Hier Regnant Desert

Healing the Split consists of the collected essays of poet, literary critic and philosopher Marc Elihu Hofstadter. The essays stretch from Hofstadter's early scholarly articles about poets William Carlos Williams and Yves Bonnefoy through articles published in the Redwood Coast Review about poetry, art, music, science, politics and France to recent articles concerning the "split" between the sciences and the humanities, reason and feeling/intuition/faith. The book embodies Hofstadter's consistent belief in the idea that all human activities are composed of an "objective" element and a "subjective" element. Human knowledge, whether scientific, mathematical, philosophical or artistic, contains a degree of objective certainty mixed with a component of subjective feeling. The differences between science and the humanities are differences of degree of objectivity, not of essence, and the knowledge the humanities display is a genuine form of knowledge, less certain than science but rich in tangible, felt experience. Even early in his career as a literary critic, Hofstadter was interested in how such otherwise diverse poets as Williams and Bonnefoy sacralize the coming together of mind and world in all forms of human experience. As Williams put it, "No ideas but in things "-by which he meant, not, Let there not be any ideas but, Let all ideas be inextricably entwined with the physical world Hofstadter argues that, in all our activities, there is a mixture of the thinking, reasoning mind and the parts of us that feel, perceive, touch-our bodies, our hearts. Science and philosophy are the great achievements of the mind, while art and religion are the most powerful consummations of sensing and feeling-yet science and philosophy are partly emotive, and art and theology partly rational. The difference, again, is in degree. Healing the Split is an attempt to bring reason and feeling/intuition/faith together, to show how they are intimately related. The Buddhist faith is key to this effort, because Buddhism doesn't analyze out reason and non-rational knowledge as separate faculties but tries to unite them in a direct, embodied kind of experience that "heals the split" between them and makes the individual human being whole. In Buddhism, everything we know is known through consciousness, and distinctions between subject and object, mind and world, logic and faith become artificial, since consciousness is essentially unitary. And Buddhism sees all phenomena, known through consciousness, as being related in a universal "web" everything is connected ultimately to everything else, and the world is essentially One. Healing the Split is finally a work of mysticism in the line of Parmenides, who believed that everything is one, or the Kabbalists, who worshipped the All in the form of "Ha Shem" the unnamable "Name." Marc Elihu Hofstadter was born in New York City in 1945. He received his B.A. in French literature from Swarthmore College in 1967 and his Ph.D. in Literature from the University of California at Santa Cruz in 1975. He has taught American literature at Santa Cruz, the Universite d'Orleans (on a Fulbright Lectureship) and Tel Aviv University. In 1980 he obtained his Master of Library Science degree from the University of California at Berkeley, and from 1982 to 2005 served as the Librarian of the City of San Francisco's transit agency. He has published five volumes of poetry: House of Peace, Visions, Shark's Tooth, Luck and Rising at 5 AM, all of which are available on amazon.com, and his poems, translations and essays have appeared in over sixty magazines. He lives in the retirement community of Rossmoor in Walnut Creek, California with his partner, the artist David Zurlin.

Yves Bonnefoy is the most important and influential French poet to have emerged since the Second World War. Poet, art critic, historian, translator (particularly of Shakespeare), specialist in the problem of the relation of poetry to the visual arts and to the history of religions, Bonnefoy is now considered one of the most distinguished men of letters of his generation. Though Bonnefoy's work is familiar to American scholars, the complexity of his thought and style has created a need for a critical introduction to his work. This first major study of Bonnefoy written in English provides an overview of his entire literary career. Naughton situates Bonnefoy in the context of the existential philosophical tradition that nurtured him and in the poetic and artistic tradition that includes Dante and Shakespeare, Piero and Poussin, Baudelaire and Rimbaud. Bonnefoy's poems appear in both French and English, and all quotations from his prose have been translated. This book will appeal not only to the growing number of students and scholars of French literature interested in Bonnefoy's work, but also to those who study comparative poetry and the relation of poetry to art and to contemporary religious thought.

Yves Bonnefoy, celebrated translator and critic, is widely considered the most important and influential French poet since World War II. Named to the College de France in 1981 to fill the chair left vacant by the death of Roland Barthes, Bonnefoy was the first poet honored in this way since Paul Valery. Winner of many awards, including the Prix Goncourt in 1987 and the Hudson Review's Bennett Award in 1988, he is the author of six critically acclaimed books of poetry. Spanning four decades and drawing on all of Bonnefoy's major collections, this selection provides a comprehensive overview of and an ideal introduction to his work. The elegant translations, many of them new, are presented in this dual-language edition alongside the original French. Several significant works appear here in English for the first time, among them, in its entirety, Bonnefoy's 1991 book of verse, The Beginning and the End of the Snow, the 1988 prose poem Where the Arrow Falls, and an important long poem from 1993, "Wind and Smoke." Together with poems from such classic volumes as "In the Lure of the Threshold", these new works shed light on the growth as well as the continuity of Bonnefoy's work. John Naughton's detailed introduction looks at the evolution of Bonnefoy's poetry from the 1953 publication of "On the Motion and Immobility of Douve", which immediately established his reputation as one of France's leading poets, through the 1993 publication of The Wandering Life and its centerpiece "Wind and Smoke." "This is a comprehensive selection that contains examples of work spanning [Bonnefoy's] full career of forty years, from the ground-breaking "Du Mouvement et de l'Immobilité de Douve" through the celebratory "Pierre Ecrite" to the magical winter landscapes of America's East Coast and an unsettling reworking of myth in the recent "La Vie Errante" . . . The translations, which are the work of a variety of hands, including Galway Kinnell, Emily Grosholz and Anthony Rudolf, nevertheless fit well together and all are sensitive to the register and subtleties of both languages, while the introductory essay by John Naughton expertly explains Bonnefoy's importance as a poet and the influences which have shaped him. This is definitely a volume worth having, for layman and French specialist alike."—Hilary Davies, Times Literary Supplement "Anyone not familiar with Bonnefoy's work will benefit from the background information and explanations given by John Naughton in his excellent introduction . . . . The book as a whole provides an excellent introduction to Bonnefoy's poetry and to his concerns of a lifetime."—Don Rodgers, Poetry Wales

The question of the relationship between aesthetics and history is reconsidered in this study of these postwar poets. Petterson argues that postwar French poetry is a critical poetry encompassing a vast poetic tradition from poets such as Baudelaire and Rimbaud to Francis Ponge and Paul Celan. The author also shows how the critical writings of Hegel, Heidegger, and Ricoeur (among others) suggest that what he calls postwar poetry's will-to-meaning and its attempt to develop a post-Romantic poetics necessarily questions poetry's ties to philosophical, historical, and political narratives.

Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.

VOL. 1 (A-D) VOL. 2 (E-K) VOL 3. (L-Q) VOL. 4 (R-Z/INDEXES).

Collection of essays which indicate the "complex constellation of greatly differing interpretive formations concerning the term postmodernism."