Go Small Or Go Home

Massage therapist Tess Grayson has long dreamed of turning her hobby of building intricate miniature dioramas into an art career. She’s finally ready to grab for that tiny brass ring, but her potential new massage client shakes her resolve. Forrest Williams had finally healed from the car accident that killed his fiancée, but a new injury now threatens his professional hockey career. Even allowing for everything he’s suffered, the depth of the emotional and physical pain Tess senses in Forrest at their first meeting shocks her, and she puts aside her artistic aspirations for two months to help him recover. When Forrest shows Tess’s dioramas to his mother, who owns a top Toronto art gallery, she agrees to sell Tess’s work but her rules and restrictions stifle Tess’s creativity. Giving up the career of her dreams is unthinkable, but losing the freedom and joy she’d always found in her art is unbearable, and Tess can’t seem to find a way to have both at once.

It is in the seemingly ordinary moments of life where God does his greatest work. Go big or go home . . . so they say. But do you ever feel like no matter how big you go, you still haven’t gone big enough? Have you grown so frustrated with the pursuit of “go big” that “go home” is starting to look inviting? Going big all the time is not only a recipe for burnout—it’s not the way God works in your life. It’s time to break free from “go big or go home.” It’s time to invest in stamina, to cultivate endurance, to recognize the miraculous world of the ordinary, little things. Show the door to “go big or go home” thinking. Your ordinary life is miraculous. It’s time to go small—and keep on going.

“Do you remember Savannah?” How could she forget? Two decades ago, Trinity Calhoun's best friend—18-year-old Savannah Stuart—went missing. Just weeks later, Savannah’s body was found brutally slain outside the mountain town. With no suspects or leads, the local authorities dismissed the murder as a tragic one-off, likely perpetrated by a tourist. But Trinity wasn’t convinced. Determined to do better for other victims, she left town and settled in Vancouver, rising through the ranks to become a detective. She’s never looked back. But now, an unexpected phone call from her former lover has her barreling down the highway to face the past. Another young woman has disappeared under eerily similar circumstances. Allegedly. But the local police are disinterested. Trinity’s ex has a tenuous—at best—hold on his mental and physical health. And Savannah’s secretive and handsome brother is in town, asking an awful lot of questions. Trinity’s focus is clouded. Maybe her judgment, too. As she wades through her past, she needs to answer a potentially life-threatening question: is there a dangerous, repeat criminal on the loose, or is she just desperate for closure?

Described by African scholar and literary critic Chielozona Eze as “one of the most prolific African poets of the twenty-first century,” Patricia Jabbeh Wesley composed When the Wanderers Come Home during a four-month visit to her homeland of Liberia in 2013. She gives powerful voice to the pain and inner turmoil of a homeland still reconciling itself in the aftermath of multiple wars and destruction. Wesley, a native Liberian, calls on deeply rooted African motifs and proverbs, utilizing the poetics of both the West and Africa to convey her grief. Autobiographical in nature, the poems highlight the hardships of a diaspora African and the devastation of a country and continent struggling to recover. When the Wanderers Come Home is a woman’s story about being an exile, a survivor, and an outsider in her own country; it is her cry for the Africa that is being lost in wars across the continent, creating more wanderers and world citizens.

Winner of the 2021 Mississippi Institute of Arts and Letters Award for Fiction A searing debut novel that follows three generations—fractured by murder, seeking redemption—in fictional Pitchlynn, Mississippi. An Iraq War veteran turned small-town homemaker, Colleen works hard to keep her deployment behind her—until pregnancy brings her buried trauma to the surface. She hides her mounting anxiety from her husband, Derby, who is in turn preoccupied with the retrial of his father, Hare Hobbs, for a decades-old, civil rights–era murder. Colleen and Derby’s community, including the descendants of the murder victim, still grapple with the fallout; corrections officer Doc and his wife, Jessica, have built their life in the shadow of this violent act. As a media frenzy builds, questions of Hare’s guilt—and of the townsfolks’ potential complicity in the crime—only magnify the ever-present tensions of class and race, tied always to the land and who can call it their own. At the center of these lingering questions is Wallis House, an antebellum estate that has recently passed to new hands. A brick-and-mortar representation of a town trying to erase its past, Wallis House is both the jewel of a gentrifying 2010s Pitchlynn, and the scene of the 1964 murder itself. When fresh violence erupts on the property grounds, the battle between old Pitchlynn and new, between memorial site and moving on, forces a reckoning and irreparable loss. Some Go Home twists together personal and collective history, binding north Mississippi to northside Chicago, in a richly textured, explosive depiction of both the American South and our larger cultural legacy.

This book is a compilation of stories and lifetime experiences over a seventy-one year period in the author’s life. From World War II through the Space Age: from childhood innocence through the adventures of adulthood. All of this, motivated by her desire for her children, grandchildren, and subsequent generations to see what she has seen, and know her as a person. “I’ve always wished I had asked my grandmothers more questions about their lives. I don’t think I’m unique in that respect,” she says. Its filled with humor, history, and simply the joy of living while striving to become the person you think you were meant to be.

THEY WERE GREEN, THEY WERE LITTLE, THEY WERE BALD AS BILLIARD BALLS AND THEY WERE EVERYWHERE! Luke Devereaux was a science fiction writer, holed up in a desert shack waiting for inspiration. He was the first to see a Martian - but he certainly wasn't the last. It was estimated that one billion of them had arrived - one to every three human beings on Earth. Obnoxious green creatures who could be seen and heard (but not harmed) and who probed private sex lives as shamelessly as they exposed government secrets. No one knew why they had come. No one knew how to make them go away - except perhaps, Luke Devereaux. Unfortunately he was going slightly bananas, so it wouldn't be easy. But for a science fiction writer nothing was impossible...

This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.

The words "inimitable" and "unique" are bandied about too often in artistic circles, so much so that critics seem to have forgotten those words were invented to describe Howard Waldrop's fiction. Waldrop's mastery of arcane knowledge, his transcendent wit, and the way his stories explode like cheerty bombs inside a reader's mind have all made Howard Waldrop one of the most beloved writers of the past two decades. Readers who encounter his work never forget the experience, and this new collection compiles nine such experiences (heretofore uncollected), including: "Flatfeet!", a madcap tour of this century's first decades, courtesy of the Keystone Kops. "Ocean's Ducks," an homage to those brave black actors of the 1930s. Remember those "Little Moron" jokes in the schoolyard, like "Why did the Little Moron throw the clock out the window?" "He wanted to see Time fly." Now ask yourself again "Why Did?" And beware the masked Mexican wrestlers of "El Castillo de la Perserverancia"! Howard Waldrop's unique and inimitable talents are on full display here. Read on, marvel, and rejoice.