Hagars Daughter

Hagar’s Daughter is Pauline Elizabeth Hopkins’s first serial novel, published in the Boston-based Colored American Magazine (1901-02). The novel features concealed and mistaken identities, dramatic revelations, and extraordinary plot twists, including a high-profile murder trial, an abduction plot, and a steady succession of surprises as the young black maid Venus Johnson assumes male clothing to solve a series of mysteries. Because Hagar’s Daughter demonstrates Hopkins’s keen sense of history, use of multiple literary genres, emphasis on gender roles, and political engagement, it provides the perfect introduction to the author and her era. In the appendices to this Broadview Edition, advertising, other writing by Hopkins and her contemporaries, and reviews situate the work within the popular literature and political culture of its time.

In fourteen sweeping and sublime stories, five of which have been published in The New Yorker, the bestselling and Pulitzer Prize-winning author of The Known World shows that his grasp of the human condition is firmer than ever Returning to the city that inspired his first prizewinning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens. All Aunt Hagar's Children turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them. In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed. With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.

The Stone Angel, The Diviners, and A Bird in the House are three of the five books in Margaret Laurence's renowned "Manawaka series," named for the small Canadian prairie town in which they take place. Each of these books is narrated by a strong woman growing up in the town and struggling with physical and emotional isolation. In The Stone Angel, Hagar Shipley, age ninety, tells the story of her life, and in doing so tries to come to terms with how the very qualities which sustained her have deprived her of joy. Mingling past and present, she maintains pride in the face of senility, while recalling the life she led as a rebellious young bride, and later as a grieving mother. Laurence gives us in Hagar a woman who is funny, infuriating, and heartbreakingly poignant. "This is a revelation, not impersonation. The effect of such skilled use of language is to lead the reader towards the self-recognition that Hagar misses."—Robertson Davies, New York Times "It is [Laurence's] admirable achievement to strike, with an equally sure touch, the peculiar note and the universal; she gives us a portrait of a remarkable character and at the same time the picture of old age itself, with the pain, the weariness, the terror, the impotent angers and physical mishaps, the realization that others are waiting and wishing for an end."—Honor Tracy, The New Republic "Miss Laurence is the best fiction writer in the Dominion and one of the best in the hemisphere."—Atlantic "[Laurence] demonstrates in The Stone Angel that she has a true novelist's gift for catching a character in mid-passion and life at full flood. . . . As [Hagar Shipley] daydreams and chatters and lurches through the novel, she traces one of the most convincing—and the most touching—portraits of an unregenerate sinner declining into senility since Sara Monday went to her reward in Joyce Cary's The Horse's Mouth."—Time "Laurence's triumph is in her evocation of Hagar at ninety. . . . We sympathize with her in her resistance to being moved to a nursing home, in her preposterous flight, in her impatience in the hospital. Battered, depleted, suffering, she rages with her last breath against the dying of the light. The Stone Angel is a fine novel, admirably written and sustained by unfailing insight."—Granville Hicks, Saturday Review "The Stone Angel is a good book because Mrs. Laurence avoids sentimentality and condescension; Hagar Shipley is still passionately involved in the puzzle of her own nature. . . . Laurence's imaginative tact is strikingly at work, for surely this is what it feels like to be old."—Paul Pickrel, Harper's

Hagar's Daughter - A Story of Southern Caste Prejudice by Pauline Elizabeth Hopkins. The first African-American woman detective, Venus Johnson. Pauline Elizabeth Hopkins (1859 – August 13, 1930) was a prominent African-American novelist, journalist, playwright, historian, and editor. She is considered a pioneer in her use of the romantic novel to explore social and racial themes. Her work reflects the influence of W. E. B. Du Bois. Her first known work, a musical play called Slaves' Escape; or, The Underground Railroad (later revised as Peculiar Sam; or, The Underground Railroad), first performed in 1880, is one of the earliest-known literary treatments of slaves escaping to freedom. Her short story "Talma Gordon", published in 1900, is often named as the first African-American mystery story. She explored the difficulties faced by African-Americans amid the racist violence of post-Civil War America in her first novel, Contending Forces: A Romance Illustrative of Negro Life North and South, published in 1900. She published three serial novels between 1901 and 1903 in the African American periodical Colored American Magazine: Hagar's Daughter: A Story of Southern Caste Prejudice, Winona: A Tale of Negro Life in the South and Southwest, and Of One Blood: Or, The Hidden Self. She sometimes used the pseudonym Sarah A. Allen. Hopkins spent the remainder of her years working as a stenographer at the Massachusetts Institute of Technology. She died in Cambridge, Massachusetts, from burns sustained in a house fire. In 1988, Oxford University Press released The Schomburg Library of Nineteenth-Century Black Women Writers with Professor Henry Louis Gates as the general editor of the series. Hopkins's novel Contending Forces: A Romance Illustrative of Negro Life North and South (with an introduction by Richard Yarborough) was reprinted as a part of this series. Hopkins's magazine novels (with an introduction by Hazel Carby) were also reprinted as a part of this series.

Talma Gordon (1900) is a short story by Pauline E. Hopkins. Recognized as the first African American mystery story, Talma Gordon was originally published in the October 1900 edition of The Colored American Magazine, America’s first monthly periodical covering African American arts and culture. Combining themes of racial identity and passing with a locked room mystery plot, Hopkins weaves a masterful tale of conspiracy, suspicion, and murder. “When the trial was called Jeannette sat beside Talma in the prisoner’s dock; both were arrayed in deepest mourning, Talma was pale and careworn, but seemed uplifted, spiritualized, as it were. [...] She had changed much too: hollow cheeks, tottering steps, eyes blazing with fever, all suggestive of rapid and premature decay.” When Puritan descendant Jonathan Gordon is discovered murdered under suspicious circumstances, the ensuing trial implicates his own daughter Talma. Despite being declared innocent, the townsfolk are determined to believe that Talma conspired to have her father killed after he discovered her mixed racial heritage. Freed from the prospect of imprisonment, Talma is left with only her sister’s protection against the anger and violence of her neighbors. With this thrilling tale of murder and racial tension, Hopkins proves herself as a true pioneer of American literature, a woman whose talent and principles afforded her the vision necessary for illuminating the injustices of life in a nation founded on slavery and genocide. With a beautifully designed cover and professionally typeset manuscript, this edition of Pauline E. Hopkins’ Talma Gordon is a classic work of African American literature reimagined for modern readers.

Reproduction of the original.

From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now. “I lost an arm on my last trip home. My left arm.” Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present. Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times). “Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.” —N. K. Jemisin Developed for television by writer/executive producer Branden Jacobs-Jenkins (Watchmen), executive producers also include Joe Weisberg and Joel Fields (The Americans, The Patient), and Darren Aronofsky (The Whale). Janicza Bravo (Zola) is director and an executive producer of the pilot. Kindred stars Mallori Johnson, Micah Stock, Ryan Kwanten, and Gayle Rankin.

Lured South by tales of buried treasure, Milkman embarks on an odyssey back home. As a boy, Milkman was raised beneath the shadow of a status-obsessed father. As a man, he trails in the fiery wake of a friend bent on racial revenge. Now comes Milkman’s chance to uncover his own path. Along the way, he will lose more than he could have ever imagined. Yet in return, he will discover something far more valuable than gold: his past, his true self, his life-long dream of flight. ‘A complex, wonderfully alive and imaginative story’ Daily Telegraph ‘Song of Solomon...profoundly changed my life’ Marlon James INTRODUCED BY BOOKER PRIZE WINNING AUTHOR MARLON JAMES **Winner of the PEN/Saul Bellow award for achievement in American fiction**

First published in May 1900, the Colored American Magazine provided a pioneering forum for black literary talent previously stifled by lack of encouragement and opportunity. Not only a prolific writer for the journal, Pauline Hopkins also served as one of its powerful editorial forces. This volume of her magazine novels, which appeared serially in the journal between March 1901 and November 1903, reveals Hopkins' commitment to fiction as a vehicle for social change. She weaves important political themes into the narrative formulas of nineteenth-century dime-store novels and story papers, which emphasize suspense, action, complex plotting, multiple and false identities, and the use of disguise. Offering both instruction and entertainment, Hopkins' novels also expose the limitations of popular American narrative forms when telling the stories of black characters.