Getting Garbo

Set in the glamorous, cruel and often bizarre Hollywood era of the 1950s, Getting Garbo is a hilarious and suspenseful novel of the cinema's Golden Age, when autograph hounds were relentless as they sought the names of stars who became legends in their own lifetime. Nineteen-year-old Reva Hess is a charming autograph collector and the number one fan of Roy Darnell, star of the hit TV series Jack Havoc. Reva follows him everywhere, while keeping tabs on the private lives of film celebrities with her group of expert autograph collectors called The Secret Six. Soon, the slight confusion between Roy's own personality and the dashingly dangerous Jack Havoc becomes an ominous obsession and the novel turns to murder. Along the way, Jerry Ludwig brings the old Hollywood to life, evoking the giant screen figures of Humphrey Bogart, Burt Lancaster, Grace Kelly, Frank Sinatra and dozens more, as well as the off-screen ruthlessness of Jack Warner. This is a world where "getting Garbo," the elusive Greta who never signs autographs, is synonymous with the yearning for the impossible, the longing for fame and romance and the blurring of fiction and reality.

Describes the life of Juan Pujol, a poultry farmer who opposed the Nazis and concocted a series of staggering lies that lead to his becoming one of Germany's most valued spies, while actually acting as a double-agent for the Allies.

A New York Times Book Review Editors’ Choice | One of Literary Hub’s most anticipated books of 2021 Award-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshipped her “Wherever you look in the period between 1925 and 1941,” Robert Gottlieb writes in Garbo, “Greta Garbo is in people’s minds, hearts, and dreams.” Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world’s subconscious, and the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world—and that indescribable, transcendent presence she possessed—was rivaled only by Marilyn Monroe’s. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, naïve, and always on her guard. When she arrived in Hollywood at age nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world’s most famous actress. In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world—her desperate, futile striving to be “left alone.” He takes us through the films themselves, from M-G-M’s early presentation of her as a “vamp”—her overwhelming beauty drawing men to their doom, a formula she loathed—to the artistic heights of Camille and Ninotchka (“Garbo Laughs!”), by way of Anna Christie (“Garbo Talks!”), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York—“a hermit about town”—and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee—were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know—and still wants to know. In addition to offering his rich account of her life, Gottlieb, in what he calls “A Garbo Reader,” brings together a remarkable assembly of glimpses of Garbo—from other people’s memoirs and interviews (ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes); from literature (she turns up everywhere—in Hemingway’s For Whom the Bell Tolls, in Evelyn Waugh and Graham Greene); from the letters of Marianne Moore and Alice B. Toklas; from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures—more than 250 ravishing movie stills, formal portraits, and revealing snapshots—all reproduced here in superb duotone. Garbo had no personal vanity, no interest in clothes and makeup, yet her story is essentially the story of a face—and the camera.

Juan Pujol, a young Spanish anti-fascist, ultimately became Agent GARBO - the greatest double-agent of World War II. Initially recruited by German intelligence, GARBO came to London after a series of adventures to work for the British. Using a ring of invented sub-agents, he and his MI5 controllers eventually succeeded in pulling off one of the greatest deceptions in history. As a part of Operation FORTITUDE, they convinced the Germans that the D-DAY landings were only a diversionary attack, so protecting the Allied landings and hastening the end of the war in Europe. The release of MI5 case files (kept secret for over fifty years), means that these facts can now be told in full. The report which forms the bulk of this publication reads like a classic spy adventure - enciphered messages, secret inks, items concealed in cakes, exotic foreigners and fanatic nationalists. It was written by GARBO's MI5 case officer, Tomas Harris, one of a group of Cambridge graduates that included the Soviet spies Anthony Blunt and Kim Philby. Mark Seaman's introduction and notes explain and illustrate the crucial historical importance of this MI5 file.

When documentary filmmaker James Main places an ad looking for anyone who knew movie goddess Greta Garbo, Seth Moseley, a salty old reporter dying of emphysema, replies with the promise of the untold story of why the reclusive star left Hollywood at the height of her fame. From his hospital bed, Seth recounts how, as a stowaway aboard the S.S. Athenia steaming toward Sweden, he met, fell in love with, and rescued Garbo from Nazis intent on delivering her to her biggest fan - Adolf Hitler. And, unbeknownst to James, hearing Seth's story decades later will change his own life forever. - back cover.

He was GARBO to the Allies and ALARIC to the Germans – the most successful double agent of the Second World War. Indeed, his spy network across Britain was so highly regarded that he was decorated for his achievements ... by both sides. Throughout the war, GARBO kept the Germans supplied with reports from his ring of twenty-four agents. Hitler's spymasters never discovered or even suspected a double-cross, but all the agents in GARBO's network existed solely in his imagination. In one of the most daring espionage coups of all time, GARBO persuaded the enemy to hold back troops that might otherwise have defeated the Normandy landings on D-Day; without him, the Second World War could have taken a completely different course. For decades, GARBO's true identity was a closely guarded secret. After the war, he vanished. Years later, after faking his own death, Juan Pujol García was persuaded by the author to emerge from the shadowy world of espionage, and in this new edition of his classic account, now updated to include his agents' original MI5 files, GARBO reveals his unique story.

In the male-oriented studio system, Greta Garbo wielded a power no other actress has ever possessed, before or since. Be it producer, director, lover or journalist, Garbo called the shots, and when she decided that she was done with the whirlwind of life as Hollywood's darling she withdrew completely, leaving her public begging for an encore that never came. Though there have been numerous biographies of Garbo, this is the first to investigate fully the two so-called missing periods in the life of this most enigmatic of Hollywood stars: the first during the late 1920s, forcing MGM to employ a lookalike to conceal what was almost certainly a pregnancy; the second during World War II when Garbo was employed by British Intelligence to track down Nazi sympathisers. It also analyses in detail the original, uncensored copies of Garbo's films - with the exception of The Divine Woman, of which no complete print survives - and offers substantial evidence that John Gilbert was not, in fact, the great love of her life. Rather her true affections lay with the gay, Sapphic and Scandinavian members of her very intimate inner circle. Using previously unsourced material, along with anecdotes from friends and colleagues that have never before been published, David Bret paints a rounded portrait of Garbo's childhood in Sweden, her rise to stardom and her all-too-brief reign as queen of MGM. Hers is a truly remarkable story, recounted here with warmth, intensity and unique insight.

A New York Times Book Review Editors' Choice | One of Esquire's 125 best books about Hollywood Award-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshiped her. “Wherever you look in the period between 1925 and 1941,” Robert Gottlieb writes in Garbo, “Greta Garbo is in people’s minds, hearts, and dreams.” Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world’s subconscious; the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world—and that indescribable, transcendent presence she possessed—was rivaled only by Marilyn Monroe’s. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, naïve, and always on her guard. When she arrived in Hollywood, aged nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world’s most famous actress. In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world—her desperate, futile striving to be “left alone.” He takes us through the films themselves, from M-G-M’s early presentation of her as a “vamp”—her overwhelming beauty drawing men to their doom, a formula she loathed—to the artistic heights of Camille and Ninotchka (“Garbo Laughs!”), by way of Anna Christie (“Garbo Talks!”), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York—“a hermit about town”—and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee—were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know—and still wants to know. In addition to offering his rich account of her life, Gottlieb, in what he calls “A Garbo Reader,” brings together a remarkable assembly of glimpses of Garbo from other people’s memoirs and interviews, ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes; from literature (she turns up everywhere—in Hemingway’s For Whom the Bell Tolls, in Evelyn Waugh, Graham Greene, and the letters of Marianne Moore and Alice B. Toklas); from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures—250 or so ravishing movie stills, formal portraits, and revealing snapshots—all reproduced here in superb duotone. She had no personal vanity, no interest in clothes and make-up, yet the story of Garbo is essentially the story of a face and the camera. Forty years after her career ended, she was still being tormented by unrelenting paparazzi wherever she went. Includes Black-and-White Photographs

Documents the double life of "The sewing circle," a group of lesbians and bisexuals that included such famous figures as Marlene Dietrich, Greta Garbo, Tallulah Bankhead, Joan Crawford, Myrna Loy, and Agnes Moorehead.

Years after Dare Wright's beloved 1957 book "The Lonely Doll" was published, journalist Jean Nathan found Wright living out her last days in a decrepit public hospital in Queens. Nathan delivers this mesmerizing biography of a woman who struggled to escape the imprisonment of her childhood through her art.