Hairy Ape And Other Plays

DigiCat Publishing presents to you this special edition of "The Hairy Ape" by Eugene O'Neill. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

An important trio of plays by one of America's greatest playwrights: The Emperor Jones, a forceful psychological portrayal of brute power; The Hairy Ape, combining elements of class struggle and surreal tragedy; and Anna Christie.

O'Neill's themes and concerns find expression in his one-act plays which are the dramatic equivalent of short stories. Here are nine one-act plays that span the playwright's career.

Eugene O’Neill’s The Hairy Ape isn’t one of his best-known works, but it has gained popularity as an exploration of early American society. It was first produced in 1922 by the Provincetown Players in Massachusetts, embracing expressionism in its set design and staging, before moving on to Broadway, where it faced resistance from local and federal governments due to its radical views. The play examines the existential crisis of the protagonist, a brutish stoker named Yank, who begins the play secure in his role as the leader of firemen on an Atlantic ocean liner. But when confronted by the disdain of an upper-class passenger who calls him a “filthy beast,” he seeks to rebel against his place. Then, as all his plans for revenge fail, he slowly finds himself descending to the literal level that society has relegated him to. O’Neill uses Yank’s search for belonging to explore the destructive forces of industrialization and social class. Early on, The Hairy Ape’s commentary on the dehumanization of workers caused it to be taken up by many labor groups and unions to further their own causes. The play also touches on themes of masculinity and socialism, and the repeated references to the “blackface” of the ship’s stokers and Yank’s degeneration into an animal have added a racial element to recent analyses.

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