion will include country song types and structure, instrumentation, performing on stage and in the studio, and career options in country music. Additional chapters by Scott McCoy and Wendy LeBorgne, and Matthew Edwards address universal questions of voice science and pedagogy, vocal health, and audio enhancement technology. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Country features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

In a sweeping analysis of religion in the post-Civil War and twentieth-century South, Freedom's Coming puts race and culture at the center, describing southern Protestant cultures as both priestly and prophetic: as southern formal theology sanctified dominant political and social hierarchies, evangelical belief and practice subtly undermined them. The seeds of subversion, Paul Harvey argues, were embedded in the passionate individualism, exuberant expressive forms, and profound faith of believers in the region. Harvey explains how black and white religious folk within and outside of mainstream religious groups formed a southern "evangelical counterculture" of Christian interracialism that challenged the theologically grounded racism pervasive among white southerners and ultimately helped to end Jim Crow in the South. Moving from the folk theology of segregation to the women who organized the Montgomery bus boycott, from the hymn-inspired freedom songs of the 1960s to the influence of black Pentecostal preachers on Elvis Presley, Harvey deploys cultural history in fresh and innovative ways and fills a decades-old need for a comprehensive history of Protestant religion and its relationship to the central question of race in the South for the postbellum and twentieth-century period.

A social historian examines the use of technology in modern U.S. history and offers a different way to group American generations. The G.I. Generation. Silents. Baby Boomers. Gen Xers. Millenials. Generation Z. Every generation has its label and box. But the real question is: Why? Enter GenTech. It’s a whole new way to look at American generations. Instead of the conventional fixed and linear dates for generational cohorts, Dr. Rick Chromey proposes a fresh understanding that’s fluid and more of a loop, rooted to the technology each generation experiences in their “coming of age” years. Since 1900, there has been more technological change than in all of previous combined history. The airplane. The automobile. Radio. Television. Nuclear energy. Rockets. Internet. Cellphones. Robots. Furthermore, there’s a massive cultural shifting unlike anything witnessed since the Dark Ages gave way to the Renaissance, Reformation, Enlightenment, Scientific, and Industrial Ages. Consequently, postmodern generations (born since 1960) have grown up in a new, cyber, wireless, and visual high-tech culture that’s forever changed how we do business, learn, socialize, broadcast, entertain, and worship. It’s technology that shapes us, gives every generation its personality, and seeds who we’ll become tomorrow. GenTech opens a whole new perspective on how to view the world and understand why every generation matters. Praise for GenTech “Whether you’re a technology nerd or wizard, this intriguing book will help you connect the digital dots. You’ll see how technology is profoundly shaping our culture—and you, like it or not. Plus, you’ll discover how technology affects each generation differently, for better or worse.”—Thom Schultz, co-author of Don’t Just Teach…Reach!

In this unique book, David Fillingim explores country music as a mode of theological expression. Following the lead of James Cone's classic, "The Spirituals and the Blues, Fillingim looks to country music for themes of theological liberation by and for the redneck community. The introduction sets forth the book's methodology and relates it to recent scholarship on country music. Chapter 1 contrasts country music with Southern gospel music--the sacred music of the redneck community--as responses to the question of theodicy, which a number of thinkers recognize as the central question of marginalized groups. The next chapter "The Gospel according to Hank," outlines the career of Hank Williams and follows that trajectory through the work of other artists whose work illustrates how the tradition negotiates Hank's legacy. "The Apocalypse according to Garth" considers the seismic shifts occuring during country music's popularity boom in the 1980s. Another chapter is dedicated to the women of country music, whose honky-tonky feminism parallels and intertwines with mainstream country music, which was dominated by men for most of its history. Written to entertain as well as educate and advance, "Redneck Liberation will appeal to anyone who is interested in country music, Southern religion, American popular religiosity, or liberation theology.

Selected from papers presented at the 2000 Citadel Conference on the South, this collection of essays casts additional light on the southern experience and illuminates some of the directions its formal study may take in the new century. Emory Thomas opens the collection with a meditation on the shortcomings of the historical literature on the Civil War era. Essays by James McMillin, Kirsten Wood, and Patrick Breen revise estimates about the volume of the African slave trade, reveal how white widows embraced paternalism, and explore new ramifications of the fear of slave insurrection. Essays by Christopher Phillips on the birth of southern identity and by Brian Dirck and Christopher Waldrep on the key role language played in waging and in resolving the Civil War round out the discussion of the Old South. Turning to the New South, the next groups of essays examine religion and race relations during the Jim Crow era. Paul Harvey, Joan Marie Johnson, James O. Farmer Jr., and William Glass show how the beliefs of various Protestant churches - Pentecostal, Episcopalian, Presbyterian, and Methodist - produced surprising episodes of racial interaction, gave rise to at least one vocal c