Hemingways Guns

Ernest Hemingway is a mythic writer and alpha male. As a hunter and conservationist, he drew greatly from the strong example of Theodore Roosevelt, and he much enjoyed teaching newcomers to shoot and hunt. Including short excerpts from Hemingway's works, these stories of his guns and rifles tell us as much about him as a lifelong, expert hunter and shooter and as a man.

Ernest Hemingway is a mythic writer and alpha male. As a hunter and conservationist, he drew greatly from the strong example of Theodore Roosevelt, and he much enjoyed teaching newcomers to shoot and hunt. Including short excerpts from Hemingway's works, these stories of his guns and rifles tell us as much about him as a lifelong, expert hunter and shooter ad as a man.

An unforgettable World War I story of an American ambulance driver on the Italian front and his love for an English nurse.

From a National Book Critics Circle Award winner, a brilliantly conceived and illuminating reconsideration of a key period in the life of Ernest Hemingway that will forever change the way he is perceived and understood. Focusing on the years 1934 to 1961—from Hemingway’s pinnacle as the reigning monarch of American letters until his suicide—Paul Hendrickson traces the writer’s exultations and despair around the one constant in his life during this time: his beloved boat, Pilar. We follow him from Key West to Paris, to New York, Africa, Cuba, and finally Idaho, as he wrestles with his best angels and worst demons. Whenever he could, he returned to his beloved fishing cruiser, to exult in the sea, to fight the biggest fish he could find, to drink, to entertain celebrities and friends and seduce women, to be with his children. But as he began to succumb to the diseases of fame, we see that Pilar was also where he cursed his critics, saw marriages and friendships dissolve, and tried, in vain, to escape his increasingly diminished capacities. Generally thought of as a great writer and an unappealing human being, Hemingway emerges here in a far more benevolent light. Drawing on previously unpublished material, including interviews with Hemingway’s sons, Hendrickson shows that for all the writer’s boorishness, depression, and alcoholism, and despite his choleric anger, he was capable of remarkable generosity—to struggling writers, to lost souls, to the dying son of a friend. We see most poignantly his relationship with his youngest son, Gigi, a doctor who lived his adult life mostly as a cross-dresser, and died squalidly and alone in a Miami women’s jail. He was the son Hemingway forsook the least, yet the one who disappointed him the most, as Gigi acted out for nearly his whole life so many of the tortured, ambiguous tensions his father felt. Hendrickson’s bold and beautiful book strikingly makes the case that both men were braver than we know, struggling all their lives against the complicated, powerful emotions swirling around them. As Hendrickson writes, “Amid so much ruin, still the beauty.” Hemingway’s Boat is both stunningly original and deeply gripping, an invaluable contribution to our understanding of this great American writer, published fifty years after his death.

Ernest Hemingway’s lifelong zeal for hunting is reflected in his masterful works of fiction, from his famous account of an African safari in “The Short Happy Life of Francis Macomber” to passages about duck hunting in Across the River and into the Trees. For Hemingway, hunting was more than just a passion; it was a means through which to explore our humanity and man’s relationship to nature. Courage, awe, respect, precision, patience—these were the virtues that Hemingway honored in the hunter, and his ability to translate these qualities into prose has produced some of the strongest accounts of hunting of all time. Hemingway on Hunting offers the full range of Hemingway’s writing about the hunting life. With selections from his best-loved novels and stories, along with journalistic pieces from such magazines as Esquire and Vogue, this spectacular collection is a must-have for anyone who has ever tasted the thrill of the hunt—in person or on the page.

Green Hills of Africa is a work of nonfiction by American writer Ernest Hemingway. Hemingway's second work of nonfiction, Green Hills of Africa is an account of a month on safari he and his wife, Pauline Marie Pfeiffer, took in East Africa during December 1933. Much of the narrative describes Hemingway's adventures hunting in East Africa, interspersed with ruminations about literature and authors. Generally the East African landscape Hemingway describes is in the region of Lake Manyara in Tanzania.

To Have and Have Not is the dramatic, brutal story of Harry Morgan, an honest boat owner who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who swarm the region, and involve him in a strange and unlikely love affair. In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the “haves” and the “have nots” and creates one of the most subtle and moving portraits of a love affair in his oeuvre. In turn funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not takes literary high adventure to a new level. As the Times Literary Supplement observed, “Hemingway's gift for dialogue, for effective understatement, and for communicating such emotions the tough allow themselves, has never been more conspicuous.”

In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from “the good fight,” For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving, and wise. “If the function of a writer is to reveal reality,” Maxwell Perkins wrote to Hemingway after reading the manuscript, “no one ever so completely performed it.” Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.

The illuminating story of writer and muse—which also examines the cost to a young woman of her association with a larger-than-life literary celebrity—Autumn in Venice is an intimate look at Hemingway’s final years. In the fall of 1948, Ernest Hemingway and his fourth wife traveled for the first time to Venice, which Hemingway called “absolutely god-damned wonderful.” A year shy of his fiftieth birthday, Hemingway hadn’t published a novel in nearly a decade when he met and fell in love with Adriana Ivancich, a striking Venetian girl just out of finishing school. Here Andrea di Robilant re-creates with sparkling clarity this surprising, years-long relationship, during which Adriana inspired a man thirty years her senior to complete his great final work. Hemingway used Adriana as the model for Renata in Across the River and into the Trees, and continued to visit Venice to see her; when the Ivanciches traveled to Cuba, Adriana was there as he wrote The Old Man and the Sea.

The extraordinary untold story of Ernest Hemingway's dangerous secret life in espionage A NEW YORK TIMES BESTSELLER • A finalist for the William E. Colby Military Writers' Award "IMPORTANT" (Wall Street Journal) • "FASCINATING" (New York Review of Books) • "CAPTIVATING" (Missourian) A riveting international cloak-and-dagger epic ranging from the Spanish Civil War to the liberation of Western Europe, wartime China, the Red Scare of Cold War America, and the Cuban Revolution, Writer, Sailor, Soldier, Spy reveals for the first time Ernest Hemingway’s secret adventures in espionage and intelligence during the 1930s and 1940s (including his role as a Soviet agent code-named "Argo"), a hidden chapter that fueled both his art and his undoing. While he was the historian at the esteemed CIA Museum, Nicholas Reynolds, a longtime American intelligence officer, former U.S. Marine colonel, and Oxford-trained historian, began to uncover clues suggesting Nobel Prize-winning novelist Ernest Hemingway was deeply involved in mid-twentieth-century spycraft -- a mysterious and shocking relationship that was far more complex, sustained, and fraught with risks than has ever been previously supposed. Now Reynolds's meticulously researched and captivating narrative "looks among the shadows and finds a Hemingway not seen before" (London Review of Books), revealing for the first time the whole story of this hidden side of Hemingway's life: his troubling recruitment by Soviet spies to work with the NKVD, the forerunner to the KGB, followed in short order by a complex set of secret relationships with American agencies. Starting with Hemingway's sympathy to antifascist forces during the 1930s, Reynolds illuminates Hemingway's immersion in the life-and-death world of the revolutionary left, from his passionate commitment to the Spanish Republic; his successful pursuit by Soviet NKVD agents, who valued Hemingway's influence, access, and mobility; his wartime meeting in East Asia with communist leader Chou En-Lai, the future premier of the People's Republic of China; and finally to his undercover involvement with Cuban rebels in the late 1950s and his sympathy for Fidel Castro. Reynolds equally explores Hemingway's participation in various roles as an agent for the United States government, including hunting Nazi submarines with ONI-supplied munitions in the Caribbean on his boat, Pilar; his command of an informant ring in Cuba called the "Crook Factory" that reported to the American embassy in Havana; and his on-the-ground role in Europe, where he helped OSS gain key tactical intelligence for the liberation of Paris and fought alongside the U.S. infantry in the bloody endgame of World War II. As he examines the links between Hemingway's work as an operative and as an author, Reynolds reveals how Hemingway's secret adventures influenced his literary output and contributed to the writer's block and mental decline (including paranoia) that plagued him during the postwar years -- a period marked by the Red Scare and McCarthy hearings. Reynolds also illuminates how those same experiences played a role in some of Hemingway's greatest works, including For Whom the Bell Tolls and The Old Man and the Sea, while also adding to the burden that he carried at the end of his life and perhaps contributing to his suicide. A literary biography with the soul of an espionage thriller, Writer, Sailor, Soldier, Spy is an essential contribution to our understanding of the life, work, and fate of one of America's most legendary authors.