Ghost Dancing In Solitude

This collection of poetry spanning five decades is a fetching together of pieces from a larger assortment. Poems included range from lyrical and free verse, to lengthy narrative and miscellaneous poems containing dialogue. Such diversity normally suggests structural influences over time; however, the author preferred not to arrange poems chronologically, rather, to observe the sum as a present experience. 'Why would a collection of poems also contain an essay? Because a poem is compact: the meticulous workings of a tiny watch. But an essay: Well, that's like the wind blowin' pages out the back of an old rumble seat. Obviously, there's something I wish to say in my elder years.' Other books by the author include: Hold Fast to Quiet Things; Delphic Particle; Menitheos, the Skeptical Savior and Unstrained Mercy. Poems have appeared in various anthologizes including Lyrical Iowa.

In the celebrated Buffalo Woman Comes Singing, Brooke Medicine Eagle revealed her extraordinary spiritual odyssey from her first guided steps on the medicine path to her ongoing work as one of the most respected Native American teachers of the modern era. Now she shares a groundbreaking approach to spiritual transformation--by revitalizing the powerful ancient ritual The Ghost Dance. Four centuries ago, when European invaders were ruthlessly plundering indigenous cultures, a Paiute tribesman received a vision of hope and resurrection, given by Father Spirit, to help survivors of the onslaught create a beautiful new life in the face of defeat, broken dreams, and death. That vision was celebrated in an ecstatic ghost dance honoring those who had perished. Brooke Medicine Eagle explains how and why we are profoundly connected to The Ghost Dance. As she herself becomes initiated into the "illusion of death" and the wisdom of "heart-centered ascension," she teaches us how to confront our deepest fears, overcome our resistance to change, and renew our lives. Through prayer, music, and dance, Medicine Eagle provides us with the tools to bring about the final fulfillment of this profound ritual--by living in harmony with earth's rhythms, practicing sustainable living, honoring and sharing with all our relations, and freeing ourselves from the burden of possessions and possessiveness. Perceptive, practical, and luminous, The Last Ghost Dance is a call to action, a challenge to raise up from the ashes of our desecrated planet a world that welcomes the full flowering of the spirit--and a new age of abundance, love, and peace.

A FUGITIVE PROFILER WITH A FRIGHTENING TALENT AN ASSASSIN WHO NEVER FAILS A SNIPER WHO NEVER MISSES AN INNOCENT WOMAN CAUGHT IN THE CROSSFIRE

An angel has returned to Paris. But is it the Angel of Music…or Death? Two years have passed since Christine fled the opera house, put the memories and the horror behind her. And yet, in her dreams, she still hears his voice, feels his moth-light touch on her throat. The rumors involving the legendary Opera Ghost are merely newspaper sensationalism. The Opera Ghost is dead. His tragic life, his epic opera, his obsession with her voice…ended. But with a slow, heart-pounding dread, Christine lets a lie slip from her lips, and heads for Paris. Alone. Because she has to know if Erik is dead. Or if he’s alive…and wreaking his vengeance.

"Although author Carole Maso follows the contours of fiction, style is everything in Ghost Dance, a strangely lovely and perplexing book . . . she has a fine ear and her literary gift is impressive." —San Francisco Chronicle Originally published in 1986, Ghost Dance is the first in a line of relentlessly experimental and highly esteemed works by Carole Maso. Vanessa Turin's family has been broken up by an event so devastating she cannot bear to face it straight on. Her mother, the brilliant and beautiful poet Christine Wing, seems simply to have disappeared, and her gentle, silent father also vanishes. In Ghost Dance, the reader experiences firsthand the dimensions of Vanessa's longing, the capabilities of her imagination, the persistence of her memory, and the ferocity of her love as she struggles to retrieve her family, to reclaim her country, and to come to terms with overwhelming sorrow.

Montana has been the "last best place" for so many people. A century ago, Native Americans gathered here to perform the Ghost Dance—a last, doomed attempt to make white settlers vanish and bring back the old ways of life. Today, people are still pouring into Montana, looking for the pristine wilderness they saw in A River Runs through It. The reality of Montana—indeed, of all the West—has never matched the myths, but this book eloquently explores how the search for a perfect place is driving growth, development, and resource exploitation in Big Sky country. In ten personal essays, John Wright looks at such things as Montana myths; old-timers; immigrants; elk; ways of seeing the landscape; land conservation and land trusts; the fate of the Blackfoot, Bitterroot, and Paradise valleys; and some means of preserving the last, best places. These reflections offer a way of understanding Montana that goes far beyond the headlines about militia groups and celebrities' ranches. Montana never was or will be a pristine wilderness, but Wright believes that much can be saved if natives and newcomers alike see what stands to be lost. His book is a wake-up call, not a ghost dance.

The work of Western women artists, past and present, is collected here in a stunning array of forms: fiction, poetry, autobiography, essay, journal and letter writing, sculpture, painting, graphics, photography, ceramics, needlework, music, and dance. The unique experience of women artists from diverse national, ethnic, racial, and economic backgrounds is explored from their own viewpoints, as are the relationships between women's social condition and women's art.