Hemingway The Paris Years

The concluding volume of Reynolds' biograpy covers the last 20 years in Hemingway's life.

Drawing on a wealth of new material and period documents, the author of The Young Hemingway traces Ernest Hemingway's development from promising young novelist to a master during the thirties, illuminating his literary evolution and the people, places, and times that influenced it.

DigiCat Publishing presents to you this special edition of "A Moveable Feast" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Written for the Toronto Star between 1920 and 1924, this selection of columns from Hemingway finds the author focusing his gaze on Paris.

For use in schools and libraries only. Follows the life of Ernest Hemingway's first wife, Hadley, as she navigates 1920s Paris.

In 20th century American literature, few individuals stand as tall as Ernest Hemingway. He singlehandedly defined Modernist fiction with his short, simple, declarative writing style. His years in Paris during the 1920s were his “apprenticeship,” when he made the transition from newspaper writer to bona fide fiction writer and from an unknown to a celebrity. He also rubbed elbows with some of the most important intellectuals, artists and writers of his generation. While his first marriage did not survive Paris, some of his best and most representative fiction emerged from the experience. This is the story of some of Hemingway’s most important years.

Revealing the early forces that helped shape Ernest Hemingway as one of America's greatest writers--his father's self-destructive battle with depression and his mother's fierce independence and spiritualism--this volume of Michael Reynold's extensive biography brings young Ernest through World War I and his romantic involvement with nurse Agnes Von Kurowsky. Photos.

When the first installment of Peter Griffin's biography of Hemingway appeared in 1985, it won widespread acclaim, especially among writers. The late Raymond Carver, in The New York Times Book Review, called it "wonderful and intimate" and said "it brings to life the young Hemingway with all his charm, vitality, good looks, passionate dedication to writing, like nothing else I've ever read about the man." Ward Just called Along With Youth "one of the most purely attractive biographies I have ever read." Tom Stoppard chose it as one of his "Books of the Year." And James Dickey declared that Griffin's "involvement with his subject is so complete and so creative that the reader cannot help murmuring with approval and enlightenment at page after page." Along With Youth brought Hemingway from childhood to his marriage in 1921 to Hadley Richardson. Now, in Less Than a Treason, Peter Griffin vividly recaptures Ernest's early Paris years, when he met Gertrude Stein, Ezra Pound, tnd F. Scott Fitzgerald, and published his first important collection of stories, In Our Time, as well as his finest novel, The Sun Also Rises. As in the first volume, Griffin provides here an intimately detailed rendering of Hemingway's life. The book is replete with physical detail--the sights and sounds of working-class Paris, skiing in the Austrian Alps, the running of the bulls at Pamplona. Griffin presents Hemingway's friendships with Gertrude Stein and Ezra Pound (he thought both were "lazy," but respected them for their talent and influence), his dislike of writers John Dos Passos and Ford Maddox Ford and his less-than-favorable opinion of Maxwell Perkins (he felt Perkins was more interested in business than literature). For Hemingway's personal life, there is his infatuation with Lady Duff Twysden, his affair with Pauline Pheiffer, and the failure of his first marriage. Throughout this book, Griffin shows how Hemingway incorporated much of his life into his fiction, where the central character is Ernest himself, working out the crises that plagued him at the time. Griffin does all this with a seamless style, weaving unpublished material (including hours of Hadley's reminiscences recorded shortly before her death) into an intriguing narrative of a great writer's life.

A chance encounter in Spain in 1959 brought young Irish reporter Valerie Danby-Smith face to face with Ernest Hemingway. The interview was awkward and brief, but before it ended something had clicked into place. For the next two years, Valerie devoted her life to Hemingway and his wife, Mary, traveling with them through beloved old haunts in Spain and France and living with them during the tumultuous final months in Cuba. In name a personal secretary, but in reality a confidante and sharer of the great man’s secrets and sorrows, Valerie literally came of age in the company of one of the greatest literary lions of the twentieth century. Five years after his death, Valerie became a Hemingway herself when she married the writer’s estranged son Gregory. Now, at last, she tells the story of the incredible years she spent with this extravagantly talented and tragically doomed family. In prose of brilliant clarity and stinging candor, Valerie evokes the magic and the pathos of Papa Hemingway’s last years. Swept up in the wild revelry that always exploded around Hemingway, Valerie found herself dancing in the streets of Pamplona, cheering bullfighters at Valencia, careening around hairpin turns in Provence, and savoring the panorama of Paris from her attic room in the Ritz. But it was only when Hemingway threatened to commit suicide if she left that she realized how troubled the aging writer was–and how dependent he had become on her. In Cuba, Valerie spent idyllic days and nights typing the final draft of A Moveable Feast, even as Castro’s revolution closed in. After Hemingway shot himself, Valerie returned to Cuba with his widow, Mary, to sort through thousands of manuscript pages and smuggle out priceless works of art. It was at Ernest’s funeral that Valerie, then a researcher for Newsweek, met Hemingway’s son Gregory–and again a chance encounter drastically altered the course of her life. Their twenty-one-year marriage finally unraveled as Valerie helplessly watched her husband succumb to the demons that had plagued him since childhood. From lunches with Orson Welles to midnight serenades by mysterious troubadours, from a rooftop encounter with Castro to numbing hospital vigils, Valerie Hemingway played an intimate, indispensable role in the lives of two generations of Hemingways. This memoir, by turns luminous, enthralling, and devastating, is the account of what she enjoyed, and what she endured, during her astonishing years of living as a Hemingway.