Historical Sketch Of The Art Of War

The Art of War is an ancient Chinese military treatise dating from 5th century BC. The Art of War remains the most influential strategy text in East Asian warfare and has influenced both Eastern and Western military thinking, business tactics, legal strategy, lifestyles and beyond.The book contains a detailed explanation and analysis of the Chinese military, from weapons and strategy to rank and discipline.

Excerpt from The Art of War in the Middle Ages: A. D. 378-1515 The complicated nature of the subject being taken into con sideration, it is evident that a complete sketch of the social and political history of any period would be necessary to account fully for the state of the 'art of War' at the time. That art has existed, in a rudimentary form, ever Since the day on which two bodies of men first met in anger to settle a dispute by the arbitrament of force. At some epochs, however, military and social history have been far more closely bound up than at others. In the present century wars are but episodes in a people's existence: there have, however, been times when the whole national organization was founded on the supposition of a normal state of strife. In such cases the history of the race and of its 'art of war' are one and the same. To detail the constitution of Sparta, or of Ancient Germany, is to give little more than a list of military institutions. Conversely, to speak of the characteristics of their military science involves the mention of many of their political institutions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Art of War in the Middle Ages: A. D. 378-1515 The Art of War has been very simply defined as 'the art which enables any commander to worst the forces opposed to him.' It is therefore conversant with an enormous variety of subjects: Strategy and Tactics are but two of the more important of its branches. Besides dealing with discipline, organization, and armament, it is bound to investigate every means which can be adapted to increase the physical or moral efficiency of an army. The author who opened his work with a dissertation on 'the age which is preferable in a generalissimo,' or 'the average height which the infantry soldier should attain,' was dealing with the Art of War, no less than he who confined himself to purely tactical speculations. The complicated nature of the subject being taken into consideration, it is evident that a complete sketch of the social and political history of any period would be necessary to account fully for the state of the 'Art of War' at the time. That art has existed, in a rudimentary form, ever since the day on which two bodies of men first met in anger to settle a dispute by the arbitrament of force. At some epochs, however, military and social history have been far more closely bound up than at others. In the present century wars are but episodes in a people's existence: there have, however, been times when the whole national organization was founded on the supposition of a normal state of strife. In such cases the history of the race and of its 'art of war' are one and the same. To detail the constitution of Sparta, or of Ancient Germany, is to give little more than a list of military institutions. Conversely, to speak of the characteristics of their military science involves the mention of many of their political institutions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Art of War has been very simply defined as 'the art which enables any commander to worst the forces opposed to him.' It is therefore conversant with an enormous variety of subjects: Strategy and Tactics are but two of the more important of its branches. Besides dealing with discipline, organization, and armament, it is bound to investigate every means which can be adapted to increase the physical or moral efficiency of an army. The author who opened his work with a dissertation on 'the age which is preferable in a generalissimo, ' or 'the average height which the infantry soldier should attain, ' was dealing with the Art of War, no less than he who confined himself to purely tactical speculations. The complicated nature of the subject being taken into consideration, it is evident that a complete sketch, of the social and political history of any period would be necessary to account fully for the state of the 'Art of War' at the time. That art has existed, in a rudimentary form, ever since the day on which two bodies of men first met in anger to settle a dispute by the arbitrament of force. At some epochs, however, military and social history have been far more closely bound up than at others. In the present century wars are but episodes in a people's existence: there have, however, been times when the whole national organization was founded on the supposition of a normal state of strife. In such cases the history of the race and of its 'art of war' are one and the same

This work is the most famous study of military strategy ever written and has had an extraordinary influence on the history of warfare. Its principles were used by Mao Tse-tung, General Vo Ngyuen Giap, and Admiral Isoroku Yamamoto. First translated two hundred years ago, it has been credited with influencing Napoleon, the German general staff, and even the planning for Operation Desert Storm. Today, Western businessmen and other are turning to it for inspiration and advice on how to succeed in competitive situations of all kinds. Unlike other editions currently available, this translation make use of the best available classical Chinese manuscripts, including the ancient tomb text version discovered by archaeologists at Linyi, China. The author places this classic work of strategy in its proper historical context by supplying a portrait of Sun-Tzu's era and outlining several battles of the period that may have either influenced him or been conducted by him.

The Art of War is almost certainly the most famous study of strategy ever written and has had an extraordinary influence on the history of warfare. The principles Sun-tzu expounded were utilized brilliantly by such great Asian war leaders as Mao Tse-tung.

Widely regarded as "The Oldest Military Treatise in the World," this landmark work covers principles of strategy, tactics, maneuvering, communication, and supplies; the use of terrain, fire, and the seasons of the year; the classification and utilization of spies; the treatment of soldiers, including captives, all have a modern ring to them.