Homage To Horace

This book combines one of the most famous names in Latin literature, the Roman poet Horace, with the creme de la creme of contemporary international classical scholarship. The seventeen brand new pieces have been brought together to celebrate the bimillenary of the poet's death, and range fromdetailed treatments of particular poems to general issues about Horace's literary techniques, themes, biography, and reception in later times. An introduction sets the book in the context of contemporary scholarship on the poet.

Horace is a central author in Latin literature. His work spans a wide range of genres, from iambus to satire, and odes to literary epistle, and he is just as much at home writing about love and wine as he is about philosophy and literary criticism. He also became a key literary figure in the regime of the Emperor Augustus. In this 2007 volume a superb international cast of contributors present a stimulating and accessible assessment of the poet, his work, its themes and its reception. This provides the orientation and coverage needed by non-specialists and students, but also suggests provoking perspectives from which specialists may benefit. Since the last general book on Horace was published half a century ago, there has been a sea-change in perceptions of his work and in the literary analysis of classical literature in general, and this territory is fully charted in this Companion.

A Companion to Horace features a collection of commissioned interpretive essays by leading scholars in the field of Latin literature covering the entire generic range of works produced by Horace. Features original essays by a wide range of leading literary scholars Exceeds expectations for the standard handbook by featuring essays that challenge, rather than just summarize, conventional views of Homer's work and influence Considers Horace’s debt to his Greek predecessors Treats the reception of Horace from contemporary theoretical perspectives Offers up-to-date information and illustrations on the archaeological site traditionally identified as Horace's villa in the Sabine countryside

A major reinterpretation of Horace's famous literary manual For two millennia, the Ars Poetica (Art of Poetry), the 476-line literary treatise in verse with which Horace closed his career, has served as a paradigmatic manual for writers. Rarely has it been considered as a poem in its own right, or else it has been disparaged as a great poet's baffling outlier. Here, Jennifer Ferriss-Hill for the first time fully reintegrates the Ars Poetica into Horace's oeuvre, reading the poem as a coherent, complete, and exceptional literary artifact intimately linked with the larger themes pervading his work. Arguing that the poem can be interpreted as a manual on how to live masquerading as a handbook on poetry, Ferriss-Hill traces its key themes to show that they extend beyond poetry to encompass friendship, laughter, intergenerational relationships, and human endeavor. If the poem is read for how it expresses itself, moreover, it emerges as an exemplum of art in which judicious repetitions of words and ideas join disparate parts into a seamless whole that nevertheless lends itself to being remade upon every reading. Establishing the Ars Poetica as a logical evolution of Horace's work, this book promises to inspire a long overdue reconsideration of a hugely influential yet misunderstood poem.

At a time of extraordinary political upheaval, Horace wrote poetry and proudly boasted that his Odes were bringing to Rome the metres and subject matter of the Greek lyric poets who had flourished some six centuries earlier. His achievement ensured that the Odes remained unique in Latin literature, and they have continued to be read and loved for two thousand years. Horace’s metrical diversity is fundamental to his artistry, so these translations recreate the original thirteen metres in English. They are written in elegant verse which is always alert to the poems’ structure, register, rhetoric, sound and syntax. Special attention is given to the nuanced meanings of words in their context and to the implications of Horace’s often highly unusual word-order—no Roman ever spoke such Latin, except when reading the Odes aloud. The translations are supported by a wide-ranging introduction, which provides biographical, historical and literary context, and shows several ways in which the Odes can respond to literary analysis. The extensive notes constitute a commentary on all the poems, drawing the reader from the translations to the facing text of Horace’s Latin, and offering brief discussions of textual, literary, linguistic, metrical, historical, geographical, mythological and religious issues. Students and general readers will find the tools here to help them develop their own personal response to Horace’s exceptional poetry, while teachers will welcome the opportunity to compare poems across all four books of the Odes in equal detail.

The first substantial commentary for a generation on this book of Horace's Odes, a great masterpiece of classical Latin literature.

Covering a wide range of topics including the iambic tradition and aspects of gender, this collection of essays on the Epodes by new and established scholars seeks to overturn the work's ill-famed reputation and to reassert its place as a valid and valued member of Horace's literary corpus. By focusing on the connections that can be drawn between the Epodes and other (ancient) works, as well as between the Epodes themselves, the volumewill appeal to new and seasoned readers of the poems.

During the Roman transition from Republic to Empire in the first century B.C.E., the poet Horace found his own public success in the era of Emperor Augustus at odds with his desire for greater independence. In Horace between Freedom and Slavery, Stephanie McCarter offers new insights into Horace's complex presentation of freedom in the first book of his Epistles and connects it to his most enduring and celebrated moral exhortation, the golden mean. She argues that, although Horace commences the Epistles with an uncompromising insistence on freedom, he ultimately adopts a middle course. She shows how Horace explores in the poems the application of moderate freedom first to philosophy, then to friendship, poetry, and place. Rather than rejecting philosophical masters, Horace draws freely on them without swearing permanent allegiance to any—a model for compromise that allows him to enjoy poetic renown and friendships with the city's elite while maintaining a private sphere of freedom. This moderation and adaptability, McCarter contends, become the chief ethical lessons that Horace learns for himself and teaches to others. She reads Horace's reconfiguration of freedom as a political response to the transformations of the new imperial age.

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The Roman philosopher and dramatic critic Quintus Horatius Flaccus (65-3 B.C.), known in English as Horace, was also the most famous lyric poet of his age. Written in the troubled decade ending with the establishment of Augustus's regime, his Satires provide trenchant social commentary on men's perennial enslavement to money, power, fame, and sex. Not as frequently translated as his Odes, in recent decades the Satires have been rendered into prose or bland verse. Horace continues to influence modern lyric poetry, and our greatest poets continue to translate and marvel at his command of formal style, his economy of expression, his variety, and his mature humanism. Horace's comic genius has also had a profound influence on the Western literary tradition through such authors as Swift, Pope, and Boileau, but interest in the Satires has dwindled due to the difficulty of capturing Horace's wit and formality with the techniques of contemporary free verse. A. M. Juster's striking new translation relies on the tools and spirit of the English light verse tradition while taking care to render the original text as accurately as possible.