Half A Man

Revered author Michael Morpurgo evokes the post-war Britain of his childhood in this unflinching and deeply poignant tale of the physical and mental scars of war. From a young age, Michael was both fascinated by and afraid of his grandfather. Grandpa’s ship was torpedoed during the Second World War, leaving him with terrible burns. Every time he came to stay, Michael was warned by his mother that he must not stare, he must not make too much noise, he must not ask Grandpa any questions about his past. As he grows older, Michael stays with his grandfather during the summer holidays and learns the story behind Grandpa’s injuries, finally getting to know the real man behind the solemn figure from his childhood. Michael can see beyond the burns, and this gives him the power to begin healing scars that have divided his family for so long.

The National Book Award–winning coming-out memoir. “One of the most complex, moral, personal, and political books to have been written about gay life” (LA Weekly). Paul Monette grew up all-American, Catholic, overachieving . . . and closeted. As a child of the 1950s, a time when a kid suspected of being a “homo” would routinely be beaten up, Monette kept his secret throughout his adolescence. He wrestled with his sexuality for the first thirty years of his life, priding himself on his ability to “pass” for straight. The story of his journey to adulthood and to self-acceptance with grace and honesty, this intimate portrait of a young man’s struggle with his own desires is witty, humorous, and deeply felt. Before his death of complications from AIDS in 1995, Monette was an outspoken activist crusading for gay rights. Becoming a Man shows his courageous path to stand up for his own right to love and be loved. This ebook features an illustrated biography of Paul Monette including rare images and never-before-seen documents from the Paul Monette papers of the UCLA Library Special Collections.

Half A Man is a true story about 12 year-old Lindley's struggles to be accepted as a real man. It deals with the Federal Government's Foreclosure on unpaid loans made to New Mexico cattle ranchers to increase their meat production for soldiers in World War I. When the war ended, prices dropped and ranchers in the remote north western part of new Mexico who had no market for their beef, defaulted on their loans. David Stiles, Lindley's father, was persuaded to undertake the task of gathering steers to pay the government debts and drive them to the nearest railhead, Grants, New Mexico. Dave Stiles, veteran of many cattle drives in his youth, stipulated one request if he was to undertake the unpleasant job of foreclosing on his neighbor's cattle, namely, that his 12 year old son would be hired on for the effort. Buford Threlkedld, the Washington agent in charge reluctantly agreed that the boy could be put on the payroll, but shown as half a man, at half pay. Called, "kid" and "the boss's baby" and other belittlling names by Firpo, one of the cowboys on the crew, and assigned by his father, the boss, to such kid jobs" as tending the fire for the branding, helping the cook, getting up early to drive in the remuda of mounts for the crew, and driving the tail-ender drags of the herd, the boy sought ways to prove he was a real hand. His success was like a roller-coaster-like a boy one day; like a man on another. Down day came with his going to sleep and losing steers who hid in the brush and getting fired by the by the boss, being assigned to watch the horses while others drove the steers across the Chaco, doing a "girl's work" when helping the cook; openly crying when Tex's beautiful horse, Copper was lost to the quicksands, and getting tripped with his food plate by his enemy, Firpo, as well as his failure to eat rattlesnake meat, considered a test for being a cowboy. Highlights of his success were: being the boss of two other grown cowboys sent to gather the Macklin steers and exposing an attempt to hide animals to keep them from being taken, doing well on the old bay mare while crossing the Bisti, being asked by the boss to introduce the beautiful Frances to all the other hands, and finally being able to rescue Firpo when his hose fell with him during the stampede. Readers of Western Books will find action on every page. The descriptions of the round-up, and cattle drive will be applauded by the experts and enlightening to all who are unfamiliar with the details of organizing and executing a drive of 1500 steers to market. The description of how a small town, Grants, welcomed the coming of the cattle as a time to celebrate. "Half A Man is a jewel that should not be missed, I simply couldn't put it down", wrote the popular critic, Marc Simmons of the first printing.

Six years ago I met a young colored man, a college student recently returned from Germany where he had been engaged in graduate work. He was born, he told me, in one of the Gulf States, and I questioned him as to whether he intended going back to the South to teach. His answer was in the negative. "My father has attained success in his native state," he said, "but when I ceased to be a boy, he advised me to live in the North where my manhood would be respected. He himself cannot continually endure the position in which he is placed, and in the summer he comes North to be a man. No," correcting himself, "to be half a man. A Negro is wholly a man only in Europe. Half a man! During the six years that I have been in touch with the problem of the Negro in New York this characterization has grown in significance to me. I have endeavored to know the life of the Negro as I know the life of the white American, and I have learned that while New York at times gives full recognition to his manhood, again, its race prejudice arrests his development as certainly as severe poverty arrests the development of the tenement child. Perhaps a study of this shifting attitude on the part of the dominant race, and of the Negro's reaction under it, may not be unimportant; for the color question cannot be ignored in America, nor should the position taken by her largest city be overlooked.

Six years ago I met a young colored man, a college student recently returned from Germany where he had been engaged in graduate work. He was born, he told me, in one of the Gulf States, and I questioned him as to whether he intended going back to the South to teach. His answer was in the negative. "My father has attained success in his native state," he said, "but when I ceased to be a boy, he advised me to live in the North where my manhood would be respected. He himself cannot continually endure the position in which he is placed, and in the summer he comes North to be a man. No," correcting himself, "to be half a man. A Negro is wholly a man only in Europe. Half a man! During the six years that I have been in touch with the problem of the Negro in New York this characterization has grown in significance to me. I have endeavored to know the life of the Negro as I know the life of the white American, and I have learned that while New York at times gives full recognition to his manhood, again, its race prejudice arrests his development as certainly as severe poverty arrests the development of the tenement child. Perhaps a study of this shifting attitude on the part of the dominant race, and of the Negro's reaction under it, may not be unimportant; for the color question cannot be ignored in America, nor should the position taken by her largest city be overlooked.

In a world torn apart by war, solace is hard to find... It is 1919, less than a year after the end of the First World War and a recovering Britain is in the grip of the influenza pandemic. Times are hard. Victory came at a price for everyone left behind. Crippled veteran of the Battle of the Somme, Robert Blake, is looking for someone to ease his nightmares of France. He carries never ending guilt over the fate of his commanding officer in the trenches. He turns to educated rent boy Jack Anderson for physical solace. Jack didn't go to war but faces struggles in his own way, selling his body to earn enough money to survive. The two are drawn inexorably together from the start, not expecting how deeply they will soon become immersed in each other's lives.

Half a man is a simple story that highlights the true strengths of great mateship. It also endeavours to recall the struggle that returning soldiers faced after the Great war and describes the challenges, the way of life and the ways of the Australian bush in the 1920s and glories in the absolute beauty of the Murrindindi valley through all of the seasons. It is also a love story and tells of Jessies great love and compassion for her Peter, her wounded husband and of the healing power of Tims love for Penny

Two dead, strangled with printer cables, and a beautiful woman in need of help: how can Skylight Howells resist this case? He confers with Dennis, Dieter, and Brian Dobson's other personalities before taking the case in one of the wildest mysteries to come down the pipe in years.

As the Cultural Revolution rages, Zhang falls in love with a peasant woman jailed for promiscuity. After becoming separated for years, they unite, but Zhang has been made impotent, half a man, which eventually destroys their relationship."

One of the finest living writers in the English language, V. S. Naipaul gives us a tale as wholly unexpected as it is affecting, his first novel since the exultantly acclaimed A Way in the World, published seven years ago. Half a Life is the story of Willie Chandran, whose father, heeding the call of Mahatma Gandhi, turned his back on his brahmin heritage and married a woman of low caste—a disastrous union he would live to regret, as he would the children that issued from it. When Willie reaches manhood, his flight from the travails of his mixed birth takes him from India to London, where, in the shabby haunts of immigrants and literary bohemians of the 1950s, he contrives a new identity. This is what happens as he tries to defeat self-doubt in sexual adventures and in the struggle to become a writer—strivings that bring him to the brink of exhaustion, from which he is rescued, to his amazement, only by the love of a good woman. And this is what happens when he returns with her—carried along, really—to her home in Africa, to live, until the last doomed days of colonialism, yet another life not his own. In a luminous narrative that takes us across three continents, Naipaul explores his great theme of inheritance with an intimacy and directness unsurpassed in his extraordinary body of work. And even as he lays bare the bitter comical ironies of assumed identities, he gives us a poignant spectacle of the enervation peculiar to a borrowed life. In one man’s determined refusal of what he has been given to be, Naipaul reveals the way of all our experience. As Willie comes to see, “Everything goes on a bias. The world should stop, but it goes on.” A masterpiece of economy and emotional nuance, Half a Life is an indelible feat of the imagination.