Gateway To Murder

Have you ever found a body on the beach? Recently widowed Libby Forest arrives in the small coastal town of Exham-on-Sea, keen to start a new life baking cakes and designing chocolates. Walking on the beach one stormy autumn day, Libby and excitable Springer Spaniel ‘Shipley’ discover a dead body under the lighthouse. Convinced the death was no accident, Libby teams up with Max Ramshore, an attractive local resident, and Bear, a huge sheepdog, to confront indifference from the community and unmask the killer. Murder at the Lighthouse is the first in a series of Exham-on-Sea Murder Mysteries set at the small English seaside town full of quirky characters, sea air and gossip. If you love Agatha Christie-style mysteries, cosy crime, clever dogs and cake, then you'll love these intriguing whodunnits. THE EXHAM-ON-SEA MURDER MYSTERIES: 1. Murder at the Lighthouse 2. Murder on the Levels: 3. Murder on the Tor: 4. Murder at the Cathedral 5. Murder at the Bridge 6. Murder at the Castle 7. Murder at the Gorge 8. Murder at the Abbey Other Books by Frances Evesham in the Ham Hill Murder Mystery series A Village Murder A Racing Murder A Harvest Murder Here's what readers are saying about the series: 'This is a perfect short, cosy mystery.' 'It makes you wonder if English country villages are safe places to live. But I certainly would given half a chance.' 'Frances Evesham has invented an array of lively village personalities to get in Libby's way from her Goth teenage lodger to the pompous chair of the women's group or the rude but kindly garage proprietor." 'With every book, I grow more fond of Libby and Exham.' 'If you like Miss Marple this amateur sleuth will enthral you.'

For audiences of the popular FX television series The People v. O.J. Simpson: American Crime Story, based on Jeffrey Toobin's The Run of His Life and starring Cuba Gooding, Jr., John Travolta, David Schwimmer, and Courtney B. Vance. Named on Vogue Magazine's "American Crime Story Reading List" as one of the "eight definitive books on the trial of the century." Twenty years ago, America was captivated by the awful drama of the O.J. Simpson trial. The Simpson "Dream Team" legal defense had a seemingly impossible task: convincing a jury that their client was innocent of the murders of Nicole Brown Simpson and Ron Goldman. In order for O.J. Simpson to get away with murder, the defense attorneys had to destroy the reputation of Mark Fuhrman, a brilliant Los Angeles detective who was the lead on the murder scene and had collected overwhelming physical evidence against Simpson. Now Fuhrman tells his side of the story in the #1 New York Times bestseller Murder in Brentwood, a damning exposé that reveals why and how Simpson's prosecution was bungled. Fuhrman offers a sincere mea culpa for allowing his personal mistakes to become a focal point of the defense's strategy but also stands by the evidence he collected, writing: "One thing I will not apologize for is my policework on the O.J. Simpson case." With Fuhrman's own hand-drawn maps of the crime scene, his reconstruction of the murders, and interrogation transcripts, Murder in Brentwood is the book that sets the record straight about what really happened on June 12, 1994—and reveals why the O.J. Simpson trial was such a catastrophe.

The book looks at 10 toxic molecules and discusses their chemistry and effects in humans, followed by a re-examination of their deliberate misuse in high profile murder cases.

FINALIST FOR THE J. ANTHONY LUKAS BOOK PRIZE NATIONAL BESTSELLER Named One of The Best Books of 2020 by NPR's Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * Bustle A Recommended Book by The New York Times * The Washington Post * Publisher's Weekly * Kirkus Reviews* Booklist * The Boston Globe * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * Shondaland Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men. You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget. 1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.

More than 600 women and girls have been murdered and more than 1,000 have disappeared in the Mexican state of Chihuahua since 1993. Violence against women has increased throughout Mexico and in other countries, including Argentina, Costa Rica, Guatemala, and Peru. Law enforcement officials have often failed or refused to undertake investigations and prosecutions, creating a climate of impunity for perpetrators and denying truth and justice to survivors of violence and victims’ relatives. Terrorizing Women is an impassioned yet rigorously analytical response to the escalation in violence against women in Latin America during the past two decades. It is part of a feminist effort to categorize violence rooted in gendered power structures as a violation of human rights. The analytical framework of feminicide is crucial to that effort, as the editors explain in their introduction. They define feminicide as gender-based violence that implicates both the state (directly or indirectly) and individual perpetrators. It is structural violence rooted in social, political, economic, and cultural inequalities. Terrorizing Women brings together essays by feminist and human rights activists, attorneys, and scholars from Latin America and the United States, as well as testimonios by relatives of women who were disappeared or murdered. In addition to investigating egregious violations of women’s human rights, the contributors consider feminicide in relation to neoliberal economic policies, the violent legacies of military regimes, and the sexual fetishization of women’s bodies. They suggest strategies for confronting feminicide; propose legal, political, and social routes for redressing injustices; and track alternative remedies generated by the communities affected by gender-based violence. In a photo essay portraying the justice movement in Chihuahua, relatives of disappeared and murdered women bear witness to feminicide and demand accountability. Contributors: Pascha Bueno-Hansen, Adriana Carmona López, Ana Carcedo Cabañas, Jennifer Casey, Lucha Castro Rodríguez , Angélica Cházaro, Rebecca Coplan, Héctor Domínguez-Ruvalcaba, Marta Fontenla, Alma Gomez Caballero, Christina Iturralde, Marcela Lagarde y de los Ríos, Julia Estela Monárrez Fragoso, Hilda Morales Trujillo, Mercedes Olivera, Patricia Ravelo Blancas, Katherine Ruhl, Montserrat Sagot, Rita Laura Segato, Alicia Schmidt Camacho, William Paul Simmons, Deborah M. Weissman, Melissa W. Wright

"If by some cruel oversight you haven't discovered Amanda Cross, you have an uncommon pleasure in store for you." THE NEW YORK TIMES BOOK REVIEW Kate Fansler is vacationing in the sweet and harmless Berkshires, sorting through the letters of Henry James. But when her next-door neighbor is murdered, and all her houseguests are prime suspects, her idyll turns prosaic, indeed....

When the Parson declares rather carelessly 'Anyone who murdered Colonel Prothero would be doing the world at large a service !', he does not realise his words will come back to haunt him. From several potential murderers, Miss Marple must find the real killer

Crime stories fascinate the public. But between factual news stories, overblown “human interest” reports, and salacious murder mystery exposes, it’s difficult to tell where news ends and entertainment begins. Mark Fuhrman, best-selling author of Murder in Brentwood, explores this fine line, revealing new and shocking details on such high-profile cases as Jon Benet Ramsey, Martha Moxley and Chandra Levy.

On September 30, 2006 gunfire echoed through the thin air near Advance Base Camp on Cho Oyu Mountain. Frequented by thousands of climbers each year, Cho Oyu lies nineteen miles east of Mt. Everest on the border between Tibet and Nepal. To the elite mountaineering community, it offers a straightforward summit -- a warm-up climb to her formidable sister. To Tibetans, Cho Oyu promises a gateway to freedom through a secret glacial path: the Nangpa La. Murder in the High Himalaya is the unforgettable account of the brutal killing of Kelsang Namtso -- a seventeen-year-old Tibetan nun fleeing to India -- by Chinese border guards. Witnessed by dozens of Western climbers, Kelsang's death sparked an international debate over China's savage oppression of Tibet. Adventure reporter Jonathan Green has gained rare entrance into this shadow-land at the rooftop of the world. In his affecting portrait of modern Tibet, Green raises enduring questions about morality and the lengths we go to achieve freedom.