Global Television And The Shaping Of World Politics

In 1995, United Nations Secretary-General Boutros Boutros-Ghali said of the Cable News Network, “CNN is the sixteenth member of the [15 member United Nations] Security Council.” Scholars as well as diplomats have recognized the existence of a link between communications and diplomacy, but up until now the implications of this relationship have been left unexplored. This work examines the historic interconnectedness between communications and diplomacy, how communications have historically determined the practice of diplomacy, and how global television in particular can determine diplomatic outcomes under certain conditions. This work also examines the ways in which today’s broadcasting will shape foreign policy processes in the future and the future impact of global television in world politics.

The Politics of Reality Television encompasses an international selection of expert contributions who consider the specific ways media migrations test our understanding of, and means of investigating, reality television across the globe. The book addresses a wide range of topics, including: the global circulation and local adaptation of reality television formats and franchises the production of fame and celebrity around hitherto "ordinary" people the transformation of self under the public eye the tensions between fierce loyalties to local representatives and imagined communities bonding across regional and ethnic divides the struggle over the meanings and values of reality television across a range of national, regional, gender, class and religious contexts. This book will be of interest to undergraduate and postgraduate students on a range of Media and Television Studies courses, particularly those on the globalisation of television and media, and reality television.

This book explores the relationship between fictional television and American world politics in the period from 9/11 through to the presidency of Donald J. Trump. This period comprises a second golden age for fictional TV. The book therefore explores some of the best TV of all time across two decades of heightened political controversy.

As LGBTQ claims acquire global relevance, how do sexual politics impact the study of International Relations? This book argues that LGBTQ perspectives are not only an inherent part of world politics but can also influence IR theory-making. LGBTQ politics have simultaneously gained international prominence in the past decade, achieving significant policy change, and provoked cultural resistance and policy pushbacks. Sexuality politics, more so than gender-based theories, arrived late on the theoretical scene in part because sexuality and gender studies initially highlighted post-structuralist thinking, which was hardly accepted in mainstream political science. This book responds to a call for a more empirically motivated but also critical scholarship on this subject. It offers comparative case-studies from regional, cultural and theoretical peripheries to identify ways of rethinking IR. Further, it aims to add to critical theory, broadening the knowledge about previously unrecognized perspectives in an accessible manner. Being aware of preoccupations with the de-queering, disciplining nature of theory establishment in the social sciences, we critically reconsider IR concepts from a particular LGBTQ vantage point and infuse them with queer thinking. Considering the relative dearth of contemporary mainstream IR-theorizing, authors ask what contribution LGBTQ politics can provide for conceiving the political subject, as well as the international structure in which activism is embedded. This book will be of interest to students and scholars of gender politics, cultural studies and international relations theory.

Increasingly resistant to lessons on international politics, society often turns to television and film to engage the subject. Numerous movies made in the twentieth and twenty-first centuries reflect political themes that were of concern within the popular cultures of their times. For example, Norman Jewison's The Russians Are Coming! The Russians Are Coming! (1966) portrays the culture of suspicion between the United States and the Soviet Union during the Cold War, while several of Alfred Hitchcock's movies as well as the John Wayne film Big Jim McLain (1952) and John Milius's Red Dawn (1984) helped to raise and sustain skepticism about the Soviet Union. World Politics on Screen: Understanding International Relations through Popular Culture uses films and television shows like these as well as contemporary including 24, The Simpsons, South Park, and The Daily Show to guide readers to a deeper understanding of enduring issues in international politics. In this unique and insightful volume, author Mark Sachleben demonstrates that popular culture reflects societal beliefs about the world, and that the messages captured on television and film transcend time and place. Using films such as Secret Ballot (2001), Under the Bombs (2007), and Wall E (2008), he addresses topics such as international relations and diplomacy, the study of war, nuclear weapons, poverty, immigration and emigration, human rights, and genocide. An engaging read for students and for anyone with a general interest in politics and popular culture, World Politics on Screen succeeds in its argument by illuminating unexplored assumptions about international policy.

This document explores the impact of television coverage on foreign policy decision making and the complexities of a changing media-foreign policy relationship in an era of global television. Government officials believe that television news has a great effect on foreign policy decisions. By contrast, many political scientists contend that television is subject to government news management and conveys an elite view of U.S. overseas interests. Television coverage and its potential impact on public opinion are factors to be planned and controlled in the implementation of foreign policy, according to this perspective. Chapter 1 explores television's role in the U.S. foreign policy process. Chapter 2 delineates the rise of television news to its dominant position in the politics of foreign policy through the confluence of technology, economics, public reliance on television as a news source, and a set of international concerns. Chapter 3 discusses how foreign policy and international news should be defined and handled by broadcasters. Chapter 4 outlines the advent of global television as a participant in the foreign policy process. Chapter 5 examines whether or not the public influences foreign policy. Chapter 6 elucidates the manner in which television's growing capacity as a channel for global communication will affect its relationship to the foreign policy process in the future. This issue concludes with student and community discussion questions and resources. (SM)

Examines the impact of television crossing national boundaries and influencing such issues as political autonomy, cultural sovereignty, ethnicity, and individual liberty. Includes case studies of recent conflicts between governments and within countries, and speculates on future problems and solutions. Annotation copyrighted by Book News, Inc., Portland, OR

This book is about the processes of globalization, demonstrated through a comparative study of three television case histories in Asia. Also illustrated are different approaches to providing television services in the world: public service (NHK in Japan), state (CCTV in China) and commercial (STAR TV, based in Hong Kong). Through its focus, Global Media addresses a considerable lacuna in the media studies literature, which tends to have a heavy Western bias. It provides an original addition to the literature on globalization, which is often abstract and anecdotal, in addition to making a major contribution to comparative research in Asia. Finally, it offers a thoughtful causal layered analysis, with a concluding argument in favor of public service television.

In the late 1980s and 1990s, the advanced industrial countries considered replacing the existing analogue television infrastructure with a new digital one. A key common feature to the debates over digital TV (DTV) in the United States, Western Europe and Japan was the eventual victory of the ideas of digitalism (the superiority of everything digital over everything analogue) and of digital convergence (the merging of computing, telecommunications and broadcasting infrastructures made possible by digitalization) in public debates over standards. Jeffrey Hart's book shows how nationalism and regionalism combined with digitalism to produce three different and incompatible DTV standards in the three regions, an outcome which has led to missed opportunities in developing the new technologies. Hart's book contributes to our understanding of relations between business and government, and of competition between the world's great economic powers.

Conventional wisdom views globalization as a process that heralds the diminishing role or even 'death' of the state and the rise of transnational media and transnational consumption. Global Media and National Policies questions those assumptions and shows not only that the nation-state never left but that it is still a force to be reckoned with. With contributions that look at global developments and developments in specific parts of the world, it demonstrates how nation-states have adapted to globalization and how they still retain key policy instruments to achieve many of their policy objectives. This book argues that the phenomenon of media globalization has been overstated, and that national governments remain key players in shaping the media environment, with media corporations responding to the legal and policy frameworks they deal with at a national level.