Haishoku Jiten

Graphic presentations of over 1,000 color combinations in complex prints, patterns, paisleys, and plaids visually document the variety of effects produced by various color combinations in complicated designs. Full-color.

This volume contains more than 1000 colour combinations, It incorporates tints, pastels and many aspects of tone to emphasise the personal and emotional aspects of colour.

Each volume contains more than 1000 color combinations for anyone making decisions about color. Volume one presents innovative color combinations, volume two is concerned with brightness, volume three with pattern, volume four with tone, and volume five with the ways in which color combinations can be used to represent emotion

Designer's Guide to Color 2 addresses the personal and emotional aspects of color. Like the first volume of Designer's Guide to Color, this book combines 90 basic colors into more than 1,000 innovative color combinations. The first volume emphasized full-color combinations; this second volume emphasizes tints, pastels, and the many aspects of color tone.

This volume contains more than 1000 colour combinations for anyone making decisions with colour. It is concerned with pattern.

The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions

This book is a collection of 348 color combinations originated by Sanzo Wada(1883-1967) who, in that time of increasingly avant-grade and diversified use of color, was quick to focus on the importance of color and laid the foundation for contemporary color research. Sanzo Wada was active as an artist, art school instructor, costume designer for the movies and the theater, and kimono and fashion designer who employed his extensive and versatile talents to do innovative work that centered primarily on visual perception and form--Publisher's web site

A union list of serials commencing publication after Dec. 31, 1949.