Gothic Kernow Cornwall As Strange Fiction

Cornwall as Strange Fiction is focused on written and visual culture that is made in, or made about, Cornwall and where there is affinity with Gothic. Cornwall and the Scilly Isles (known as ‘Kernow’ in the Cornish language) have a special relationship with Gothic, one that has been overlooked in the literature on regional Gothic. In 1998, Avril Horner and Sue Zlosnik coined the term ‘Cornish Gothic’ in relation to the work of Daphne du Maurier. Since then, however, there have been few discussions of the distinctive types of Gothic engendered by cultural and imaginative re-creations of Cornwall or where it has played a generative role within creative practice. Cornwall as Strange Fiction argues that a persistent imaginative romance with the peninsular has produced a specific and distinctive set of Gothic fictions and creative outputs that mark an exciting new departure in the discussion of regional and media-aware Gothic studies. Offering new insights into the relationships between place and Gothic, this book aims to engender and encourage greater debate through our argument that Cornwall plays a potent role in the landscape of regional Gothic and argues that it needs to be considered more fully as a major catalyst in the Gothic imagination.

For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.

The Routledge Companion to Folk Horror offers a comprehensive guide to this popular genre. It explores its origins, canonical texts and thinkers, the crucial underlying themes of nostalgia and hauntology, and identifies new trends in the field. Divided into five parts, the first focuses on the history of Folk Horror from medieval texts to the present day. It considers the first wave of contemporary Folk Horror through the films of the ‘unholy trinity’, as well as discussing the influence of ancient gods and early Folk Horror. Part 2 looks at the spaces, landscapes, and cultural relics, which form a central focus for Folk Horror. In Part 3, the contributors examine the rich history of the use of folklore in children’s fiction. The next part discusses recent examples of Folk Horror-infused music and image. Chapters consider the relationship between different genres of music to Folk Horror (such as folk music, black metal, and new wave), sound and performance, comic books, and the Dark Web. Often regarded as British in origin, the final part analyses texts which break this link, as the contributors reveal the larger realms of regional, national, international, and transnational Folk Horror. Featuring 40 contributions, this authoritative collection brings together leading voices in the field. It is an invaluable resource for students and scholars interested in this vibrant genre and its enduring influence on literature, film, music, and culture.

While the undisputed heyday of folk horror was Britain in the 1960s and 1970s, the genre has not only a rich cinematic and literary prehistory, but directors and novelists around the world have also been reinventing folk horror for the contemporary moment. This study sets out to rethink the assumptions that have guided critical writing on the genre in the face of such expansions, with chapters exploring a range of subjects from the fiction of E. F. Benson to Scooby-Doo, video games, and community engagement with the Lancashire witches. In looking beyond Britain, the essays collected here extend folk horror’s geographic terrain to map new conceptualisations of the genre now seen emerging from Italy, Ukraine, Thailand, Mexico and the Appalachian region of the US.

What is folk horror and how culturally significant is it? This collection is the first study to address these questions while considering the special importance of British cinema to the genre’s development. The book presents political and aesthetic analyses of folk horror’s uncanny landscapes and frightful folk. It places canonical films like Witchfinder General (1968), The Blood on Satan's Claw (1971) and The Wicker Man (1973) in a new light and expands the canon to include films like the sci-fi horror Doomwatch (1970–72) and the horror documentary Requiem for a Village (1975) alongside filmmakers Ken Russell and Ben Wheatley. A series of engrossing chapters by established scholars and new writers argue for the uniqueness of folk horror from perspectives that include the fragmented national history of pagan heresies and Celtic cultures, of peasant lifestyles, folkloric rediscoveries and postcolonial decline.

A mariner inherits a skull that screams incessantly along with the roar of the sea; a phantom hare stalks the moors to deliver justice for a crime long dead; a man witnesses a murder in the Cornish woods, only to wonder whether it was he himself who committed the crime. Offering a bounty of lost or forgotten strange and Gothic tales set in Cornwall, Cornish Horrors explores the rich folklore and traditions of the county in a journey through mines, local mythology, shipwrecks, seascapes, and the coming of the railway and tourism. With tales by horror luminaries such as Bram Stoker, Poe, and Mary Elizabeth Braddon, this edition also features a host of underappreciated writers such as F. Tennyson Jesse and Margery Williams - said to be a strong influence on Lovecraft's writing.

Finally available, a high quality book of the original classic edition of Cornish Characters - and Strange Events. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by S. (Sabine) Baring-Gould, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Cornish Characters - and Strange Events in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Cornish Characters - and Strange Events: Look inside the book: The isolation in which Cornwall had stood has tended to develop in it much originality of character; and the wildness of the coast has bred a hardy race of seamen and smugglers; the mineral wealth, moreover, drew thousands of men underground, and the underground life of the mines has a peculiar effect on mind and character: it is cramping in many ways, but it tends to develop a good deal of religious enthusiasm, that occasionally breaks forth in wild forms of fanaticism. ...'Above the stalagmite, and principally in the black mould, have been found a number of relics belonging to different periods, such as socketed celts, and a socketed knife of bronze, and some small fragments of roughly smelted copper, about four hundred flint flakes, cores, and chips, a polishing stone, a ring (made of Kimmeridge clay), numerous spindle whorls, bone instruments terminating in comb-like ends, pottery, marine shells, numerous mammalian bones of existing species, and some human bones, on which it has been thought there are traces indicative of cannibalism. About S. (Sabine) Baring-Gould, the Author: In 2011 the complete collection of folk song manuscripts (including two notebooks not included in the microfiches edition) were digitized and published online by the Devon Tradition Project in association with the English Folk Dance and Song Society as part of the 'Take Six' project undertaken by the Vaughan Williams Memorial Library. ...One grandson, William Stuart Baring-Gould, was a noted Sherlock Holmes scholar who wrote a fictional biography of the great detective—in which, to make up for the lack of information about Holmes's early life, he based his account on the childhood of Sabine Baring-Gould.

A lavishly illustrated companion to Winston Graham's beloved Poldark novels, reissued to coincide with the BBC series based on the novels. Graham's saga of Cornish life in the eighteenth century has enthralled readers throughout the world for seventy years and the wild landscapes that inspired the novels have - even today - remained relatively unchanged. Cornwall then was a perilous world of pirates and shipwrecks: of rugged coast and mysterious smugglers' coves, of windswept moors and picturesque villages such as Boscastle and Port Quin, and of beaches, tin mines and churches. With an introduction by Winston Graham's son, Andrew, and illustrated with stunning photographs, Poldark's Cornwall is a glorious evocation of the land of beauty, excitement, romance and imagination that Graham loved so well.

A geophilosophical odyssey through the remains of Cornwall's industrial past offers a historical portrait of geotrauma in action. This unique document provides a pioneering case study in post-“site-specific” geophilosophy. Based on a weird field trip into Cornwall's mining heartlands with geologists, philosophers, and ecologists as guides, Hydroplutonic Kernow drills down through nature, industry, and cultural capital to site the local within the global, unfolding the telluric plots that manipulated populations and devastated the landscape during the industrial age. In doing so, it provides a historical portrait of geotrauma in action. This geophilosophical odyssey takes us through the remains of the region's industrial past, reading them through the twisted prism of the geocosmic theory of trauma espoused by legendary “cryptographer” Dr. Daniel Barker and further developed by Iranian philosopher Reza Negarestani, and uncovering the deep plot of the Hydroplutonic Conspiracy, the collusion between water and the depths of the earth. Along with full documentation of the trip, the book also contains exegetical materials including an essay by Reza Negarestani, a poem by Jake Chapman, a preface by Caitlin DeSilvey, and an in-depth interview with Mining Engineer Steve Tarrant.