Hey Harry Hey Matilda

Matilda Goodman is an underemployed wedding photographer grappling with her failure to live as an artist and the very bad lie she has told her boyfriend (that she has a dead twin). Harry, her (totally alive) brother, is an untenured professor of literature, anxiously contemplating his dead-end career and sleeping with a student. When Matilda invited her boyfriend home for Thanksgiving to meet the family, she falls down a slippery slope of shame, scandal, and drunken hot tub revelations forcing both siblings to examine who they really are and who they want to be. Told entirely in hilarious email exchanges, this is a wonderfully subversive, sensitive novel of romantic entanglement and misguided ambition

A fantasy children's book intended for infants and toddlers, Flying Henry follows the story of a baby who develops a magical ability to fly. Aware of his rare gift, he soars through his home, into nature, and unfamiliar places, testing the limits of his new skill by examining the world around him from the sky and embarking on great adventures. But, eventually Henry grows lonely and has to learn a very important secret about flying in order to fully enjoy his gift. Realistic looking flight rendered by artist Rachel Hulin with the willing support of her son, Henry, is an exceptional addition to the genre of photographic children's books and will appeal to adults as well.

"Scribble, the book's main character, never thought he was different until he met his first drawing. Then, after being left out because he didn't look like everyone else, Scribble teaches the drawings how to accept each other for who they are which enables them to create amazing art together!"--Provided by publisher.

The internationally acclaimed debut of a novelist described by the New York Times Book Review as a “lovely comic surrealist”—a story of sex, love, and art found in the unlikeliest of places Jeremy Acidophilus is not really named after the yogurt culture—he just likes to tell people that he is. Actually, he thought of that line years ago but has never been brave enough to use it on someone—until he meets Lady Henrietta over a dish of green Jell-O in his new favorite coffee shop. A painter of naked men for Playgirl magazine who has taken her name from The Picture of Dorian Gray, Henrietta has the power to make Jeremy do all kinds of things he would not normally do, including disrobe for a stranger. He thinks that he must be falling in love. Think again, says Sara, the artist’s outrageously precocious eleven-year-old daughter as she sets out to seduce the new model. From the gray streets of Manhattan to the pastel kaleidoscope of Disney World, Jeremy’s journey of self-discovery is both irresistibly absurd and uncannily real. Everyone—from his cat Minou to a dancing magician named Laura to the agents hired by his mother to taunt him—has advice for Jeremy. Before he can hear any of it, though, he first needs to find out how to listen to himself. A witty and wild exploration of sexuality, creativity, and the paradoxes of self, Nude Men is the rare novel with the power to charm and shock in equal measure.

If you like Modern Family, you’ll love this

In this often moving, sometimes wry account of life in Baghdad during the first war on Iraq and in exile in the years following, Iraqi-born, British-educated artist Nuha al-Radi shows us the effects of war on ordinary people. She recounts the day-to-day realities of living in a city under siege, where food has to be consumed or thrown out because there is no way to preserve it, where eventually people cannot sleep until the nightly bombing commences, where packs of stray dogs roam the streets (and provide her own dog Salvi with a harem) and rats invade homes. Through it all, al-Radi works at her art and gathers with neighbors and family for meals and other occasions, happy and sad. In the wake of the war, al-Radi lives in semi-exile, shuttling between Beirut and Amman, travelling to New York, London, Mexico and Yemen. As she suffers the indignities of being an Iraqi in exile, al-Radi immerses us in a way of life constricted by the stress and effects of war and embargoes, giving texture to a reality we have only been able to imagine before now. But what emanates most vibrantly from these diaries is the spirit of endurance and the celebration of the smallest of life’s joys.

Catherine West has spent her entire life surrounded by beautiful things. And yet, despite all this, she still feels empty. After two broken engagements and boyfriends who wanted only her money, she is worried that she'll never have a family of her own. Then at an art opening Catherine meets William Stockton, a handsome banker who shares her impeccable taste and whose parents once moved in the same circles as Catherine's. But as William and Catherine grow closer, she begins to encounter strange signs. Her mother, now suffering lapses in memory, seems to hate William on sight. Is William lying about his past? And if so, is Catherine willing to sacrifice their beautiful life in order to find the truth?

You've just boarded a plane. You've loaded your phone with your favorite podcasts, but before you can pop in your earbuds, disaster strikes: The guy in the next seat starts telling you all about something crazy that happened to him--in great detail. This is the unwelcome storyteller, trying to convince a reluctant audience to care about his story. We all hate that guy, right? But when you tell a story (any kind of story: a novel, a memoir, a screenplay, a stage play, a comic, or even a cover letter), you become the unwelcome storyteller. So how can you write a story that audiences will embrace? The answer is simple: Remember what it feels like to be that jaded audience. Tell the story that would win you over, even if you didn't want to hear it. The Secrets of Story provides comprehensive, audience-focused strategies for becoming a master storyteller. Armed with the Ultimate Story Checklist, you can improve every aspect of your fiction writing with incisive questions like these: • Concept: Is the one-sentence description of your story uniquely appealing? • Character: Can your audience identify with your hero? • Structure and Plot: Is your story ruled by human nature? • Scene Work: Does each scene advance the plot and reveal character through emotional reactions? • Dialogue: Is your characters' dialogue infused with distinct personality traits and speech patterns based on their lives and backgrounds? • Tone: Are you subtly setting, resetting, and upsetting expectations? • Theme: Are you using multiple ironies throughout the story to create meaning? To succeed in the world of fiction and film, you have to work on every aspect of your craft and satisfy your audience. Do both--and so much more--with The Secrets of Story.

Social media and digital technologies are transforming what and how we read. Books and Social Media considers the way in which readers and writers come together in digital communities to discover and create new works of fiction. This new way of engaging with fiction stretches the boundaries of what has been considered a book in the past by moving beyond the physical or even digitally bound object to the consideration of content, containers, and the ability to share. Using empirical data and up-to-date research methods, Miriam Johnson introduces the ways in which digitally social platforms give rise to a new type of citizen author who chooses to sidestep the industry’s gatekeepers and share their works directly with interested readers on social platforms. Gender and genre, especially, play a key role in developing the communities in which these authors write. The use of surveys, interviews, and data mining brings to the fore issues of gender, genre, community, and power, which highlight the push and pull between these writers and the industry. Questioning what we always thought we knew about what makes a book and traditional publishing channels, this book will be of interest to anyone studying or researching publishing, book history, print cultures, and digital and contemporary literatures.

An exploration of how email is experienced, understood, and materially structured as a practice spanning our everyday domestic and work lives. Despite its many obituaries, email is not dead. As a global mode of business and personal communication, email outstrips newer technologies of online interaction; it is deeply embedded in our everyday lives. And yet—perhaps because the ubiquity of email has obscured its study—this is the first scholarly book devoted to email as a key historical, social, and commercial site of digital communication in our everyday lives. In Email and the Everyday, Esther Milne examines how email is experienced, understood, and materially structured as a practice spanning the domestic and institutional spaces of daily life. Email experiences range from the routine and banal to the surprising and shocking. Drawing on interviews and online surveys, Milne focuses on both the material and the symbolic properties of email. She maps the development of email as a technology and as an industry; considers institutional uses of email, including “bureaucratic intensity” of workplace email and the continuing vibrancy of email groups; and examines what happens when private emails end up in public archives, discussing the Enron email dataset and Hillary Clinton's infamous private server. Finally, Milne explores the creative possibilities of email, connecting eighteenth-century epistolary novels to contemporary “email novels,” discussing the vernacular expression of ASCII art and mail art, and examining email works by Carl Steadman, Miranda July, and others.