Freddy Vs Jason Vs Ash The Nightmare Warriors

Written by JEFF KATZ & JAMES KUHORIC - Art by JASON CRAIG Cover by ARTHUR SUYDAM Beneath the bloody waters of Crystal Lake, an immortal evil wakes and begins a new cycle of violence in this new collection of the second hit miniseries. Co-published with Dynamite Entertainment.

Based on Sam Raimi¿s 80s cult classic films, EVIL DEAD tells the tale of 5 college kids who travel to a cabin in the woods and accidentally unleash an evil force. And although it may sound like a horror, it's not! The songs are hilariously campy and the show is bursting with more farce than a Monty Python skit. EVIL DEAD: THE MUSICAL unearths the old familiar story: boy and friends take a weekend getaway at abandoned cabin, boy expects to get lucky, boy unleashes ancient evil spirit, friends turn into Candarian Demons, boy fights until dawn to survive. As musical mayhem descends upon this sleepover in the woods, ¿camp¿ takes on a whole new meaning with uproarious numbers like ¿All the Men in my Life Keep Getting Killed by Candarian Demons,¿ ¿Look Who¿s Evil Now¿ and ¿Do the Necronomicon.¿

Beneath the bloody waters of Crystal Lake, an immortal evil wakes and begins a new cycle of violence. Six months after the events of 'Freddy vs Jason vs Ash', a power-hungry government bureaucrat unleashes the denizens of the Necronomicon.

The crossover no one expected to see: Army of Darkness vs. Re-Animator! The battle of the century and the winner takes all! If you haven't checked out this new series this is the best way to catch up on all the mayhem... and excitement! Ash finds himself committed to Arkham Asylum. It's here that he runs afoul of a rather ghoulish and creepy Herbert West... and the battle of the century begins!

Prepare to be scared! Ash's adventures have bordered on the ridiculous and absurd, but the series takes a grave turn to the dark side as he is forced to confront one of the original locales of deep Kandarian dominance. Traveling to the old cabin, Ash must destroy the anchor holding the spirit in the woods to this dimension if he wants to claim the prize... a chance to save the soul of his lost maiden. Something evil is lurking in the fruit cellar... and it wants to tear your soul apart!

“The name is Ash, but you can call me Mr. Williams!” Ash finds out the hard way that major corporations frown upon the dismemberment of Deadites on company property and has to seek a new form of employment. What better place for the man with the chainsaw hand to be than in the public school system! The Chosen One goes undercover as a substitute teacher to find out who is messing with the Necronomicon. Along the way he encounters a secret government agency called S.M.A.R.T. who are charged with ridding the world of the undead menace. Oh, and they have modeled themselves after the methods of everyone’s new favorite “cool” teacher. Ash vs. The Army of Darkness collects issues #0-5 of the series written by Chad Bowers & Chris Sims (X-Men ’92, SwordQuest) and artists Mauro Vargas (Star Wars) & Sam Lotfi (DC New Talent Showcase).

A sci-fi anthology comic book written by Matt Mair Lowery, art by Jenna Cha, Dave Law, Tyrell Cannon, Lisa Naffziger and Karl Slominski. ThoughtScapeComics.com

John Carpenter's Halloween, released on October 25, 1978, marked the beginning of the horror film's most colorful, controversial, and successful offshoot--the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the "final girl," the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.

The HACK/SLASH collection readers have been waiting for, this second Omnibus collects the first 14 issues of the original ongoing series, and features classic slasher villains like Acid Washed and Father Wrath, as well as Cassie's first encounter with Georgia. All this and the first HACK/SLASH ANNUAL in one mega-volume!

Presents a revealing look at why it took New Line Cinema nearly ten years and four-million-dollars to find the right screenplay for Freddy vs Jason. Featuring new interviews with the original writers and filmmakers, Slash details the production's troubled history from the surprise ending of Jason Goes to Hell all the way to the crossover's red carpet premiere. Read about the many rejected storylines and learn how the project was eventually able to escape from development hell. This is the story of one film, two horror icons and seventeen screenwriters.