From Exile To Diaspora

This book includes essays of the narrative of Filipino lives in the United States to provoke interrogation of the conventional wisdom and a critique of the global system of capital. It helps in constituting the Filipino community as an agent of historic change in a racist society.

Migration is the most volatile sociopolitical issue of our time, as the current escalation of discourse and action in the United States and Europe concerning walls, border security, refugee camps, and deportations indicates. The essays by the international and interdisciplinary group of scholars assembled in this volume offer critical filters suggesting that this escalation and its historical precedents do not preclude redemptive counterstrategies. Encoded in narratives of affiliation and escape, these counterstrategies are variously launched as literary, cinematic, and civic interventions in past and present constructions of diasporic, migratory, or exilic identities. The essays trace these narratives through the figure of the “exile” as it moves across times, borders, and genres, transmogrifying into the fugitive, the escapee, the refugee, the nomad, the Other. Arguing that narratives and figures of migration to and in Europe and the Americas share tropes that link migration to kinship, community, refuge, and hegemony, the volume identifies a transhistorical, transcultural, and transnational common ground for experiences of mediated diaspora, migration, and exile at a time when public discourse and policy-making emphasize borders, divisions, and violent confrontations.

This book includes essays of the narrative of Filipino lives in the United States to provoke interrogation of the conventional wisdom and a critique of the global system of capital. It helps in constituting the Filipino community as an agent of historic change in a racist society.

This Book Is An Attempt To Document The Lives Of Members Of The Exiled Tibetan Community In Indian And Elsewhere. It Thus Aims To Fill A Gap In Our Understanding. The Book Focuses On Two Main Themes: How Tibetans In Exile Preserve Their Culture, And How The Community Prepares Itself For The Return To Tibet. The Book Also Carries An Interview With His Holiness The Dalai Lama

Outlandish addresses geographical displacement as a lived experience in the twentieth century, as a predicament of writing, and as a problem for theory. It focuses on the work of three transnational writers from diverse backgrounds working in different genres: Joseph Conrad, the Ukrainian-born Polish novelist and storywriter living in Britain at the turn of the century; Theodor W. Adorno, the German-Jewish philosopher and sociologist transplanted to Los Angeles during the Second World War; and Salman Rushdie, the Indian-born British novelist and journalist, recently released from the peculiar conditions of his notorious houseless arrest. The author argues that Conrad, Adorno, and Rushdie emblematize significant shifts over the course of the century, from a modernist expression of almost universal deracination, to a post-Auschwitz disarticulation of home and subjectivity, to an emergent conceptualization of displacement in terms of migrancy, hybridity, and flow. He theorizes a mode of reading between exile and diaspora--two fundamentally different descriptions of displacement--and allows the "outlandish" writing of these three figures to complicate this seemingly continuous trajectory. Drawing on texts from literary theory, philosophy, psychoanalysis, anthropology, and geography, the author explores what he calls the "rhetoric of displacement"--the struggle to assert identity out of place. He reads this writing predicament against the backdrop of the century's salient economic and technological changes, political upheavals, and mass migrations. In doing so, he draws attention to those aspects of exile and diaspora that have remained insufficiently considered: their relation to nationalism and colonialism, to authority and institutionality, and, above all, to broader questions of subjectivity, "race," location, and language, as these concepts themselves subtly change over the course of the century.

An eloquent, controversial argument that says, for the first time in their long history, Jews are free to live in a Jewish state—or lead secure and productive lives outside it Since the beginnings of Zionism in the twentieth century, many Jewish thinkers have considered it close to heresy to validate life in the Diaspora. Jews in Europe and America faced “a life of pointless struggle and futile suffering, of ambivalence, confusion, and eternal impotence,” as one early Zionist philosopher wrote, echoing a widespread and vehement disdain for Jews living outside Israel. This thinking, in a more understated but still pernicious form, continues to the present: the Holocaust tried to kill all of us, many Jews believe, and only statehood offers safety. But what if the Diaspora is a blessing in disguise? In At Home in Exile, renowned scholar and public intellectual Alan Wolfe, writing for the first time about his Jewish heritage, makes an impassioned, eloquent, and controversial argument that Jews should take pride in their Diasporic tradition. It is true that Jews have experienced more than their fair share of discrimination and destruction in exile, and there can be no doubt that anti-Semitism persists throughout the world and often rears its ugly head. Yet for the first time in history, Wolfe shows, it is possible for Jews to lead vibrant, successful, and, above all else, secure lives in states in which they are a minority. Drawing on centuries of Jewish thinking and writing, from Maimonides to Philip Roth, David Ben Gurion to Hannah Arendt, Wolfe makes a compelling case that life in the Diaspora can be good for the Jews no matter where they live, Israel very much included—as well as for the non-Jews with whom they live, Israel once again included. Not only can the Diaspora offer Jews the opportunity to reach a deep appreciation of pluralism and a commitment to fighting prejudice, but in an era of rising inequalities and global instability, the whole world can benefit from Jews’ passion for justice and human dignity. Wolfe moves beyond the usual polemical arguments and celebrates a universalistic Judaism that is desperately needed if Israel is to survive. Turning our attention away from the Jewish state, where half of world Jewry lives, toward the pluralistic and vibrant places the other half have made their home, At Home in Exile is an inspiring call for a Judaism that isn’t defensive and insecure but is instead open and inquiring.

This collection of essays looks at the shared experience of exile across different groups in the early modern period. Contributors argue that exile is a useful analytical tool in the study of a wide variety of peoples previously examined in isolation.

Historical work on the late nineteenth and early twentieth centuries suggests that as nation-states were solidifying throughout Western Europe, exiled groups tended to develop rival national identities—an occurrence that had been fairly uncommon in the two preceding centuries. Diaspora Identities draws on eight case studies, ranging from the early modern period through the twentieth century, to explore the interconnectedness of exile, nationalism, and cosmopolitanism as concepts, ideals, attitudes, and strategies among diasporic groups. Die hier versammelten Studien eröffnen neue Perspektiven auf Nationalismus und Kosmopolitismus. Sie machen deutlich, dass schon vor dem »nationalen « 19. Jahrhundert im Kontext von Diaspora, Exil und Migration Identitäten und Verhaltensweisen entstanden, die zugleich kosmopolitisch und nationalistisch waren.

"Migration throws objects, identities and ideas into flux across a global network of travelling cultures. Examining life-changing journeys that transplanted artists and intellectuals from one cultural context to another, Exiles, Diasporas & Strangers offers a thematic overview of the critical and creative role of estrangement and displacement in the story of 20th-century art.Revealing the traumatic conditions that shaped numerous variants of modernism – among indigenous artists in Australia and Canada as much as émigré art historians from Central Europe – these critical studies also highlight multidirectional patterns of cross-appropriation that trouble the settled boundaries of national belonging, whether manifested in 1920s Nigeria or in post-modern works by black British artists of the 1980s. Coming up to date with historical perspectives on conceptual art’s engagement with alterity, Exiles, Diasporas & Strangers makes a unique contribution to art history’s rapprochement with the post-colonial turn.--

Can an exiled writer ever really go home again? What of the writers of Argentina, Uruguay, and Chile, whose status as exiles in the 1970s and 1980s largely defined their identities and subject matter? After Exile takes a critical look at these writers, at the effect of exile on their work, and at the complexities of homecoming -- a fraught possibility when democracy was restored to each of these countries. Both famous and lesser known writers people this story of dislocation and relocation, among them Jose Donoso, Ana Vasquez, Luisa Valenzuela, Cristina Peri Rossi, and Mario Benedetti. In their work -- and their predicament -- Amy K. Kaminsky considers the representation of both physical uprootedness and national identity -- or, more precisely, an individual's identity as a national subject. Here, national identity is not the double abstraction of "identity" and "nation, " but a person's sense of being and belonging that derives from memories and experiences of a particular place. Because language is crucial to this connection, Kaminsky explores the linguistic isolation, miscommunication, and multilingualism that mark late-exile and post-exile writing. She also examines how gender difference affects the themes and rhetoric of exile -- how, for example, traditional projections of femininity, such as the idea of a "mother country, " are used to allegorize exile. Describing exile as a process -- sometimes of acculturation, sometimes of alienation -- this work fosters a new understanding of how writers live and work in relation to space and place, particularly the place called home.