Hebrew Manuscripts Of The Middle Ages

Publisher Description

The miniatures which enhance medieval Hebrew manuscripts, whether in prayerbooks, ceremonials for feast days, ritual, legal or philosophical treatises, clearly reflect various aspects of Jewish life during the period. In addition to religious and ceremonial practices, the many facets of everyday life in the family, in cities and in the countryside are treated, as are social and economic activities at all levels and in all professions. Drawing upon the surviving miniatures in illuminated Hebrew manuscripts as primary source material, Thérèse and Mendel Metzger have reconstructed a detailed and exhaustive account of Jewish life in Europe during the Middle Ages. The volume is divided into five sections which encompass historic and geographic background, everyday surroundings, family life and education, social and economic life, and religious activity.--From publisher description.

A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.

This book tells the largely unfamiliar story of intellectual transmission, cultural exchange and practical cooperation, social interaction, and religious toleration between Jews and non-Jews in the Muslim as well as Christian world during the late Middle Ages. The story is composed of ten narratives, each of which brings to light a different aspect of Jewish life in a non-Jewish medieval society. The book is beautifully illustrated with images from the Hebrew holdings at the Bodleian Library, one of the largest and most important collections of Hebrew manuscripts worldwide. They range from Christian codex fragments as early as the 3rd century to a copy of Moses Maimonides' Mishneh Torah signed by Maimonides himself.

Demonstrating that similarities between Jewish and Christian art in the Middle Ages were more than coincidental, Cultural Exchange meticulously combines a wide range of sources to show how Jews and Christians exchanged artistic and material culture. Joseph Shatzmiller focuses on communities in northern Europe, Iberia, and other Mediterranean societies where Jews and Christians coexisted for centuries, and he synthesizes the most current research to describe the daily encounters that enabled both societies to appreciate common artistic values. Detailing the transmission of cultural sensibilities in the medieval money market and the world of Jewish money lenders, this book examines objects pawned by peasants and humble citizens, sacred relics exchanged by the clergy as security for loans, and aesthetic goods given up by the Christian well-to-do who required financial assistance. The work also explores frescoes and decorations likely painted by non-Jews in medieval and early modern Jewish homes located in Germanic lands, and the ways in which Jews hired Christian artists and craftsmen to decorate Hebrew prayer books and create liturgical objects. Conversely, Christians frequently hired Jewish craftsmen to produce liturgical objects used in Christian churches. With rich archival documentation, Cultural Exchange sheds light on the social and economic history of the creation of Jewish and Christian art, and expands the general understanding of cultural exchange in brand-new ways.

Hebrew manuscripts are considered to be invaluable documents and artefacts of Jewish culture and history. Research on Hebrew manuscript culture is progressing rapidly and therefore its topics, methods and questions need to be enunciated and reflected upon. The case studies assembled in this volume explore various fields of research on Hebrew manuscripts. They show paradigmatically the current developments concerning codicology and palaeography, book forms like the scroll and codex, scribes and their writing material, patrons, collectors and censors, manuscript and book collections, illuminations and fragments, and, last but not least, new methods of material analysis applied to manuscripts. The principal focus of this volume is the material and intellectual history of Hebrew book cultures from antiquity to the Middle Ages and Early Modern Period, its intention being to heighten and sharpen the reader’s understanding of Jewish social and cultural history in general.

This study examines five different aspects of the production of medieval Hebrew manuscripts while attempting to check whether the manuscripts reflect a clear historical process of progress and rationalization: ergometrically amelioration of the technical production procedures, growing efficiency in copying, greater comfort of reading and clarity of the text hierarchy, and greater faithfulness to the copied text. The study addresses the question whether the history of Jewish handwritten book production and consumption until the beginning of Hebrew printing mirrors compromises between economic constraints and functional needs or optimization of production process, as it is claimed by Ezio Ornato concerning Western manuscripts, or it is possible to discern the dominant impact of interests other than economic or functional in the history of the fabrication of Hebrew books, such as the esthetical and the rethorical . These aspects are analyzed while deploying the unique empirical procedure of Hebrew quantitative codicology, based on a database of codicological features of all the extant dated Hebrew manuscripts.