Framing Africa

The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), ‘failed states’ (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination.

Post-apartheid South African elections have borne an unmistakable racial imprint: Africans vote for one set of parties, whites support a different set of parties, and, with few exceptions, there is no crossover voting between groups. These voting tendencies have solidified the dominance of the ruling African National Congress (ANC) over South African politics and turned South African elections into 'racial censuses'. This book explores the political sources of these outcomes. It argues that although the beginnings of these patterns lie in South Africa's past, in the effects apartheid had on voters' beliefs about race and destiny and the reputations parties forged during this period, the endurance of the census reflects the ruling party's ability to use the powers of office to prevent the opposition from evolving away from its apartheid-era party label. By keeping key opposition parties 'white', the ANC has rendered them powerless, solidifying its hold on power in spite of an increasingly restive and dissatisfied electorate.

This book analyses the India, Brazil, South Africa Dialogue Forum (IBSA), focusing on the communalities and differences in the way foreign policy is conceptualized in its member states. Utilizing 83 interviews with foreign policy makers and experts, as well as the analysis of 119 foreign-policy speeches, the author traces key shifts in official foreign policy discourse. In order to evaluate the degree of support for key IBSA Dialogue Forum concepts within national discourse, the author also examines the interplay between official and broader societal discourses on foreign policy. This analysis combines political science factors (foreign policy role conceptions) with linguistic factors, thus enabling a qualitative and quantitative comparison of different framings of foreign policy. Extensive empirical material collected during six months of field research in India, Brazil and South Africa allows the author to present a differentiated account of their alleged like-mindedness.

In Framing a Radical African Atlantic Holger Weiss presents a critical outline and analysis of the International Trade Union Committee of Negro Workers (ITUCNW) and the attempts by the Communist International (Comintern) to establish an anticolonial political platform in the Caribbean and Sub-Saharan Africa during the interwar period. It is the first presentation about the organization and its activities, investigating the background and objectives, the establishment and expansion of a radical African (black) Atlantic network between 1930 and 1933, the crisis in 1933 when the organization was relocated from Hamburg to Paris, the attempt to reactivate the network in 1934 and 1935 and its final dissolution and liquidation in 1937-38.

Looking at the experiences of other federal societies across the globe this volume interrogates the problem of national integration within the context of ethno-religious and cultural pluralism, and presents exciting prospects for the resolution of the National Question. Compelling and indispensable, this work is the most comprehensive and authoritative treatment of the subject in recent years.

A photographic journey by one of the twentieth century’s great photographers through eight African countries on the cusp of independence post WWII. Todd Webb is largely known for his skillful photographic documentation of everyday life and architecture in cities, most notably New York and Paris, as well as his photographs of the American West. This new book showcases a different side of Webb’s work, taken from an assignment that brought him to eight African countries. In 1958, Webb was invited by the United Nations to document Togoland (now Togo), Ghana, Kenya, the Federation of Rhodesia and Nyasaland (now Zimbabwe, Zambia, and Malawi), Somaliland (now Somalia), Sudan, Tanganyika and Zanzibar (now merged as Tanzania) over a five-month assignment. Equipped with three cameras and briefed to document industrial progress, he returned with approximately fifteen hundred color negatives, but less than twenty of them were published, in black and white, by the United Nations Department of Public Information. The archive was then lost for over fifty years and was only rediscovered by the Todd Webb Archive in 2017. Todd Webb in Africa includes over 150 striking color photographs from Webb’s African United Nations assignment. This book, and an accompanying touring exhibition, provides expert insight into Webb’s images with contributions by both African and American scholars. Included essays engage the photographs in their historical and artistic moment, and provide crucial insight into the role of photography in visualizing national independence and ingrained imperialism.

This book discusses and challenges concepts that are widely used in research and policy related to development issues in Africa. The main rationale for such an undertaking is that the concepts that are used to understand and define the world in general and Africa in particular are not merely describing social, economic and political processes and events; they are also largely framing these very same processes. Thus, the concepts by which we structure the world will implicitly or explicitly give premises for policies and practices; limiting or favouring certain types of actions and frameworks of interpretation and understanding in various contexts. It is therefore important to challenge commonly held conceptions about framing African development. Contributors include: Deborah Fahy Bryceson, Rosalind Eyben, Amanda Hammar, Kjell Havnevik, Mats Hårsmar, Terje Oestigaard and Rune Skarstein

For millennia, Africans have lived on the African continent, In close contact with the diversities of nature: floral, faunal and human; and in so doing they have developed cultures, values, attitudes and perspectives To The problems, ethical and otherwise, that have arisen from the existential pressures of their situation. The problem, however, Is that such values and perspectives do not necessarily form coherent ethical theories. Theory-making is a second order activity requiring a certain amount of leisure and comfort which the existential conditions of life on the African continent have not easily permitted in the retrospect-able past. The elements of African bioethics are to be found in its cultural values, traditions, customs and practices. These are research-able, highlight-able and usable by those who would. The bioethical problems of our current global existential situation are such that all possible solutions, no matter their provenance, ought to be tried. Western culture†has far too loud a voice combined with deaf ears in contemporary ethical discourse. But it should never be forgotten that other cultures†have their own word to say and that alternative values, ways of thinking and practices exist, and attempt should always be made to bring these out and to highlight them, if they could possibly contribute To The satisfactory solution of a global problem. This book brings together various papers on bioethical issues and problems, written at different times, some previously published, each of which attempts to bring out some African†elements, perspective or concern. The African narrative style predominates through these essays but their framing conforms, more or less, To the Western paradigm for presenting academic issues.