Hector The Collector

Hector the Collector celebrates one young animal's love of collecting and explores how collections can grow into some of the most breathtaking museums in the world.

When his butterfly-collector father is swindled to within an inch of his life, a vengeful Hector leaves the city of Urbs Umida in pursuit of a fiendish villain with a glass eye. The trail leads to Withypitts Hall, a forbidding Gothic mansion as warped as its inhabitants and their secret schemes. Soon Hector finds himself embroiled in mysterious deeds more poisonous than his worst imaginings, but every twist and turn brings him closer to his revenge . . .

Hector is a collector; he collects anything and everything, and some of the strangest things you could ever imagine When he gets that little twinkle in his eye you just know he's about to go off on a new collection hunt. Along with pet cicada Eekie, his dog Stumpy and grandson Digby, Hector will charm young and old. Ages 4+.

This story is designed and written by Peter Collier for both the reader and the listener. Children will request parents to continuously re-read a story that has caught their imagination. When written in free verse, a story is both a delight to read and to hear. The reader feels accomplished when reading this story and, in the act of story telling, begins exaggerating tone, inflection, and mood. The illustrations by Simon Redekop are an expanding visual element, necessary for a clear understanding of the story. Without imaginative, detailed, and related illustrations the full scope of possible humour for the story is not complete. This story constitute several conceptual elements to motivate reading and precipitate a positive child's reading development. When constructed in free verse rhyme, while reading along, children quickly begin to retain portions of the story. Once the child begins reading independantly, such stories act as memory assisting templates to guide the beginning reader through their first reading selections. The reading successes of a child will fuel additional comprehension activities and help to jump start reading skills that greatly motivate the young reader. For the adult reader such stories are always a treat. I understand the necessity to include a reader's interests and needs as part of the story telling activities. The length of my stories are designed to be between 10 to 15 minutes, to act as a short break or bedtime activity. I have avoided making up new nouns and adjectives for purposes of rhyme, understanding that teachers do not appreciate this activity. I find that by identifying children by full name, as the story characters, it adds a sense of identity and reality. The children accept the diversity of people, which, in turn, opens the imagination to accepting limitless fictional situations and opportunities.

If you are a dreamer, come in, If you are a dreamer, A wisher, a liar, A hope-er, a pray-er, A magic bean buyer … Come in … for where the sidewalk ends, Shel Silverstein’s world begins. You’ll meet a boy who turns into a TV set, and a girl who eats a whale. The Unicorn and the Bloath live there, and so does Sarah Cynthia Sylvia Stout who will not take the garbage out. It is a place where you wash your shadow and plant diamond gardens, a place where shoes fly, sisters are auctioned off, and crocodiles go to the dentist. Shel Silverstein’s masterful collection of poems and drawings is at once outrageously funny and profound.

One of the Los Angeles Times Top 10 California Books of 2020. One of Publishers Weekly’s Top 10 Fiction Books from 2020. Longlisted for the Carnegie Medal for Excellence and the Joyce Carol Oates prize. One of Exile in Bookville’s Favorite Books of 2020. In The Last Great Road Bum, Héctor Tobar turns the peripatetic true story of a naive son of Urbana, Illinois, who died fighting with guerrillas in El Salvador into the great American novel for our times. Joe Sanderson died in pursuit of a life worth writing about. He was, in his words, a “road bum,” an adventurer and a storyteller, belonging to no place, people, or set of ideas. He was born into a childhood of middle-class contentment in Urbana, Illinois and died fighting with guerillas in Central America. With these facts, acclaimed novelist and journalist Héctor Tobar set out to write what would become The Last Great Road Bum. A decade ago, Tobar came into possession of the personal writings of the late Joe Sanderson, which chart Sanderson’s freewheeling course across the known world, from Illinois to Jamaica, to Vietnam, to Nigeria, to El Salvador—a life determinedly an adventure, ending in unlikely, anonymous heroism. The Last Great Road Bum is the great American novel Joe Sanderson never could have written, but did truly live—a fascinating, timely hybrid of fiction and nonfiction that only a master of both like Héctor Tobar could pull off.

Maurice Sendak has interpreted these old' Mother Goose rhymes in animated sequences that have the aliveness and immediacy of a child's own imaginings. There is little in these verses to suggest the settings, the characterizations, the unforeseen twists and turns of Mr. Sendak's fantastical picture-stories. They extend the boundaries of the short rhymes and add surprising dimension. The many admirers of Where the Wild Things Are and The Nutshell Library will recognize in Hector Protector and the seafarer of As I Went Over the Water the same pugnaciousness, love of mischief, and derring-do that characterize Max and Pierre. And they will agree that Mr. Sendak has created a true picture book of astounding originality.

Bob McGrew, the head keeper at the zoo, loves his job -- except when he has to clean up the poo! One day, the iguana leaves behind something that catches the attention of the entire town -- and a poo museum owner -- and ends up making Bob's messy job a lot easier!