God And The Indian

Questions the impact of Indian boarding schools on former students sent for Christian reform and the clergy assigned the task.

The beloved debut novel about an affluent Indian family forever changed by one fateful day in 1969, from the author of The Ministry of Utmost Happiness NEW YORK TIMES BESTSELLER • MAN BOOKER PRIZE WINNER Compared favorably to the works of Faulkner and Dickens, Arundhati Roy’s modern classic is equal parts powerful family saga, forbidden love story, and piercing political drama. The seven-year-old twins Estha and Rahel see their world shaken irrevocably by the arrival of their beautiful young cousin, Sophie. It is an event that will lead to an illicit liaison and tragedies accidental and intentional, exposing “big things [that] lurk unsaid” in a country drifting dangerously toward unrest. Lush, lyrical, and unnerving, The God of Small Things is an award-winning landmark that started for its author an esteemed career of fiction and political commentary that continues unabated.

Considers the confrontation between Christian culture and Native American culture and religion, covering their similarities and their differences.

This is an attack on the destruction of the culture and environment of indigenous tribes in Latin America and the South Pacific by fundamentalist missionaries from the US.

Oedipal God offers the most comprehensive account in any language of the prodigal deity Nezha. Celebrated for over a millennium, Nezha is among the most formidable and enigmatic of all Chinese gods. In this theoretically informed study Meir Shahar recounts Nezha’s riveting tale—which culminates in suicide and attempted patricide—and uncovers hidden tensions in the Chinese family system. In deploying the Freudian hypothesis, Shahar does not imply the Chinese legend’s identity with the Greek story of Oedipus. For one, in Nezha’s story the erotic attraction to the mother is not explicitly acknowledged. More generally, Chinese oedipal tales differ from Freud’s Greek prototype by the high degree of repression that is applied to them. Shahar argues that, despite a disastrous father-son relationship, Confucian ethics require that the oedipal drive masquerade as filial piety in Nezha’s story, dictating that the child-god kill himself before trying to avenge himself upon his father. Combining impeccable scholarship with an eminently readable style, the book covers a vast terrain: It surveys the image of the endearing child-god across varied genres from oral and written fiction, through theater, cinema, and television serials, to Japanese manga cartoons. It combines literary analysis with Shahar’s own anthropological field work, providing a thorough ethnography of Nezha’s flourishing cult. Crossing the boundaries between China’s diverse religious traditions, it tracks the rebellious infant in the many ways he has been venerated by Buddhist monks, Daoist priests, and possessed spirit mediums, whose dramatic performances have served to negotiate individual, familial, and collective tensions. Finally, the book offers a detailed history of the legend and the cult reaching back over two thousand years to its origins in India, where Nezha began as a mythological being named Nalakūbara, whose sexual misadventures were celebrated in the Sanskrit epics as early as the first centuries BCE. Here Shahar reveals the long-term impact that Indian mythology has exerted—through the medium of esoteric Buddhism—upon the Chinese imagination of divinity. A tour de force of literary analysis, ethnographic research, psychological insight, and cross-cultural investigation, Oedipal God is a must read for anyone interested in Chinese studies and the historical connection between India and China. Shahar’s broad reach and engaging approach will appeal to specialists and students in a variety of disciplines including Chinese religion, Chinese literature, anthropology, Buddhist studies, psychology, Indian studies, and cross-cultural history.

The renowned travel writer delivers “a scathing account of how some missionary sects deal with indigenous peoples in their bid for the conquest of souls” (Library Journal). Acclaimed travel essayist Norman Lewis spent his life traversing the globe and offering thoughtful commentary on the cultures he visited. In The Missionaries, he turns his critical lens on those missionaries who embed themselves in indigenous cultures to convert the locals to Christianity. What begins with the well-meaning goal of improving the lives of native people, though, often has the opposite effect. Focusing mainly on tribes in South America, but also in Indochina and the Pacific Islands, Lewis demonstrates how various missionary organizations betray their originating principals and—whether knowingly or not—contribute to the destruction of entire cultures on a scale equivalent to that of genocide.

Conventional wisdom says that integration into the global marketplace tends to weaken the power of traditional faith in developing countries. But, as Meera Nanda argues in this path-breaking book, this is hardly the case in today’s India. Against expectations of growing secularism, India has instead seen a remarkable intertwining of Hinduism and neoliberal ideology, spurred on by a growing capitalist class. It is this “State-Temple-Corporate Complex,” she claims, that now wields decisive political and economic power, and provides ideological cover for the dismantling of the Nehru-era state-dominated economy. According to this new logic, India’s rapid economic growth is attributable to a special “Hindu mind,” and it is what separates the nation’s Hindu population from Muslims and others deemed to be “anti-modern.” As a result, Hindu institutions are replacing public ones, and the Hindu “revival” itself has become big business, a major source of capital accumulation. Nanda explores the roots of this development and its possible future, as well as the struggle for secularism and socialism in the world’s second-most populous country.

This work explores how colonial India imagined human and divine figures to battle the nature and locus of sovereignty.

First published in 1972, Vine Deloria Jr.'s God Is Red remains the seminal work on Native religious views, asking new questions about our species and our ultimate fate. Celebrating 3 decades in publication with a special 30th-anniversary edition, this classic work reminds us to learn ''that we are a part of nature, not a transcendent species with no responsibilities to the natural world.'' It is time again to listen to Vine Deloria Jr.'s powerful voice, telling us about religious life that is independent from Christianity and that reveres the interconnectedness of all living things.

This inspirational book celebrates the faith and courage of members of a traditional church that -- in 20th century America -- still struggling for religious freedom. Their Greatest challenge is the ongoing legal battle against the 1990 Supreme Court decision citing peyote use to deny the Native American Church the First Amendment right to 'the free exercise of religion'. Legislation providing an exemption to the Native American Church was overturned by the Supreme Court in 1997. The eloquent personal testimony offered by Church members from many different tribes demonstrates the spiritual strength of this religious tradition and makes it clear that peyote is not used to obtain 'visions' but to heal the body and spirit and to teach righteousness. Peyote meetings play, which stress abstinence from alcohol, truthfulness, family obligations, economic self-suffering, service, and prayer. This book is important reading for any one who cares about spiritual values, political process, and the individual's freedom to worship according to the dictates of conscience.