Graphology And The Psychology Of Handwriting

If you find yourself called on to judge people on a regular basis, you need all the tools at your disposal to do your job right. Handwriting psychology offers one practical method for helping you learn what you need to learn about your subject quickly. Whether you are a teacher, psychologist or manager, you can benefit from the guidance of Dr. Helmut Ploog, a handwriting expert. Learn what the size and width of handwriting can reveal about a person, as well as what more muted features—such as slant, spacing, and direction of lines—can make clear. Written in plain English, this guidebook presents pithy explanations of handwriting movements, which may be angular or round, long or short, heavy or light, high or deep below the base line. It also offers analyses of the handwriting of many well-known people, including Charles Darwin, Anne Frank, Paul Getty, Allen Ginsberg, Ernest Hemingway, Frida Kahlo, Somerset Maugham, Pablo Picasso, Pope Benedict, Vladimir Putin, Maurice Ravel, Carl Rogers, and Susan Sontag. Handwriting Psychology should never be used by itself to judge someone, but it can serve as an essential tool to make and confirm observations that could change your life, your career, and your approach to life.

Today, graphology is used in courtrooms and banks as well as by psychologists. In Handwriting & Personality, graphologist Ann Mahony now reveals the many elements that are part of handwriting analysis and shows readers how to learn more about their--and other people's--motivations and characteristics.

Faced with challenging economic times, contemporary clinicians require assessment tools which can accelerate the therapeutic process and facilitate brief psychotherapy. This text introduces graphology, or handwriting analysis, which has been used clinically in Europe for decades alongside other projective techniques. In Clinical Graphology: An Interpretive Manual for Mental Health Practitioners, this clinical application becomes accessible. The text provides a compelling rationale for the clinical evaluation of handwriting and demonstrates how therapists can access rich personal data by examining clients’ graphic behaviors. The text is designed to systematically present clinical graphology in theory and practice. A review of the literature demonstrates that the clinical use of graphology is consistent with the tenets of clinical practice. Graphological interpretive theory is presented in detail, providing a theoretical understanding of those graphic features which are meaningful indices of psychological phenomena. In this context, the inherent congruity between graphological and psychological theory is explored. Diverse handwriting samples, including many of contemporary public figures, illustrate graphic phenomena while demonstrating and encouraging the graphologist’s unique type of visual acuity. To facilitate the reader’s ability to synthesize graphic traits into a holistic personality profile, an interpretive schedule is provided which summarizes graphic indices and their interpretations. A method of assessing handwritings is provided which permits a degree of standardization and so facilitates research. Using this text, readers can integrate graphological theory and cultivate interpretive skills. Providing a comprehensive treatment of the psychology of handwriting, this volume includes a discussion of caveats which guide the clinical use of graphology as well as research considerations and guidelines for sharing graphological findings with clients. To date, clinicians in North America remain unaware of the merits of graphology usage although they continue to seek out methods of assessment which will facilitate their clinical efforts. This volume will demonstrate graphology as a tool which can be applied by those with virtually any theoretical orientation or practice model, speaking to the interests of psychiatrists, psychologists, social workers, art therapists, vocational counselors, pastoral counselors, and naturopaths, and paraprofessionals.

Graphology, in English and American manuals of handwriting, stands in the relation with all other pseudo-sciences, founded on half truths and wrought with superstition and amateur fads, compared to modern science. In this book, the author attempts to put before the English public the fundamental principles, methods and laws of scientific graphology. Contents: common objections to graphology and their refutation; history of graphology; physiology and psychology of writing; random test of the correctness of methods explained; practical hints for drawing up of graphological analyses; specimens of analysis.

A collection of papers by practicing graphologists as well as critics from many fields, providing a balanced evaluation of claims that personality, aptitude, and psychological and physical health can be determined through handwriting analysis. Paper edition (unseen), $21.95. Annotation copyright by Book News, Inc., Portland, OR

Founder of the National Society for Graphology, Felix Klein began his study of graphology in his birthplace, Vienna, Austria, at the age of thirteen. He was a practicing graphologist all of his life and lectured and gave seminars throughout the United States and in Canada, England, Germany, Israel and Mexico. Mr. Klein came to the United States in 1940 after spending six months each in the concentration camps at Dachau and Buchenwald. While in those camps he formulated his theory of directional pressure as a result of studying changes in the handwriting of his fellow inmates. Mr. Klein did extensive work in personnel selection for major companies and banks, vocational guidance, and individual analyses, as well as forensic document examination for such entities as the U.N., AT&T, and a major political figure in Ghana, Africa. It was probably as a teacher that Felix was most known and loved. He held classes and offered correspondence courses in all levels of graphology: elementary, intermediate, advanced, Master Research, and Psychology for Graphologists. Wherever Felix spoke, his warm, caring personality and his naturalness and keen sense of humor generated enthusiastic responses from young and old alike.