Gods Silence

In this luminous new collection of poems, Franz Wright expands on the spiritual joy he found in his Pulitzer Prize-winning Walking to Martha’s Vineyard. Wright, whom we know as a poet of exquisite miniatures, opens God’s Silence with “East Boston, 1996,” a powerful long poem that looks back at the darker moments in the formation of his sensibility. He shares his private rules for bus riding (“No eye contact: the eyes of the terrified / terrify”), and recalls, among other experiences, his first encounter with a shotgun, as an eight-year-old boy (“In a clearing in the cornstalks . . . it was suggested / that I fire / on that muttering family of crows”). Throughout this volume, Wright continues his penetrating study of his own and our collective soul. He reaches a new level of acceptance as he intones the paradox “I have heard God’s silence like the sun,” and marvels at our presumptions:We speak of Heaven who have not yet accomplishedeven this, the holiness of things precisely as they are, and never will!Though Wright often seeks forgiveness in these poems, his black wit and self-deprecation are reliably present, and he delights in reminding us that “literature will lose, sunlight will win, don’t worry.”But in this book, literature wins as well. God’s Silence is a deeply felt celebration of what poetry (and its silences) can do for us.

In this luminous new collection of poems, Franz Wright expands on the spiritual joy he found in his Pulitzer Prize-winning Walking to Martha’s Vineyard. Wright, whom we know as a poet of exquisite miniatures, opens God’s Silence with “East Boston, 1996,” a powerful long poem that looks back at the darker moments in the formation of his sensibility. He shares his private rules for bus riding (“No eye contact: the eyes of the terrified / terrify”), and recalls, among other experiences, his first encounter with a shotgun, as an eight-year-old boy (“In a clearing in the cornstalks . . . it was suggested / that I fire / on that muttering family of crows”). Throughout this volume, Wright continues his penetrating study of his own and our collective soul. He reaches a new level of acceptance as he intones the paradox “I have heard God’s silence like the sun,” and marvels at our presumptions:We speak of Heaven who have not yet accomplishedeven this, the holiness of things precisely as they are, and never will!Though Wright often seeks forgiveness in these poems, his black wit and self-deprecation are reliably present, and he delights in reminding us that “literature will lose, sunlight will win, don’t worry.”But in this book, literature wins as well. God’s Silence is a deeply felt celebration of what poetry (and its silences) can do for us.

In these 1997 Lyman Beecher Lectures in Preaching delivered at Yale Divinity School, the author focuses on the task of those who preach and those who hear sermons in a world where people thirst for a word from God.

He Speaks in the Silence is about Diane Comer’s search for the kind of intimacy with God every woman longs for. It is a story of trying to be a good girl, of following the rules, of longing for a satisfaction that eludes us. Disappointed with all Diane had been told was supposed to fulfill her, she begged God in desperation to give her more. And He did. But first He took her through a trial so debilitating it almost destroyed what little faith she had. He let her go deaf. Using vivid parallels between her deafness and every woman’s struggle to hear God, this book shows women not only how Diane, as a deaf woman, hears in everyday life, but also how she can learn to listen to God in the midst of her own loud life, finding intimacy with God and the deep soul satisfaction she longs for.

Like the biblical Job, many people suffer under the silence of God. This book shows that it is enlightening to retrace the origins of the concept of divine speech and silence in the ancient Near East and Greece.

Much of our faith and practice is about words—preaching, teaching, talking with others. Yet all of these words are not enough to take us into the real presence of God. This book is an invitation to meet God deeply and fully through solitude and silence. This expanded edition includes a guide for groups to use for both discussion and practice.

Pete Greig, the acclaimed author of Red Moon Rising, has written his most intensely personal and honest account yet in God on Mute, a book born out of his wife Samie's fight for her life and diagnosis of a debilitating brain tumor. Greig asks the timeless questions of what it means to suffer and to pray and to suffer through the silence because your prayers seem unanswered. This silence, Greig relates, is the hardest thing. The world collapses. Then all goes quiet. Words can't explain, don't fit, won't work. People avoid you and don't know what to say. So you turn to Him and you pray. You need Him more than ever before. But somehow . . . even God Himself seems on mute. In this heart-searching, honest, and deeply profound book, Pete Greig looks at the hard side of prayer, how to respond when there seem to be no answers, and how to cope with those who seek to interpret our experience for us. Here is a story of faith, hope, and love beyond all understanding.

As a custodian of the gods was handed down to him by his father, Papa is popular and powerful, feared and revered as the most potent priest in the village of Adiembra; builds confidence in himself; and believes there is no power above his gods. However, there is a problem that tears him apart: his last wife is unable to bear him a child. Papa consults a god in the North who makes his last wife conceive, with a condition to make a sacrifice every new moon. During labor, she struggles to live but dies. Papa soon forgets the pain and hurt of death as the beautiful baby girl grows. Papa forgets to perform the sacrifice on a few occasions as the god of the North asked. The god strikes, bringing punishment on the little girl with an abscess that causes her to decay till death. Papas boys rebel and elope, turning against him and his gods. In anger, Papa beats up wives and sends them away to their families, living his life alone. He makes love to a prostitute during a visit to his friend. An ant falls from his penis; he bleeds until his health deteriorates. Papa loses connection with the gods and his family and consequently commits suicide.

How do I know it's God? is one of the most commonly asked questions of new and mature Christians alike, and the aim of God Conversations is to both equip and inspire the reader and show them that hearing the voice of the Spirit is accessible to everyone who chooses to follow Jesus. Most Christians know that God speaks, yet struggle with how to recognise his voice in their everyday lives. What does God's voice sound like? How do we know if what we're hearing is from God? Stories of God talking to his people abound throughout the Bible, but we usually only get the highlights. We read; "And God said to Joseph; 'Go to Egypt'," and then; "Mary and Joseph left for Egypt." We don't get a blow-by-blow description of how God spoke. We don't receive a detailed explanation of how they knew it was God, and we don't get to see what was going on inside their heads as they acted on what they'd heard. In God Conversations, international speaker and pastor Tania Harris shares insights from her own journey about hearing God's voice. You'll get to eavesdrop on some contemporary conversations with God in the light of his communication with the ancient characters of the Bible. Part memoir, part teaching, this unique and creative collection of stories will help you to recognise God's voice when he speaks and how to respond when you do.

This ground-breaking book provides a new perspective on Christian practices of silence. An original, theologically informed work, written by a significant Quaker theologian Provides a new perspective on Christian practices of silence Considers the theological and ethical significance of these practices Relates silence, listening and communication to major contemporary issues Takes forward theological engagement with feminist thought Contributes to ongoing research into the theology of Dietrich Bonhoeffer.