George Macdonalds Childrens Fantasies And The Divine Imagination

The great Victorian Christian author George MacDonald is the well-spring of the modern fantasy genre. In this book Colin Manlove offers explorations of MacDonald's eight shorter fairy tales and his longer stories At the Back of the North Wind, The Princess and the Goblin, The Wise Woman, and The Princess and Curdie. MacDonald saw the imagination as the source of fairy tales and of divine truth together. For he believed that God lives in the depths of the human mind and “sends up from thence wonderful gifts into the light of the understanding.” This makes MacDonald that very rare thing: a writer of mystical fiction whose work can give us experience of the divine. Throughout his children’s fantasy stories MacDonald is describing the human and divine imagination. In the shorter tales he shows how the imagination has different regions and depths, each able to shift into the other. With the longer stories we see the imagination in relation to other aspects of the self and to its position in the world. Here the imagination is portrayed as often embattled in relation to empiricism, egotism, and greed.

George MacDonald's classic fantasies, fairy tales, and supernatural stories are collected in three volumes. This volume includes The Princess and the Goblin, The Princess and Curdie, The Light Princess, and The History of Photogen and Nycteris. It also includes the short stories Cross Purposes, The Castle, The Cruel Painter, The Giant's Heart, The Shadows, The Wow O' Rivven, The Golden Key, Uncle Cornelius, His Story, and The Gray Wolf

George MacDonald is famous for his poignant fairy tales and fantasy novels. He was a great inspiration to many writers of his time including C. S. Lewis, who wrote "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later, I knew that I had crossed a great frontier." G. K. Chesterton said that The Princess and the Goblin was a book that had "made a difference to my whole existence." His three fantasy novels for children are available here in one volume. They are so strange and dreamlike that adults often enjoy them as much as the children. MacDonald says "For my part, I do not write for children, but for the childlike, whether of five, or fifty, or seventy-five." So whether you are young or just young at heart this is a book that will enthral you with its displays of courage and loyalty, and with the allegories between the fantastic world painted and the spiritual world MacDonald perceives.

The Christian Goddess: Archetype and Theology in the Fantasies of George MacDonald, examines this British Victorian writer's employment of female figures to represent Deity. Such symbolism is extremely unusual for a Christian author of this period and anticipates the efforts of many modern theologians to develop an image of God as Mother. Bonnie Gaarden reads the goddess-figures in MacDonald's fantasies as both archetypes of the collective unconscious and as emblems articulating MacDonald's unique Christian theology, which is Trinitarian, Neo-Platonic, mystical and universalist. The goddesses become the central figures around which the author develops her interpretations of MacDonald's adult fantasy-novels, his children's books and some of his fairy tales. These readings discover MacDonald's ideas about God and the nature of good and evil, models of spiritual and psychological development that foreshadow the theories of Carl Jung and Eric Neumann, and acerbic commentary on the values and customs of Victorian society and religion. According to The Christian Goddess, MacDonald's Romantic belief in God's self-revelation in Nature led him to create Nature-mothers (such as the Green Lady in 'The Golden Key' and Lilith's Eve) which evoke both the Great Mother archetype described by Eric Neumann, and the modern neopagan Great Mother as developed in the works of James Frazer, Robert Graves, and Marija Gimutas. MacDonald dramatized his view of evil and its cure in the title character of Lilith, a Terrible Mother archetype historically embodied in the Hindu goddess Kali. MacDonald's notion of the world as Keat's 'vale of Soulmaking,' also elaborated by religious philosopher John Hick, is conveyed by Magic Cauldron archetypes in The Wise Woman, 'The Gray Wolf,' and Lilith. Muse-figures in Phantastes and At the Back of the North Wind express MacDonald's conviction that a 'right imagination' is the voice of God, while Divine Children in The Wise Woman and 'The Golden Key' communicate his belief that 'true childhood' is the Divine nature. The great-grandmother in the Princess books, a personification of the multi-dimensional activity of Divine Wisdom, springs from the Judeo-Christian Sophia and the classical Athena, while Kore figures in The Princess and the Goblin, Lilith, and Phantastes re-present the transforming descents of Persephone and Christ. This book shows MacDonald's fantasies as a chronological bridge, anchored in the traditions of the Hebrew Bible and the New Testament, incorporating the teachings of Christian mysticism and theistic Romanticism, and linking to the contemporary concerns in Western society that have given birth to the New Age. The Christian goddess portrayed in these fantasies may strike the reader as a Deity whose time has come.

George MacDonald wrote fairy tales for both children and adults to demonstrate the essential role of the imagination in apprehending spiritual truths. He explained: “. . . undefined, yet vivid visions of something beyond, something which eye has not seen nor ear heard, have far more influence than any logical sequences whereby the same things may be demonstrated to the intellect.” Rolland Hein undertakes to show how MacDonald’s tales contain such visions, helping readers to experience for themselves glimpses of "something beyond” and catch exciting insights into eternal truths.

Phantastes: A Faerie Romance for Men and Women is a fantasy novel written by George MacDonald. The story centers on the character Anodos and takes its inspiration from German Romanticism, particularly Novalis. It concerns a young man who is pulled into a dreamlike world and over there he hunts for his ideal of female beauty, embodied by the "Marble Lady". Anodos lives through many adventures and temptations while in the other world, until he is finally ready to give up his ideals. George MacDonald (1824-1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence".

Diamond, a young boy living in nineteenth-century London, has many adventures as he travels with the beautiful Lady North Wind and comes to know the many facets of her protective and violent temper.

George MacDonald occupied a major position in the intellectual life of his Victorian contemporaries. This volume brings together all eleven of his shorter fairy stories as well as his essay "The Fantastic Imagination". The subjects are those of traditional fantasy: good and wicked fairies, children embarking on elaborate quests, and journeys into unsettling dreamworlds. Within this familiar imaginative landscape, his children's stories were profoundly experimental, questioning the association of childhood with purity and innocence, and the need to separate fairy tale wonder from adult scepticism and disbelief.