From Plato To Lancelot

Considered the most important figure in medieval French literature, Chrétien de Troyes is credited with inventing the modern novel. The roots of his influential Arthurian romance narratives remain the subject of investigation and great debate among medieval scholars. In From Plato to Lancelot, K. Sara-Jane Murray makes a highly original and profoundly significant contribution to the current scholarship by locating Chrétien’s work at the intersection of two important traditions: one derived from Greco-Roman antiquity, the other from the Celtic world of the Atlantic seaboard. Drawing on a broad range of sources, from Plato’s Timaeus and Ovid’s Metamorphoses to the anonymous Lais translated in the twelfth century by Marie de France, Murray demonstrates that Chrétien and his contemporaries learned the importance of translation from the Mediterranean-centered classical tradition. She then turns to the Celtic world, examining how Irish monastic scholarship, as demonstrated by the Voyage of St. Brendan and Celtic saints’ lives, profoundly influenced the cultural identity of medieval Europe and paved the way for an interest in Celtic stories and legends. With breathtaking insight and lucid prose, Murray illustrates that Chrétien’s singular genius lay in his ability to look to the future and to lay the foundations for a thoroughly new, and French, tradition of vernacular storytelling.

The author locates Chretien de Troyes' work at the intersection of two important traditions: one derived from Greco-Roman antiquity, the other from the Celtic world of the Atlantic seaboard.

In this verse translation of Chrétien de Troyes's Lancelot, Ruth Harwood Cline revives the original story of the immortal love affair between Sir Lancelot and Queen Guinevere, a tale that has spawned interpretations ranging from Malory's Le Morte d'Arthur to Lerner and Lowe's Camelot. By remaining faithful to Chrétien's highly structured form, Cline preserves the pace, the pungency of proverbial expressions, and the work's poetical devices and word play in translating this archetypal tale of courtly love from Old French into modern English. Cline's introduction--containing a description of Arthur in history and literature, a discussion of courtly love, and an account of the continuations of the story of Lancelot and Guinevere--makes Lancelot an ideal classroom text.

Parts one and two of Lancelot cover Lancelot s boyhood and his admission to Arthur s court, where he falls immediately in love with Guenevere. The adventures and quests which follow, including his friendship with the tragic Galehaut, take us to the point where he becomes a companion of the Round Table. --Book Jacket.

Parts one and two of Lancelot cover Lancelot s boyhood and his admission to Arthur s court, where he falls immediately in love with Guenevere. The adventures and quests which follow, including his friendship with the tragic Galehaut, take us to the point where he becomes a companion of the Round Table. --Book Jacket.

The romantic poems of 12th-century French poet Chretien de Troyes were of immense influence across Europe - widely imitated, translated, and adapted. Giving rise to a tradition of story-telling that continues to this day, the poems established the shape of the nascent Arthurian legend. This poem was the first to introduce Lancelot as an important figure in the King Arthur legend. "Lancelot" tells of the adulterous relationship between the knight and his mistress, Guinevere, the wife of King Arthur. Thematically this poem differs from Chretien's other romances - Lancelot and Guinevere's love is a serious crime against their king, Lancelot casts aside his knightly ideals and reputation for the sake of his beloved, and Arthur is endowed with a weaker personality. Chretien de Troyes is one of the unsung heroes of world literature in general and Arthurian legend in particular. In Perceval he introduced the Grail, a fundamental symbol that fascinated other medieval writers, who expanded on it until the Grail became the defining object of the entire literature. And in Lancelot, Chretien created a story of love and betrayal that achieved almost equal importance with the Grail legend. If you're interested in medieval literature, particularly knightly tales and anything concerned with Arthurian legend, Lancelot is in indispensable read. You won't be disappointed.

This co-written book challenges assumptions about Chrétien as the author of a canon of works. In a series of exchanges, its five authors reassess the relationship between lyric and romance, between individuality and social conditions, and between psychology and medieval philosophy.

Elspeth Kennedy's Lancelot and the Grail offers a new solution to the fascinating puzzle of how the tale of Lancelot's love for Guinevere came to be linked with the legend of the Grail. Based on extensive research on the textual tradition of a romance copied and read over a time span of three centuries, the book raises such issues as the interplay between feudal relationships and literary structures, intertextuality, and the development of a text through time.

The early 13th century French romance tells of Lancelot's childhood, his arrival at King Arthur's court, and the flowering of his legendary love affair with Queen Guinevere.

The romantic poems of twelfth-century French poet Chretien de Troyes were of immense influence across Europe - widely imitated, translated, and adapted. Giving rise to a tradition of story-telling that continues to this day, the poems established the shape of the nascent Arthurian legend. In this outstanding new translation of Lancelot, Burton Raffel brings to English-language readers the fourth of Chretien's five surviving romantic Arthurian poems. This poem was the first to introduce Lancelot as an important figure in the King Arthur legend. Lancelot tells of the adulterous relationship between the knight and his mistress, Guinevere, the wife of King Arthur. Thematically this poem differs from Chretien's other romances - Lancelot and Guinevere's love is a serious crime against their king, Lancelot casts aside his knightly ideals and reputation for the sake of his beloved, and Arthur is endowed with a weaker personality. Raffel has created an original three-stress metric verse form that captures Chretien's swift-paced narrative and lively, sparkling Old French. A consummate translator, Raffel enables the modern reader and the reader who is unfamiliar with French to appreciate the beauty of Chretien's original.