Front Porch Tales

“Part Mark Twain, part Garrison Keillor, Philip Gulley is a breath of fresh air in an over-sophisticated and often jaded world.” —Gloria Gaither, singer and songwriter Master storyteller Philip Gulley shares tender and hilarious real-life moments that capture the important truths of everyday life. When Philip Gulley began writing newsletter essays for the twelve members of his Quaker meeting in Indiana, he had no idea one of them would find its way to radio commentator Paul Harvey Jr. and be read on the air to twenty-four million people. Fourteen books later, with more than a million books in print, Gulley still entertains as well as inspires from his small-town front porch. “Perhaps more things were resolved on America’s front porches than in any other place, and yet so few are being used today. With this delightful collection of stories, told in a warm and easy style, Philip Gulley invites us to sit again on the front porch—a place of hearth, home, and folks we’ve known.” —Gary Smalley, bestselling author and family relationship expert “The tales Philip Gulley unveils are tender and humorous . . . filled with sudden, unexpected, lump-in-the-throat poignancy.” —Paul Harvey, Jr., American radio broadcaster

Side-splittingly funny, spine-chillingly spooky, this companion to a Newbery Honor–winning anthology The Dark Thirty is filled with bad characters who know exactly how to charm. From the author's note that takes us back to McKissack's own childhood when she would listen to stories told on her front porch... to the captivating introductions to each tale, in which the storyteller introduces himself and sets the stage for what follows... to the ten entertaining tales themselves, here is a worthy successor to McKissack's The Dark Thirty. In "The Best Lie Ever Told," meet Dooley Hunter, a trickster who spins an enormous whopper at the State Liar's contest. In "Aunt Gran and the Outlaws," watch a little old lady slickster outsmart Frank and Jesse James. And in "Cake Norris Lives On," come face to face with a man some folks believe may have died up to twenty-seven different times!

Evoking a time when life revolved around the front porch, where friends gathered, stories were told, and small moments took on larger meaning, in today’s hurry-up world, Philip Gulley’s essays remind us of the world we once shared—and can share again. When Philip Gulley began writing newsletter essays for the members of his Quaker meeting in Indiana, he had no idea one of the essays would find its way to radio commentator Paul Harvey Jr. and be read on the air to 24 million people. Fourteen books later, with more than one million copies in print, Gulley still entertains as well as inspires from his small-town front porch.

Come and sit awhile as you enjoy 18 fictional short stories of love, joy, and the peace found in Amish country. Amish Country is known for an atmosphere of peace and quiet, perfect for front-porch sitting with a good book. Join New York Times bestselling author Wanda E. Brunstetter, her daughter-in-law, and granddaughter, as they share 18 heartwarming stories from Amish Country. These fictional short stories include journeys we can all relate to as we seek how to live led by love, joy, peace, patience, and other Fruits of the Spirit. Meet Anna, who struggles to show love to a cantankerous neighbor; Laura, who endures infertility; Nora, whose pride threatens to consume her life; and other women who walk in their faith each day.

"Many of Alabama's finest stories used to begin with a reference to 'the night the stars fell,' and even now there is an inclination among some residents to divide local history into two segments: before the stars fell and after the stars fell. That would make November 13, 1833, the dividing line. "Thousands of Alabamians, thinking the end of the world was at hand when they saw the heavenly spectacle, fell to their knees to plead for mercy and forgiveness. Others promised eternal renunciation of sin (card playing, dancing, whiskey drinking, cursing, and associated vices) if they were spared whatever catastrophes were in the offing. Still others jumped upon horses and tried to outrace the fearful menace they believed was pursuing them.

Twelve-year-old Margie and her younger cousin forget their boredom when Margie's father entertains them with stories about people and events in their small Missouri town's past.

In ways that are highly individual, says Harris, yet still within a shared oral tradition, Zora Neale Hurston, Gloria Naylor, and Randall Kenan skillfully use storytelling techniques to define their audiences, reach out and draw them in, and fill them with anticipation. Considering how such dynamics come into play in Hurston's Mules and Men, Naylor's Mama Day, and Kenan's Let the Dead Bury Their Dead, Harris shows how the "power of the porch" resides in readers as well, who, in giving themselves over to a story, confer it on the writer. Against this background of give and take, anticipation and fulfillment, Harris considers Zora Neale Hurston's special challenges as a black woman writer in the thirties, and how her various roles as an anthropologist, folklorist, and novelist intermingle in her work. In Gloria Naylor's writing, Harris finds particularly satisfying themes and characters. A New York native, Naylor came to a knowledge of the South through her parents and during her stay on the Sea Islands she wrote Mama Day. A southerner by birth, Randall Kenan is particularly adept in getting his readers to accept aspects of African American culture that their rational minds might have wanted to reject. Although Kenan is set apart from Hurston and Naylor by his alliances with a new generation of writers intent upon broaching certain taboo subjects (in his case gay life in small southern towns), Kenan's Tims Creek is as rife with the otherworldly and the fantastic as Hurston's New Orleans and Naylor's Willow Springs.