From Black Land To Fifth Sun

Until recently, archaeology was concerned mainly with piecing together the material lives of our ancestors. In this groundbreaking book, master storyteller and respected archaeologist Brian Fagan explains how cutting-edge science can now take us beyond the artifacts—into the mystical realm of shamans and spirit mediums, ancestor worship, and ritual sacrifice. From the Nile's black land to the Aztec's world of the Fifth Sun, from Stonehenge to Jericho, Fagan describes how Accelerator Mass Spectrometry, Geographic Information Systems, Computer Automated Design-mapping and other sophisticated scientific methods are helping us to decode the religious and spiritual beliefs of our forebears. This new “archaeology of the mind” blends a wealth of scientific disciplines—from botany, zoology, and geology to neuropsychology, palynology, and nuclear physics. With vivid imagery and a transporting voice, Fagan revolutionizes our understanding of the inner lives of ancient people.

A prominent archaeologist uses the latest scientific techniques to interpret the spiritual lives of ancient people, explaining how cutting-edge science can take readers beyond the artifacts and into the mystical realm of shamans and spirit mediums, ancestor worship and ritual sacrifice. Photos.

Fifth Sun offers a comprehensive history of the Aztecs, spanning the period before conquest to a century after the conquest, based on rarely-used Nahuatl-language sources written by the indigenous people.

From the New York Times bestselling author of Star Wars: Resistance Reborn comes the “engrossing and vibrant” (Tochi Onyebuchi, author of Riot Baby) first book in the Between Earth and Sky trilogy inspired by the civilizations of the Pre-Columbian Americas and woven into a tale of celestial prophecies, political intrigue, and forbidden magic. A god will return When the earth and sky converge Under the black sun In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year it coincides with a solar eclipse, a rare celestial even proscribed by the Sun Priest as an unbalancing of the world. Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain. Crafted with unforgettable characters, Rebecca Roanhorse has created a “brilliant world that shows the full panoply of human grace and depravity” (Ken Liu, award-winning author of The Grace of Kings). This epic adventure explores the decadence of power amidst the weight of history and the struggle of individuals swimming against the confines of society and their broken pasts in this “absolutely tremendous” (S.A. Chakraborty, nationally bestselling author of The City of Brass) and most original series debut of the decade.

Even casual observers will be familiar with the Cherry Blossom or Sakura tress of Japan. When in full bloom the sight is spectacular but it sadly only takes a week until the tree is bare. In a longer cycle of nations and business, we see, unfortunately, a similar pattern for Japanese Multinational Corporations.

Two abundantly illustrated volumes offer a vibrant discussion of how the divine is and has been represented in art and architecture the world over. Beginning with the ancient worlds of Mesopotamia, Egypt, Greece, and Rome and moving forward through time, Art and Architecture of the World's Religions explores the major faiths from countries and continents around the globe, helping readers better understand the creations their beliefs have inspired. After tracing the history and development of a religion, the book provides a general overview of its principal beliefs and key practices. It then offers specific examples of how works of art/architecture reflect that religion's values. The focus of each chapter is on the temples, churches, and religious buildings, statues, paintings, and other works of art and architecture created by believers. Each representative work of art or architecture is examined in terms of its history, materials, symbols, colors, and patterns, as its significance is explained to the reader. With extensive illustrations, these volumes are the definitive reference work on art and architecture of the world's religions.

We know the tales of Columbus and Captain Cook, yet much earlier mariners made equally bold and world-changing voyages. In Beyond the Blue Horizon, archaeologist and historian Brian Fagan tackles his richest topic yet: the enduring quest to master the oceans, the planet's most mysterious terrain. From the moment when ancient Polynesians first dared to sail beyond the horizon, Fagan vividly explains how our mastery of the oceans changed the course of human history. What drove humans to risk their lives on open water? How did early sailors unlock the secrets of winds, tides, and the stars they steered by? What were the earliest ocean crossings like? With compelling detail, Fagan reveals how seafaring evolved so that the forbidding realms of the sea gods were transformed from barriers into a nexus of commerce and cultural exchange. From bamboo rafts in the Java Sea to triremes in the Aegean, from Norse longboats in the North Atlantic to sealskin kayaks in Alaska, Fagan crafts a captivating narrative of humanity's urge to challenge the unknown and seek out distant shores.

Imagine the planet, as if from an immense distance of time and space, as a galactic observer might see it—with the kind of objectivity that we, who are enmeshed in our history, can ́t attain. The Oxford Illustrated History of the World encompasses the whole span of human history. It brings together some of the world's leading historians, under the expert guidance of Felipe Fernandez-Armesto, to tell the 200,000-year story of our world, from the emergence of homo sapiens through to the twenty-first century: the environmental convulsions; the interplay of ideas (good and bad); the cultural phases and exchanges; the collisions and collaborations in politics; the successions of states and empires; the unlocking of energy; the evolutions of economies; the contacts, conflicts, and contagions that have all contributed to making the world we now inhabit.

Archaeology’s best known author of popular books and texts distills decades of experience in this well-received guide designed to help others wanting to broaden the audience for their work. Brian Fagan’s no nonsense approach explains how to get started writing, how to use the tools of experienced writers to make archaeology come alive, and how to get your work revised and finished. He also describes the process by which publishers decide to accept your work, and the path your publication will follow after it is accepted by a press. The new edition contains chapters on academic writing and on writing in the digital environment.

Religion, Material Culture and Archaeology offers a new understanding of the materiality of religion. By drawing on the field of archaeological theory and method, the relationship between religion and material culture is explored. It is argued that the material elements of religious life have been largely neglected by the discipline of religious studies, while at the same time religion has been traditionally seen as problematic for archaeologists. Why do we not talk of the discipline of the archaeology of religion, in the same way we do the anthropology of religion, or the sociology of religion? The volume considers the historical problems of approaching the material elements of religious life and bridges the methodological gap between religious studies and archaeology by proposing a new way of understanding the materiality of religion – as active, engaged and projecting a level of autonomous social agency. Finally, the critical examination of archaeological approaches to the materiality of religion is furthered through the consideration of non-archaeological ways of examining the social roles that material culture plays in human life.