Hibernian Nights Entertainments The Death Of The Children Of Usnach The Return Of Claneboy The Captive Of Killeshin 1904

This book provides a critical assessment and examination of the prose and poetry of Ireland's Samuel Ferguson. It presents a clear understanding of the shape and purpose of Ferguson's career as a writer, which extended over half a century. The scholarly sources from which Ferguson extracted many of his themes are carefully examined, as are the times during which Ferguson lived and wrote. This book will be of great interest to students and scholars of Irish literature, and the politics and history of nineteenth century Ireland. CONTENTS Introduction; Early Periodical Writings; Hibernian Nights' Entertainments R and Other Fiction; The 1840s: A New Beginning; Lays of the Western Gael and Other Poems I; Lays of the Western Gael and Other Poems II; Congal; Poems; Passing On; Notes; Samuel Ferguson: A Chronology; A Checklist of Samuel Ferguson's Published Writings; Bibliography; Index R. Irish Literary Studies Series No. 39.

This work explores the interrelation of Irish political history and Irish literature. It discusses a host of unusual topics, from Shaw and science and Irish attitudes, to nature and the question of language, and a full-scale investigation of the Celtic revival.

"Writing Ireland is a provocative and wide-ranging examination of culture, literature and identity in nine-teenth- and twentieth-century Ireland. Moving beyond the reductionist reading of the historical moment as a backdrop to cultural production, the authors deploy contemporary theories of discourse and the constitution of the colonial subject to illuminate key texts in the cultural struggle between the colonizer and the colonized. The book opens with a consideration of the originary moment of the colonial relationsip of England and Ireland through re-reading of works by Shakespeare and Spenser. Cairns and Richards move then to the constitution of the modern discourse of Celticism in the nineteenth century. A fundamental re-reading of the period of the Literary Revival through the works of Yeats, Synge, Joyce and O'Casey locates them in a social moment illuminated by detailed considerations of poems, playwrights and polemicists such as D. P. Moran, Arthur Griffith, Patrick Pearse and Thomas MacDonagh. Writing Ireland examines the psychic, sexual and social costs of the decolonisation struggle in the society and culture of the Irish Free State and its successor. Beckett, Kavanagh and O'Faolain registered the enervation and paralysis consequent upon sustaining a repressive view of Irish identity. The book concludes in the contemporary moment, as Ireland's post-colonial culture enters crisis and writers like Seamus Heaney, Brian Friel, Tom Murphy and Seamus Deane grapple with the notion of alternative identities. Writing Ireland provides students of literature, history, cultural studies and Irish studies with a lucid analysis of Ireland's colonial and post-colonial situation on which an innovative methodology transcends disciplinary divisions."--