Hell And Good Company

"The Spanish Civil War (1936-1939) inspired and haunted an extraordinary number of exceptional atrists and writers, including Pablo Picasso, Joan Miro, Martha Gelhorn, Ernest Hemingway, George Orwell, and John Dos Passos. It spurred breakthroughs in military and medical technology. New aircraft, weapons, tactics, and strategy all emerged in the intense Spanish conflict. Progress also arose from the horror: doctors and nurses who volunteered to serve with the Spanish defenders devised major advances in battlefield surgery and frontline blood tansfusion. Rhodes takes us into the battlefields, bomb shelters, and hospitals; into the studios of artists; and into the hearts and minds of a rich cast of characters, showing how the ideological, aesthetic, and technological developments that emerged in Spain changed the world forever." --

The shattered SheVa Nine is rising from its smoking ashes to fight against the ravening Posleen hordes and save the interior of the Cumberland Plateau.

This work is a treatise on one of the most hated doctrines in the Bible; a treatise on "hell." Love uses the text, “But rather fear Him which is able to destroy both body and soul in hell,” Matthew 10:28, as a foundation for all his queries and answers to this most dreadful subject. Jonathan Edwards (1703-1758), one the greatest preachers to ever live, kept a copy of Love’s works on hell in his library due to the graphic description and important nature of Love’s exposition. The weighty subject matter is presented in such a lively style and is so carefully applied that readers cannot help but be edified whether they are Christians or not. It is, without a doubt, one of the best works on hell ever written. This is not a scan or facsimile, has been updated in modern English for easy reading and has an active table of contents for electronic versions.

She was sitting in a café in Paris, showing nearly all her legs; in grave trouble, she was drinking her sixth green Chartreuse and wishing she knew someone who would kill her stepmother for her. She was just eighteen, a child emotionally but old in experience and duplicity. The man with the umbrella who sat down at her table seemed exactly the one for whom she was searching. They were both lonely and found in each other the playmate for which they had longed. He was a man caught in a monster trap; it was murder she wanted and murder she got.

Sophie Keyes has made a mistake that might destroy the universe. The Traveler has an offer: go back in time, fix your mistake, and save the world. Easy. Except that fixing Sophie's mistake means destroying her life, and Lincoln Marshall won't stand to see that happen. Not if he can time travel with them to find another way. Their attempt to jump into the past goes awry and dumps them into Reno 2006, where Elise Kavanagh is in hiding with James Faulkner. It's a delicate moment in the timeline, and if Lincoln takes a single wrong step, he'll change everything. He can't go to Elise for help. He can't speak to the woman he's loved for years, touch her again, kiss her... Not unless he's willing to bring the universe that much closer to destruction. For the Godslayer, Lincoln might be willing to lose it all. For the Traveler, it might be a step too far. War is breaking out in Reno 2006, and the consequences threaten to ripple through time--assuming that they don't make the entire world fall apart first. Book 3 of the A Fistful of Daggers series.

Scarlett O'Hara, Jezebel, Aphrodite and Venus, meet Moira Boyer. She has the exotic sensuality of Rita Hayworth, the blatant eroticism of Sharon Stone that sizzled in "Basic Instinct" and Marilyn Monroe's sex-kitten sexuality. Physically breathtaking, intellectually at a Mensa level, and financially a female Warren Buffett, Moira Boyer is the film industry's current Sex Goddess. It's biggest box office draw, and an Oscar winner, she attracts men like a feral cat in heat. Nicknamed HEAT, she joins a Hollywood studio rat pack engaged in an extensive plan to break away from repressive management. Sued for breaking their employment contracts in order to form a new production company, they consequently face bankruptcy....until....Moira's testimony sets the courtroom ablaze.

The author of The Battered Bastards of Bastogne does a “superb job of telling the history the 101st Airborne Division during Operation Market Garden” (Kepler’s Book Reviews). Hell’s Highway is a history, most of which has never before been written. It is adventure recorded by those who lived it and put into context by an author who was also there. It is human drama on an enormous scale, told through the personal stories of 612 contributors of written and oral accounts of the Screaming Eagles’ part in the attempt to liberate the Netherlands. Koskimaki is an expert in weaving together individual recollections to make a compelling and uniquely first-hand account of the bravery and deprivations suffered by the troops, and their hopes, fears, triumphs, and tragedies, as well as those of Dutch civilians caught up in the action. There have been many books published on Operation Market Garden and there will surely be more. This book, however, gets to the heart of the action. The “big picture,” which most histories paint, here is just the context for the real history on the ground.