From Flanders Fields To The Moviegoer

How do educators, clergy, attorneys, and the concerned public come to terms with meaningful, workable ethics in an age that eschews any attempt to define truth and error? Michael A. Milton has addressed that question in the new monograph, From Flanders Field to the Moviegoer: Philosophical Foundations for a Transcendent Ethical Framework. Milton draws on English literature, sociology, history, public policy, and theology to mark milestones in the cultural journey from the philosophical crisis after World War I, the end of modernity and the introduction of the “theater of the absurd” in post-modernity. Rather than merely a survey, this monograph proposes a “way forward” in teaching metaphysical ethics. Originally given as a paper before American and British defense leaders in Washington, DC, Milton’s original paper is now expanded for use in undergraduate, graduate, and postgraduate classrooms, as well as libraries and professional military education.

The art of preaching is one of the most important acts of ministry. The sermon serves as a transformative force—imparting knowledge, challenging beliefs, and convicting hearts. Recognizing the importance of this sacred task, Handbook of Contemporary Preaching, 2nd Edition equips pastors with invaluable tools and insights, enabling them to prepare and deliver sermons that resonate deeply with their congregations. In a single volume, editor Michael Duduit compiles the insight, methods, and experience of over fifty celebrated preachers, including R. Albert Mohler, Hershael York, Robert Smith Jr., Bryan Chappell, Jim Shaddix, Tony Merida, Ed Stetzer, and many others. This handbook covers every aspect of contemporary preaching: The roots of contemporary preaching ​Contemporary preaching methods, including expository, topical, doctrinal, narrative, and alternative preaching models Sermon preparation and presentation Preaching and the biblical text Preaching as a part of ministry Preaching to the needs of people in contemporary contexts With its expansive bibliography and topical format, Handbook of Contemporary Preaching, 2nd Edition is designed to be a timeless resource in every pastor’s library. In this book, pastors, teachers, and seminarians will find invaluable insight and comprehensive guidance for the art of preaching. Contributors: R. Albert Mohler, Nathan Finn, Chuck Fuller, Tyshawn Gardner, Scott Gibson, Chris Rappazini, Robert Smith, Jr., Calvin Miller, Bryan Chapell, Frank Pollard, David S. Dockery, Scott Pace, Hershael York, Lloyd John Ogilvie, Stuart Briscoe, Jeffery Campbell, Ralph Douglas West, Eric Johnson, David Allen, Simon Vibert, Stephen Rummage, Daniel Block, Ken Mathews, Paul House, C. Hassell Bullock, Heath Thomas, Robert Sloan, Sidney Greidanus, Channing Crisler, Scott Hafemann, Richaed Melick, Al Fasol, Jim Shaddix, Don Sunukijian, Michael Quicke, Tony Merida, Jesse Nelson, Clayborn Lea, Mike Glenn, Micah Fries, Ed Stetzer, Kris Barnett, Bryan Carter, James Emery White, Tim McKnight, Charlie Dates, Mike Milton, Rick Blackwood, James Noble, Maurice Watson, Vic Anderson, Timothy Mann, Ben Brammer, Clayton King, and Dennis Phelps

No one doubts we have quickly moved to what Charles Taylor called “a secular age.” How do Christian pastors, professors, seminary students, and others respond to the myriad issues now facing the Body of Christ? Following on a biblical and reformed understanding of public theology, Milton along with trusted theologians John Frame, George Grant, Peter Lillback (and a special contribution from noted Orthodox economist and theologian John Panagiotou) not only provide biblical responses to the issues of our time but in doing so give the Church a method, a way, to conduct faithful Gospel ministry in an increasingly hostile post-Christian world. A must for classes on ethics, sociology of religion, pastoral theology, and serious-minded Christians seeking insight that they might “Understand of the times” (1 Chr 12:32).

One of the great Catholic philosophers of our day reflects on the way language has been abused so that, instead of being a means of communicating the truth and entering more deeply into it, and of the acquisition of wisdom, it is being used to control people and manipulate them to achieve practical ends. Reality becomes intelligible through words. Man speaks so that through naming things, what is real may become intelligible. This mediating character of language, however, is being increasingly corrupted. Tyranny, propaganda, mass-media destroy and distort words. They offer us apparent realities whose fictive character threatens to become opaque. Josef Pieper shows with energetic zeal, but also with ascetical restraint, the path out of this dangerous situation. We are constrained to see things again as they are and from the truth thus grasped, to live and to work.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

When the first edition of David Madden's A Primer of the Novel: For Readers and Writers was published more than twenty-five years ago, there were no other books of its kind available. Since then, many authors and editors have produced works that attempt the same comprehensive coverage of the genre. However, these works tend to be either written solely for writers or solely for readers. More often than not, those written for readers tend to be aimed at advanced students or critics of the novel. In this revised edition, David Madden, Charles Bane and Sean Flory have produced an updated work that is intended for a general readership including writers, teachers, and students who are just being introduced to the genre. This unique handbook provides a definition and history of the novel, a description of early narratives, and a discussion of critical approaches to this literary form. A Primer of the Novel also identifies terms, definitions, commentary, and examples in the form of quotations for almost 50 types of novels and 15 artistic techniques. A chronology of narrative in general and of the novel in particular—from 850 B. C. to the present—is also included, along with indexes to authors, titles, novel types and techniques, as well as a selective bibliography of criticism. Although all novel types present in the first edition are still represented, many have become more clearly defined. This revised edition also cites several types of novels that did not appear in the first edition, such as the graphic novel and the novel of Magical Realism. As well as keeping all of the original examples from representative texts, the authors have added new examples of more recent works. While this book was conceived for a general audience, it will be a valuable resource for students, teachers, and libraries. It may be used in any English literature courses at any level, including graduate, and is suited for creative writing courses as well. With its clear and immediately accessible features, this handbo

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

This book is an elaborate study of the interrelationships between film historical discourse and archival practices, such as the collecting, restoration and exhibition of films. It delineates how film historiographical discourses always leave traces in the film archive, and vice versa. The book investigates and analyzes the history of three important collections from the archive of EYE Film Museum: the Uitkijk-collection, the Desmet-collection, and Dutch silent films. The histories of these collections have different connections to film historiography, and as such allow us to investigate these interrelationships from various perspectives. It shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. As such the book aims to demonstrate how film archives cannot be innocent or neutral sources of film history. In addition, it shows that current EYE Film Museum activities semi-automatically refer to this history of which the archive carries the material traces.