Hammering Techniques In Greek And Roman Jewellery And Toreutics

This reference work which brings together tools of ancient toreuts (matrices, punches) and actual finds of hammered metalwork offers new complex approaches to study a particular technique of Greek, Roman and relaterd toreutics and jewellery manufacture.

This book traces the development of hammering techniques in Greek, Roman and related (e.g. Graeco-Scythian) jewellery and toreutics based on the analysis of ancient tools used for manufacture of hammered metalwork, primarily punches and matrices with figural designs, and actual finds of metalwork and jewellery. The book offers essays on metalworkers' tools from Mycenean Greece until the Late Roman Period. It includes chapters on different categories of hammered metalwork in the corresponding periods and Excursus about particular matrices or punches and hoards of toreutics. Bringing together the tools of metalworkers and actual objects manufactured with them opens new perspectives on chronological and cultural attribution of ancient jewellery and toreutics and illuminates the role of mass production and artistic creativity in ancient history. The book is illustrated with 133 photographs.

Against the background of questions on cultural identity and memory, this book offers an overview of the development of the cults of Isis in Hellenistic and Roman Egypt, often presenting new or unpublished material.

Ancient accounts of battle often neglected the role of lightly-armed infantry, presenting the deeds of the heavy infantry, such as Greek hoplites or Roman legionaries, or dashing cavalry charges as the decisive battle winners. This bias was partly due to the light infantry typically being drawn from the poorer sections of society, who could not afford to equip themselves with armor and because they generally fought from a distance, killing from afar with missile weapons, not bravely face-to-face like heroes worthy of recording. Modern research has generally followed this bias. Dr Jean Charl Du Plessis argues that while light infantry might have had a subordinate role in pitched battles, such clashes were relatively rare occurrences. Most ancient campaigns consisted mostly of foraging, raiding and pillaging of enemy territory, minor skirmishes and ambushes, all roles in which light infantry excelled. In particular they were indispensable for an army traversing mountainous or forested terrain. Moreover, he shows that even in pitched battles they were far from useless and made a valuable contribution, typically harassing the enemy as they deployed and screening friendly battle lines from similar treatment. Some, such as Cretan archers or Balearic slingers were highly sought-after specialists. Uniquely, the author draws on years of practical experimentation to demonstrate and test the various weapons used: slings, bows and javelins, including the use of the amentum throwing strap. This yields fresh evidence and insights into matters such as range, penetrative power and the level of skill and practice required. Overall, this is a valuable study of these forgotten heroes of ancient warfare.

Drawing on evidence from archaeology, art history, and textual sources to contextualize Greco-Scythian metalwork in ancient society, Meyer offers unique introductions to the archaeology of Scythia and its ties to Asia and classical Greece, modern museum and visual culture studies, and the intellectual history of classics in Russia and the West.

This book is the first general work to be published on technology in Late Antiquity. It seeks to survey aspects of the technology of the period and to respond to questions about technological continuity, stagnation and decline. The book opens with a comprehensive bibliographic essay that provides an overview of relevant literature. The main section then explores technologies in agriculture, production (metal, ceramics and glass), engineering and building. Papers draw on both archaeological and textual sources, and on analogies with medieval and early modern technologies. Reference is made not only to the periods which preceded it, but to the transition to the Early Middle Ages and to the technological heritage of Late Antiquity to the Islamic world. Several papers focus on Italy, whilst others consider North Africa, Asia Minor, and the Near-East.

Through roughly 160 alphabetically arranged reference entries, this book surveys the material culture and social institutions of Ancient Rome. Ancient Rome was one of the great civilizations of antiquity. Honoring the contributions of their cultural forebearers-who included Etruscans, Asians, and Egyptians as well as Greeks-Roman artists, writers, and thinkers freely borrowed where tradition dictated and innovated where personal talent and imagination directed, forging a unique creative experience that formed the basis of Western European artistic, literary, and philosophical production for 2,000 years. While other reference works typically examine battles and politicians, this book focuses on Roman social history and daily life, painting a detailed picture of the material culture and social institutions of Ancient Rome. A timeline highlights key events, while an overview essay surveys the achievements of the Romans. Reference entries provide objective information about art, architecture, literature, commerce, transportation, government, religion, and other topics related to Roman life. Each entry provides cross-references and suggestions for further reading, and some provide sidebars of interesting facts along with excerpts from primary source documents. The book closes with a selected, general bibliography of resources suitable for student research.

The proceedings of the Sixth International Congress on Black Sea Antiquities (Constanţa, 2017) is dedicated to the 90th birthday of Prof. Sir John Boardman, President of the Congress since its inception. The central theme returns to that considered 20 years earlier: the importance of the Pontic Region for the Graeco-Roman World.

This book contains papers representing the results of the latest research into the relationship between the ‘imperial’ culture of the Achaemenids and local traditions. Some of them are devoted to the Southern Caucasus, especially to latest archaeological excavations and to investigations into specific categories of archaeological finds. Other articles concern other regions of the Achaemenid world. The article by L. Summerer represents a publication of a unique work of art: the painting on one of the walls of a wooden tomb in Tatarlı in Western Anatolia, depicting a battle between Persians and warriors of nomadic (Scythian-Saka) appearance. The article by S. Sajjadi presents readers with the results of interesting research, which has been going on in Sistan. Originally published as issue 3-4 of Volume 13 (2007) of Brill's journal Ancient Civilizations from Scythia to Siberia. For more details on this journal, please click here.