Goddesses 1 Heaven Sent

Three goddesses, banished to earth by their dad, Zeus (yeah, that Zeus)...Era, on mortal boys: "Look at him. Even the gods back home aren't that cute." Polly, on Nova High gossip: "I'm simply not in the mood to chatter on about silly spiteful girlsor cute Johnny Jims or sauerkraut breath." Thalia, on earth: "I mean, we don't know what earth is like. Maybe it's all leprechaunsand roses. Maybe it's an adventure every day. Maybe it's space-age." Polly, Era, and Thalia are stuck on earth, and to get back to Olympus, they've got to prove they've learned their lesson. And they've got to get through high school in the meantime. Which would be hard enough without the horribly evil Furies threatening to destroy their chances of ever seeing home again....

Thalia persuades her sisters, Muses Era and Polly, to help her avoid an arranged marriage, but their plan goes awry and Zeus sends the girls to Earth--only instead of arriving in ancient Athens, Greece, they arrive in modern Athens, Georgia.

Thalia persuades her sisters, Muses Era and Polly, to help her avoid an arranged marriage, but their plan goes awry and Zeus sends the girls to Earth--only instead of arriving in ancient Athens, Greece, they arrive in modern Athens, Georgia.

Ancient Greek literature has a profound impact on western literature at large. In particular, many ancient Roman authors drew inspiration from their Greek predecessors. Ever since the Renaissance, European authors in general, including Dante Alighieri, William Shakespeare, John Milton, and James Joyce, have all drawn heavily on classical themes and motifs. Even today authors are fascinated with Greek literature, and still great works of literature are based on ancient myths and plays. The readers can still relate to these works of art and learn from them, even though written two millennials ago. This collection is based on the required reading list of Yale Department of Classics. Originally designed for students, this anthology is meant for everyone wanting to know more about history and literature of this period, interested in poetry, philosophy and drama of Antient Greece.

This work significantly advances the critical discussion of New Testament Christology. Hengel examines the titles Son and God. He points toward an inner consistency and dynamic in the development of the doctrine of Christ in primitive Christianity as the movement proceeded from the Gospels' account of the death of Jesus to the high Christology present in the Pauline writings. Historical scholarship and theological -- one might even say dogmatic -- questions must not stand in unresolved contradiction. On the contrary, the historian misunderstands the nature of New Testament Christology if he does not grasp its theological concern and its inner consistency, while a dogmatic approach that does not take seriously the historical course of Christianity is in danger of becoming no more than abstract speculation. It is therefore vitally important to unite historical research and the theological search for truth.