Hidden History Of Mississippi Blues

Although many bluesmen began leaving the Magnolia State in the early twentieth century to pursue fortune and fame up north, many others stayed home. These musicians remained rooted to the traditions of their land, which came to define a distinctive playing style unique to Mississippi. They didn't simply play the blues, they lived it. Travel through the hallowed juke joints and cotton fields with author Roger Stolle as he recounts the history of Mississippi blues and the musicians who have kept it alive. Some of these bluesmen remain to carry on this proud legacy, while others have passed on, but Hidden History of Mississippi Blues ensures none will be forgotten.

Although many bluesmen began leaving the Magnolia State in the early twentieth century to pursue fortune and fame up north, many others stayed home. These musicians remained rooted to the traditions of their land, which came to define a distinctive playing style unique to Mississippi. They didn't simply play the blues, they lived it. Travel through the hallowed juke joints and cotton fields with author Roger Stolle as he recounts the history of Mississippi blues and the musicians who have kept it alive. Some of these bluesmen remain to carry on this proud legacy, while others have passed on, but Hidden History of Mississippi Blues ensures none will be forgotten.

The music called the blues that emerged from Mississippi has shaped the development of popular music in this country and around the world. Musicians remained rooted in the traditions of their land, which came to define a distinctive playing style unique to Mississippi. They didn't simply play the blues, they lived it. Travel through the hallowed juke joints and cotton fields with author Roger Stolle as he recounts the history of Mississippi blues and the musicians who have kept it alive. Some of these bluesmen remain to carry on this proud legacy, while others have passed on, but Hidden History of Mississippi Blues ensures none will be forgotten.

The music called the blues that emerged from Mississippi has shaped the development of popular music in this country and around the world. Musicians remained rooted in the traditions of their land, which came to define a distinctive playing style unique to Mississippi. They didn't simply play the blues, they lived it. Travel through the hallowed juke joints and cotton fields with author Roger Stolle as he recounts the history of Mississippi blues and the musicians who have kept it alive. Some of these bluesmen remain to carry on this proud legacy, while others have passed on, but Hidden History of Mississippi Blues ensures none will be forgotten.

The music called the blues that emerged from Mississippi has shaped the development of popular music in this country and around the world. Musicians remained rooted in the traditions of their land, which came to define a distinctive playing style unique to Mississippi. They didn't simply play the blues, they lived it. Travel through the hallowed juke joints and cotton fields with author Roger Stolle as he recounts the history of Mississippi blues and the musicians who have kept it alive. Some of these bluesmen remain to carry on this proud legacy, while others have passed on, but Hidden History of Mississippi Blues ensures none will be forgotten.

“The essential history of this distinctly American genre.”—Atlanta Journal-Constitution In this “expertly researched, elegantly written, dispassionate yet thoughtful history” (Gary Giddins), award-winning author Ted Gioia gives us “the rare combination of a tome that is both deeply informative and enjoyable to read” (Publishers Weekly, starred review). From the field hollers of nineteenth-century plantations to Muddy Waters and B.B. King, Delta Blues delves into the uneasy mix of race and money at the point where traditional music became commercial and bluesmen found new audiences of thousands. Combining extensive fieldwork, archival research, interviews with living musicians, and first-person accounts with “his own calm, argument-closing incantations to draw a line through a century of Delta blues” (New York Times), this engrossing narrative is flavored with insightful and vivid musical descriptions that ensure “an understanding of not only the musicians, but the music itself” (Boston Sunday Globe). Rooted in the thick-as-tar Delta soil, Delta Blues is already “a contemporary classic in its field” (Jazz Review).

"Deep Blues" offers a concise, authoritative account of the music's Afircan beginnings, its early evolution, and its transformation from a backcountry good-time music into today's modern blues and rock and roll.

Uncovers the unexplored history of the love song, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day, and discusses such topics as censorship, the legacy of love songs, and why it is a dominant form of modern musical expression.

The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by. Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse." Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts," Wade shows how a single artist can make a difference within a democracy. Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.