History Of Politics

This book presents a series of case studies and thought-provoking essays arguing for a radical approach to history and providing a revisionist interpretation of the historian's role. In a new introduction, the author responds to critics of his original work and comments further on the radicalization of history.

Thirteen essays by scholars from seven countries discuss the political use and abuse of history in the recent decades with particular focus on Central and Eastern Europe (Hungary, Poland, Estonia, Moldova, Ukraine, Russia as case studies), but also includes articles on Germany, Japan and Turkey, which provide a much needed comparative dimension. The main focus is on new conditions of political utilization of history in post-communist context, which is characterized by lack of censorship and political pluralism. The phenomenon of history politics became extremely visible in Central and Eastern Europe in the past decade, and remains central for political agenda in many countries of the regions. Each essay is a case study contributing to the knowledge about collective memory and political use of history, offering a new theoretical twist. The studies look at actors (from political parties to individual historians), institutions (museums, Institutes of National remembrance, special political commissions), methods, political rationale and motivations behind this phenomenon.

A Quick History of Politics takes us from pharaohs to fair votes, packed with facts and jokes about the many faces of politics through time.

"This exploration of regalia throughout the world and the ages, and the powerful figures who exemplify each style -- from the ceremonial robes of Chinese emperors to the wigs and stockings of seventeenth-century couriers to the casual college-inspired blazers and sunglasses of American politicians such as JFK -- provides a fascinating and comprehensive view of the sociological aspects of clothing. If there is truth in the saying 'tell me what you were and I'll tell you who you are,' then it is also true to add, 'I'll tell you what kind of society you live in." -- Dust jacket.

What happens to left and liberal political orientations when faith in progress is broken, when both the sovereign individual and sovereign states seem tenuous, when desire seems as likely to seek punishment as freedom, when all political conviction is revealed as contingent and subjective? Politics Out of History is animated by the question of how we navigate the contemporary political landscape when the traditional compass points of modernity have all but disappeared. Wendy Brown diagnoses a range of contemporary political tendencies--from moralistic high-handedness to low-lying political despair in politics, from the difficulty of formulating political alternatives to reproaches against theory in intellectual life--as the consequence of this disorientation. Politics Out of History also presents a provocative argument for a new approach to thinking about history--one that forsakes the idea that history has a purpose and treats it instead as a way of illuminating openings in the present by, for example, identifying the haunting and constraining effects of past injustices unresolved. Brown also argues for a revitalized relationship between intellectual and political life, one that cultivates the autonomy of each while promoting their interlocutory potential. This book will be essential reading for all who find the trajectories of contemporary liberal democracies bewildering and are willing to engage readings of a range of thinkers--Freud, Marx, Nietzsche, Spinoza, Benjamin, Derrida--to rethink democratic possibility in our time.

Gabriel Rockhill opens new space for rethinking the relationship between art and politics. Rather than understanding the two spheres as separated by an insurmountable divide or linked by a privileged bridge, Rockhill demonstrates that art and politics are not fixed entities with a singular relation but rather dynamically negotiated, sociohistorical practices with shifting and imprecise borders. Radical History and the Politics of Art proposes a significant departure from extant debates on what is commonly called "art" and "politics," and the result is an impressive foray into the force field of history, in which cultural practices are meticulously analyzed in their social and temporal dynamism without assuming a conceptual unity behind them. Rockhill thereby develops an alternative logic of history and historical change, as well as a novel account of social practices and a multidimensional theory of agency. Engaging with a diverse array of intellectual, artistic, and political constellations, this tour de force diligently maps the various interactions between different dimensions of aesthetic and political practices as they intertwine and sometimes merge in precise fields of struggle.

The ensuing debates and disagreements over the recent past, examined by the author, open up a window into the wider development of German memory, identity, and politics after the end of the Cold War."--BOOK JACKET.

Finally in a one-volume paperback edition, On Politics is one of the most ambitious and hugely readable histories of political philosophy in nearly a century. Praised widely upon hardcover publication, Alan Ryan’s “masterpiece” (David Ulin, Los Angeles Times) blends history and philosophy to examine three thousand years of political thought. Drawing on three decades of research, Ryan insightfully traces the origins of political philosophy from the ancient Greeks to the present and evokes the lives and minds of our greatest thinkers in a way that makes reading about them a “remarkable experience” (Jeremy Waldron, New York Review of Books). Whether writing about Plato or Augustine, Tocqueville or Jefferson, Ryan illuminates John Dewey’s dictum that the role of philosophy is less to see truth than to enhance life. With this “epic” (John Keane, Financial Times) tour de force, Ryan affirms his place as one of the most influential political philosophers of our time.

The distinguished political philosopher Raymond Geuss examines critically the central topics in Western political thought. In a series of analytic chapters he discusses the state, authority, violence and coercion, the concept of legitmacy, liberalism, toleration, freedom, democracy, and human rights. He argues that the liberal democratic state committed to the defense of human rights is in fact a confused conjunction of disparate elements. This is a profound and concise essay on the basic structure of contemporary politics, written throughout in voice that is skeptical, engaged, and clear.

Explores the ideological, political, and economic stakes of struggles over international law's history and its relation to empire and capitalism.