Grave Bound

Snatched from the Grave, an exciting and provocative collection of 46 poems, traces the path taken by the protagonist to find real lifelong satisfaction and peace in a turbulent, perilous and ruthless world. The poems fire the imagination and generate thought around questions of existence and belief as they call on the reader to re-examine him/herself in order to live a meaningful life.

Emily Riddle has lived her entire life inside a patriarchal commune led by her father. There are many rules, but the most important one, 'keep it in the commune', is the most difficult for her to follow... especially since the only people willing to champion her cause live on the outside. When Emily learns her father has promised her to Lorenzo, a perverted man who has plans for her that extend well beyond marriage and kids, she rebels. Regardless of the consequences, she refuses to marry someone who'd rather beat her than caress her. A day of hooky that starts out as a tiny act of defiance - sneaking out of the commune for a swim - turns into a day filled with hope. After spending time with Levi, a man camping near the lake, she finds what true romance looks like and catches a glimpse into a future that's filled with love and admiration rather than hate and submission. That tiny peek is enough to change the course of Emily's existence and makes it nearly impossible for her to go back to the commune and pretend she'll ever be able to tolerate the life chosen for her instead of the life she longs for. One that includes Levi. Fighting to escape the commune, its leaders, and her fiancé proves to be more dangerous than Emily expected. The secrets she knows, as the leader's daughter, will either follow her to the grave or send her - and Levi - there.

Nobel Prize winner Mario Vargas Llosa has said Fernando Iwasaki's work “delights and instructs all at once; it takes readers on a trip through a fantasy world while forcing them to face, without any fuss, a sinister reality, one dominated by fear.” In Spain's Diario Sur, Alfredo Taján highlights the book's strangeness, writing that it contains “chilling and wrenching stories of terror, where beasts, ghosts, vampires, incubi and succubi, crimes and enigmas cross over to the fresh breeze of everyday life without having to recur to remote geographies. Iwasaki describes his hells with a rare stylistic intuition that measures out the fear; it twists it, turns it into metaphor.” Renowned philologist, writer, and critic Miguel García Posada says of this book, “It's not a stretch to consider it one of the most notable revelations of recent Latin American literature.” Grave Goods contains ninety-eight pieces of flash fiction from one of Peru's best contemporary writers. While Fernando Iwasaki's stories—like all good horror stories—are intended to frighten or disconcert his readers, they are also often humorous in nature. Some re-create or re-envision urban legends, some come from dreams, and some are pure inventions of Iwasaki's remarkable mind. GRAVE GOODS - Translated into English for the first time!

The exotic and impressive grave goods from burials of the ÔWessex CultureÕ in Early Bronze Age Britain are well known and have inspired influential social and economic hypotheses, invoking the former existence of chiefs, warriors and merchants and high-ranking pastoralists. Alternative theories have sought to explain the how display of such objects was related to religious and ritual activity rather than to economic status, and that groups of artefacts found in certain graves may have belonged to religious specialists. This volume is the result of a major research that aimed to investigate Chalcolithic and Early Bronze Age grave goods in relation to their possible use as special dress accessories or as equipment employed within ritual activities and ceremonies. Many items of adornment can be shown to have formed elements of elaborate costumes, probably worn by individuals, both male and female, who held important ritual roles within society. Furthermore, the analysis has shown that various categories of object long interpreted as mundane types of tool were in fact items of bodily adornment or implements used in ritual contexts, or in the special embellishment of the human body. Although never intended to form a complete catalogue of all the relevant artefacts from England the volume provides an extensive, and intensively illustrated, overview of a large proportion of the grave goods from English burial sites.