Hairdresser On Fire

This is not a hair book. It's a dark comedy of a spiritual misfit, a child with a dream born into the wrong town. Religious cults, corporate cults, insane clients—Francis can't catch a break. Francis has observed his own inability to fit in since birth, and his decision to be a professional cosmetologist only exacerbates his innate oddness. Daniel LeVesque accepted his cosmically assigned career of cosmetologist after attending the Arthur Angelo School of Cosmetology and Hair Design. His writing appears in Punk Globe and numerous anthologies. He currently resides in Oakland, California. This is his first book.

Shampoo meets You'll Never Eat Lunch In This Town Again in a rollicking and riveting memoir from the woman who for decades styled Hollywood's most celebrated players. I was living a hairdresser’s dream. I was making my mark in this all-male field. My appointment book was filled with more and more celebrities. And I was becoming competition for my heroes... Behind the scenes of every Hollywood photo shoot, TV appearance, and party in the ’60s, ’70s, and ’80s, there was Carrie White. As the “First Lady of Hairdressing,” Carrie collaborated with Richard Avedon on shoots for Vogue, partied with Jim Morrison, gave Sharon Tate her California signature style, and got high with Jimi Hendrix. She has counted Jennifer Jones, Betsy Bloomingdale, Elizabeth Taylor, Goldie Hawn, and Camille Cosby among her favorite clients. But behind the glamorous facade, Carrie’s world was in perpetual disarray and always had been. After her father abandoned the family when she was still a child, she was sexually abused by her domineering stepfather, and her alcoholic mother was unstable and unreliable. Carrie was sipping cocktails before her tenth birthday, and had had five children and three husbands before her twenty-eighth. She fueled the frenetic pace of her professional life with a steady diet of champagne and vodka, diet pills, cocaine, and heroin, until she eventually lost her home, her car, her career—and nearly her children. But she battled her way back, getting sober, rebuilding her relationships and her reputation as a hairdresser, and the name Carrie White was back on the door of one of Beverly Hills’s most respected salons. An unflinching portrayal of addiction and recovery, Upper Cut proves that even in Hollywood, sometimes you have to fight for a happy ending.

MORRISSEY FAQ: ALL THAT'S LEFT TO ABOUT THIS CHARMING MAN

Lawrence is on the rebound. His best pals -- ex-lover Niles and devout virgin Briony -- can only provide so much comfort. Then in walks Allan, a handsome attorney who whisks him away from his problems... and soon begins to separate Lawrence little by little from the people and things he cares about. Allan's plan to control Lawrence starts to backfire when Lawrence reveals himself to be a stronger person than the heartbroken sad sack he was the night they met. But is Lawrence strong enough?

Here is the first fully annotated edition of a landmark in early African American literature--Eliza Potter's 1859 autobiography, A Hairdresser's Experience in High Life. Potter was a freeborn black woman who, as a hairdresser, was in a unique position to hear about, receive confidences from, and observe wealthy white women--and she recorded it all in a revelatory book that delighted Cincinnati's gossip columnists at the time. But more important is Potter's portrait of herself as a wage-earning woman, proud of her work, who earned high pay and accumulated quite a bit of money as one of the nation's earliest "beauticians" at a time when most black women worked at the bottom of the socioeconomic ladder. Because her work offered insights into the private lives of elite white women, Potter carved out a literary space that featured a black working woman at the center, rather than at the margins, of the era's transformations in gender, race, and class structure. Xiomara Santamarina provides an insightful introduction to this edition that includes newly discovered information about Potter, discusses the author's strong satirical voice and proud working-class status, and places the narrative in the context of nineteenth-century literature and history.

Marie Antoinette has remained atop the popular cultural landscape for centuries for the daring in style and fashion that she brought to 18th century France. For the better part of the queen’s reign, one man was entrusted with the sole responsibility of ensuring that her coiffure was at its most ostentatious best. Who was this minister of fashion who wielded such tremendous influence over the queen’s affairs? Winner of the Adele Mellen Prize for Distinguished Scholarship, Marie Antoinette’s Head: The Royal Hairdresser, The Queen, and the Revolution charts the rise of Leonard Autie from humble origins as a country barber in the south of France to the inventor of the Pouf and premier hairdresser to Queen Marie-Antoinette. By unearthing a variety of sources from the 18th and 19th centuries, including memoirs (including Léonard’s own), court documents, and archived periodicals the author, French History professor and expert Will Bashor, tells Autie’s mostly unknown story. Bashor chronicles Leonard’s story, the role he played in the life of his most famous client, and the chaotic and history-making world in which he rose to prominence. Besides his proximity to the queen, Leonard also had a most fascinating life filled with sex (he was the only man in a female dominated court), seduction, intrigue, espionage, theft, exile, treason, and possibly, execution.

50 Things Your Hairdresser Wants You to Know is a consumer's guide to maximizing their salon experience. The reader will gain insight to finding the right hairdresser, communicating desires to hairstylists effectively, understanding the truth about salon products and services, and learning how to identify hair needs by type and texture rather than race.

This bestselling picture book has had a gorgeous makeover! Kittie Lacey's salon is buzzing with excitement - the Queen of Hearts is holding a ball to find the PERFECT girl for her PERFECT prince. But Kittie's new friend Cinderella doesn't have a dress and her invitation has mysteriously got lost in the post. Luckily, Kittie has the perfect plan to get Cinderella to the ball . . . Discover more Fairytale Hairdresser adventures: The Fairytale Hairdressser and the Little Mermaid The Fairytale Hairdresser and Beauty and the Beast The Fairytale Hairdresser and Sleeping Beauty The Fairytale Hairdresser and Snow White The Fairytale Hairdresser and the Sugar Plum Fairy The Fairytale Hairdresser and the Princess and the Pea The Fairytale Hairdresser and Aladdin The Fairytale Hairdresser and the Princess and the Frog The Fairytale Hairdresser and Thumbelina The Fairytale Hairdresser and Red Riding Hood The Fairytale Hairdresser and Father Christmas

Eliza Potter, a freeborn woman of mixed race during the antebellum period, chronicles her experience as a hairdresser, the gossip she encounters, and her life experiences both in the United States and Europe.

Here is the first fully annotated edition of a landmark in early African American literature - Eliza Potter's 1859 autobiography, A Hairdresser's Experience in High Life. Potter was a freeborn black woman who, as a hairdresser, was in a unique position to hear about, receive confidences from, and observe wealthy white women - and she recorded it...