Frederick Douglass And Scotland 1846

This book shows that addressing crowded halls from Ayr to Aberdeen, Frederick Douglass gained the confidence, mastered the skills and fashioned the distinctive voice that transformed him as a campaigner.

'Send Back the Money!' is a thorough and gripping examination of a fascinating and forgotten aspect of Scottish and American relations and Church history. A seminal period of Abolition activity is exposed by Iain Whyte through a study of the fiery 'Send back the Money!' campaign named after 'the hue and cry of the day' that encapsulated the argument that divided families, communities, and the Free Church itself. This examination of the Free Church's involvement with American Presbyterianism in the nineteenth century reveals the ethical furore caused by a Church wishing to emancipate itself from the religious and civil domination supported by the established religion of the state. The Free Church therefore found an affinity with those oppressed elsewhere,but subsequently found itself financially supported by the Southern slave states of America. Whyte sensitively handles this inherent contradiction in the political, ecclesiastical, and theological institutions, while informing the reader of the roles of charismatic characters such as Robert Burns, Thomas Chalmers and Frederick Douglass. These key individuals shaped contemporary culture with action, great oratory, and rhetoric. The author adroitly draws parallels from the twentieth century onwards, bringing the reader to a fuller understanding of the historic and topical issues within global Christianity, and the contentious topic of slavery. 'Send back the Money!' throws light upon nineteenth-century culture, British and American Abolitionists, and ecclesiastical politics, and is written in a clear and engaging style.

This critical edition documents Frederick Douglass's relationship with Britain through unexplored oratory and print culture. With an unprecedented and comprehensive 60,000-word introduction that places the speeches, letters, poetry and images printed here into context, the sources provide extraordinary insight into the myriad performative techniques Douglass used to win support for the causes of emancipation and human rights. Editors examine how Douglass employed various media - letters, speeches, interviews and his autobiographies - to convince the transatlantic public not only that his works were worth reading and his voice worth hearing, but also that the fight against racism would continue after his death.

Frederick Douglass recounts early years of abuse, his dramatic escape to the North and eventual freedom, abolitionist campaigns, and his crusade for full civil rights for former slaves. It is also the only of Douglass's autobiographies to discuss his life during and after the Civil War, including his encounters with American presidents such as Lincoln, Grant, and Garfield.

“Persuasively and passionately makes the case that the borough (and former city) became a powerful forum for Douglass’s abolitionist agenda.” —The New York Times This volume compiles original source material that illustrates the complex relationship between Frederick Douglass, who escaped bondage, wrote a bestselling autobiography, and advised a US president, and the city of Brooklyn. Most prominent are the speeches the abolitionist gave at the Brooklyn Academy of Music, Plymouth Church, and other leading Brooklyn institutions. Whether discussing the politics of the Civil War or recounting his relationships with Abraham Lincoln and John Brown, Douglass’s towering voice sounds anything but dated. An introductory essay examines the intricate ties between Douglass and Brooklyn abolitionists, while brief chapter introductions and annotations fill in the historical context. “Insight into the remarkable life of a remarkable man . . . shows how the great author and agitator associated with radicals—and he associated with the president of the United States. A fine book.” —Errol Louis, host of NY1's Road to City Hall “A collection of rousing 19th-century speeches on freedom and humanity . . . Proof that Douglass’ speeches, responding to the historical exigencies of his time, amply bear rereading today.” —Kirkus Reviews “Although he never lived in Brooklyn, the great abolitionist Frederick Douglass had many friends and allies who did. Hamm has collected Douglass’s searing antislavery speeches (and denunciations of him by the pro-slavery newspaper the Brooklyn Eagle) delivered at Brooklyn locales during the mid-19th century.” —Publishers Weekly “This timely volume [presents] Douglass' towering voice in a way that sounds anything but dated.” —Philadelphia Tribune “Though he never lived there, Frederick Douglass and the city of Brooklyn engaged in a profound repartee in the decades leading up to the Civil War, the disagreements between the two parties revealing the backward views of a borough that was much less progressive than it liked to think . . . Hamm [illuminates] the complexities of a city and a figure at the vanguard of change.” —The Village Voice

Frederick Douglass in Context provides an in-depth introduction to the multifaceted life and times of Frederick Douglass, the nineteenth-century's leading black activist and one of the most celebrated American writers. An international team of scholars sheds new light on the environments and communities that shaped Douglass's career. The book challenges the myth of Douglass as a heroic individualist who towered over family, friends, and colleagues, and reveals instead a man who relied on others and drew strength from a variety of personal and professional relations and networks. This volume offers both a comprehensive representation of Douglass and a series of concentrated studies of specific aspects of his work. It will be a key resource for students, scholars, teachers, and general readers interested in Douglass and his tireless fight for freedom, justice, and equality for all.

Jacob Stroyer was born a slave on the Singleton plantation near Columbia, South Carolina in 1849 and lived there until the Emancipation Proclamation freed slaves in 1864. During the Civil War, he was sent to Sullivan's Island and Fort Sumter in Charleston, South Carolina, where he waited on Confederate officers. While there, Stroyer learned to read. Following his release from slavery, Jacob Stroyer settled in Salem, Massachusetts, and became minister of the African Methodist Episcopal Church there. This new and enlarged edition of Stroyer's narrative, My Life in the South, expands upon earlier editions, and was written with the hope of generating enough income to complete his education. The narrative covers his fifteen years in slavery providing information about his family, his life at his master's summer seat as well as the physical abuse he endured at the hands of the Singleton plantation's overseer. Stroyer also discusses the emotional strain that the slave trade put on his and other slave families and provides a series of brief anecdotes about slave life, culture, beliefs, and interactions with masters and slaves.

How were blacks in American slavery formed, out of a multiplicity of African ethnic peoples, into a single people? In this major study of Afro-American culture, Sterling Stuckey, a leading thinker on black nationalism for the past twenty years, explains how different African peoples interacted during the nineteenth century to achieve a common culture. He finds that, at the time of emancipation, slaves were still overwhelmingly African in culture, a conclusion with profound implications for theories of black liberation and for the future of race relations in America. By examining anthropological evidence about Central and West African cultural traditions--Bakongo, Ibo, Dahomean, Mendi and others--and exploring the folklore of the American slave, Stuckey has arrived at an important new cross-cultural analysis of the Pan-African impulse among slaves that contributed to the formation of a black ethos. He establishes, for example, the centrality of an ancient African ritual--the Ring Shout or Circle Dance--to the black American religious and artistic experience. Black nationalist theories, the author points out, are those most in tune with the implication of an African presence in America during and since slavery. Casting a fresh new light on these ideas, Stuckey provides us with fascinating profiles of such nineteenth century figures as David Walker, Henry Highland Garnet, and Frederick Douglas. He then considers in detail the lives and careers of W. E. B. Dubois and Paul Robeson in this century, describing their ambition that blacks in American society, while struggling to end racism, take on roles that truly reflected their African heritage. These concepts of black liberation, Stuckey suggests, are far more relevant to the intrinsic values of black people than integrationist thought on race relations. But in a final revelation he concludes that, with the exception of Paul Robeson, the ironic tendency of black nationalists has been to underestimate the depths of African culture in black Americans and the sophistication of the slave community they arose from.