Heralds Of Spring In Texas

We know by the calendar when springs officially begins, but how does nature tell us spring has come? In Heralds of Spring in Texas Roland H. Wauer walks us through Texas, from the Rio Grands to the panhandle, as spring arrives.

This text explores the natural history of Texas and more than 2900 springs in 183 Texas counties. It also includes an in-depth discussion of the general characteristics of springs - their physical and prehistoric settings, their historical significance, and their associated flora and fauna.

"Think of it as a Texas version of Hillbilly Elegy." — Bryan Burrough, New York Times bestselling author of THE BIG RICH and BARBARIANS AT THE GATE "Bryan Mealer has given us a brilliant, and brilliantly entertaining, portrayal of family, and a bursting-at-the-seams chunk of America in the bargain.” — Ben Fountain, bestselling author of Billy Lynn's Long Halftime Walk A saga of family, fortune, faith in Texas, where blood is bond and oil is king... In 1892, Bryan Mealer’s great-grandfather leaves the Georgia mountains and heads west into Texas, looking for wealth and adventure in the raw and open country. But his luck soon runs out. Beset by drought, the family loses their farm just as the dead pastures around them give way to one of the biggest oil booms in American history. They eventually settle in the small town of Big Spring, where fast fortunes are being made from its own reserves of oil. For the next two generations, the Mealers live on the margins of poverty, laboring in the cotton fields and on the drilling rigs that sprout along the flatland, weathering dust and wind, booms and busts, and tragedies that scatter them like tumbleweed. After embracing Pentecostalism during the Great Depression, they rely heavily on their faith to steel them against hardship and despair. But for young Bobby Mealer, the author’s father, religion is only an agent for rebellion. In the winter of 1981, when the author is seven years old, Bobby receives a call from an old friend with a simple question, “How'd you like to be a millionaire?” Twenty-six, and with a wife and three kids, Bobby had left his hometown to seek a life removed from the blowing dust and oil fields, and to find spiritual peace. But now Big Spring’s streets are flooded again with roughnecks, money, and sin. Boom chasers pour in from the busted factory towns in the north. Drilling rigs rise like timber along the pastures, and poor men become millionaires overnight. Grady Cunningham, Bobby's friend, is one of the newly-minted kings of Big Spring. Loud and flamboyant, with a penchant for floor-length fur coats, Grady pulls Bobby and his young wife into his glamorous orbit. While drilling wells for Grady's oil company, they fly around on private jets and embrace the honky-tonk high life of Texas oilmen. But beneath the Rolexes and Rolls Royce cars is a reality as dark as the crude itself. As Bobby soon discovers, his return to Big Spring is a backslider’s journey into a spiritual wilderness, and one that could cost him his life. A masterwork of memoir and narrative history, The Kings of Big Spring is an indelible portrait of fortune and ruin as big as Texas itself. And in telling the story of four generations of his family, Mealer also tells the story of America came to be.

Official Texas Ranger Bicentennial™ Publication Newly rich in oil money, and all the trouble it could buy, Texas in the years following World War I underwent momentous changes—and those changes propelled the transformation of the state’s storied Rangers. Charles H. Harris III and Louis R. Sadler explore this important but relatively neglected period in the Texas Rangers’ history in this book, a sequel to their award-winning The Texas Rangers and the Mexican Revolution: The Bloodiest Decade, 1910–1920. In a Texas awash in booze and oil in the Prohibition years, the Rangers found themselves riding herd on gamblers and bootleggers, but also tasked with everything from catching murderers to preventing circus performances on Sunday. The Texas Rangers in Transition takes up the Rangers’ story at a time of political turmoil, as the largely rural state was rapidly becoming urban. At the same time, law enforcement was facing an epidemic of bank robberies, an increase in organized crime, the growth of the Ku Klux Klan, Prohibition enforcement—new challenges that the Rangers met by transitioning from gunfighters to criminal investigators. Steeped in tradition, reluctant to change, the agency was reduced to its nadir in the depths of the Depression, the victim of slashed appropriations, an antagonistic governor, and mediocre personnel. Harris and Sadler document the further and final change that followed when, in 1935, the Texas Rangers were moved from the governor’s control to the newly created Department of Public Safety. This proved a watershed in the Rangers’ history, marking their transformation into a modern law enforcement agency, the elite investigative force that they remain to this day.

Even after WWI had ended, the region of Arizona, New Mexico, and West Texas stubbornly refused to be tamed. It was still a place where frontier gunfights still broke out at an alarming rate. Utilizing official records, newspaper accounts, and oral histories, Cowboys and Gangsters tells the story of the untamed “Wild West” of the Prohibition-era of the 1920s and early 1930s and introduces a rogues’ gallery of sixgun-packing western gunfighters and lawmen. Told through the lens of the accounts of a handful of Texas Rangers and Federal Agents, this book covers a unique and action-packed era in American history. It’s a story that connects the horse and saddle days of the Old West, with the high-octane decade of the Roaring Twenties.

Of all the teams in the annals of baseball, only a select few can lay claim to historic significance. One of those teams is the 1947 Brooklyn Dodgers, the first racially integrated Major League team of the twentieth century. The addition of Jackie Robinson to its roster changed not only baseball but also the nation. Yet Robinson was just one member of that memorable club, which included Carl Furillo, Gil Hodges, Pee Wee Reese, Pete Reiser, Duke Snider, Eddie Stanky, Arky Vaughan, and Dixie Walker. Also present was a quartet of baseball’s most unforgettable characters: co-owners Branch Rickey and Walter O’Malley, suspended manager Leo Durocher, and radio announcer Red Barber. This book is the first to offer biographies of everyone on that incomparable team as well as accounts of the moments and events that marked the Dodgers’ 1947 season: Commissioner Happy Chandler suspending Durocher, Rickey luring his old friend Burt Shotton out of retirement to replace Durocher, and brilliant outfielder Reiser being sidelined after running into a fence. In spite of all this, the Dodgers went on to win the National League pennant over the heavily favored St. Louis Cardinals. And of course, there is the biggest story of the season, where history and biography coalesce: Jackie Robinson, who overcame widespread hostility to become Rookie of the Year—and to help the Dodgers set single-game attendance records in cities around the National League.

For more than seven decades Nick Lucas was an entertainer, beginning as a child street musician and becoming one of the most popular singer-guitarists of all time. He was a popular sideman in bands, and his solo career conquered radio, recordings, vaudeville, Broadway, films, night clubs and television. He is credited with being the first musician to replace the banjo with the guitar in big bands and on records, and with initiating the "intimate style" of singing, making him the first crooner. Nick Lucas' guitar playing contributed significantly to the instrument's popularity, and he influenced generations of players with his instruction books and by having a line of popular guitar picks bearing his name. He was the first guitarist to have a custom-made model, "The Nick Lucas Special." This biography comprehensively covers Nick Lucas' career as he entertained audiences in the United States, England and Australia, becoming a beloved star and influencing popular music to the present day.