Harold In Italien

In this delightful and now classic narrative, written by the brilliant composer and critic Hector Berlioz, readers are made privy to 25 highly entertaining evenings with a fascinating group of distracted performers.

In this masterpiece of "program" music — a genre invented by the composer — an obsessed musician is overcome by increasingly bizarre visions of his lover. This miniature score version is handy, inexpensive, and perfect for use in the classroom or concert hall.

Harold M. Best casts a holistic vision for worship that transcends narrow discussions of musical style or congregational preference, corrects errors in how Christians have viewed the arts and misunderstandings about the use of music, and offers instead a more biblically consistent approach to artistic action.

"The letters Ruskin wrote home almost daily during his Italian tour of 1845 are here fully published for the first time. The tour had an immediate effect on the first two volumes of Modern Painters and marks the beginning of Ruskin's lifelong concern with Italian painting and with Italian Romanesque and Gothic architecture. The letters record the influences on him, his changing views and feelings, and are therefore an essential document for the understanding of his development as a critic. They also contribute a good deal of evidence toward the understanding of his enormously important relationship with his ageing parents. Not least important, the letters taken altogether make a delightful travel book, for they were written not only to inform, but to entertain"--Jacket.

Harald Weinrich's epilogue considers forgetting in the present age of information overflow, particularly in the area of the natural sciences."--Jacket.

A play in 7 scenes with prologue.

This volume investigates the clausal syntax of Wolof, an understudied Atlantic language of Senegal. The goals of the work are descriptive, analytical, and comparative, with a focus on the structure of the left periphery and left peripheral phenomena. The book includes detailed examination of the morpho‑syntax of wh‑questions, successive cyclicity, subject marking, relative clauses, topic/focus articulation, and complementizer agreement. Novel data from Wolof is used to evaluate and extend theoretical proposals concerning the structure of the Complementizer Phrase (CP) and Tense Phrase (TP). It is argued that Wolof provides evidence for the promotion analysis of relative clauses, an “exploded” CP and TP, and for analyses that treat relative clauses as composed of a determiner with a CP complement. It is further argued that Wolof has a set of silent wh‑expressions and these are compared to superficially similar constructions in colloquial German, Bavarian, Dutch, and Norwegian. The book also presents a comparison of complementizer agreement across a number of related and unrelated languages. Data from Indo‑European (Germanic varieties, French, Irish), Niger‑Congo (Atlantic, Bantu, Gur), and Semitic (Arabic) languages put the Wolof phenomena in a larger typological context by showing the range of variation in complementizer agreement systems.