Fractal Geometry In Digital Imaging

This book is concerned with the theory and application of fractal geometry in digital imaging. Throughout the book, a series of new approaches to defining fractals are illustrated, such as the analysis of the fractal power spectrum and the use of fractional differentials. Several new algorithms and applications are also discussed and applied to real life images. Fractal Geometry in Digital imaging will appeal to postgraduates, researchers and practitioners in image processing, mathematics and computing, information technology and engineering.

This book is based on notes for the course Fractals:lntroduction, Basics and Perspectives given by MichaelF. Barnsley, RobertL. Devaney, Heinz-Otto Peit gen, Dietmar Saupe and Richard F. Voss. The course was chaired by Heinz-Otto Peitgen and was part of the SIGGRAPH '87 (Anaheim, California) course pro gram. Though the five chapters of this book have emerged from those courses we have tried to make this book a coherent and uniformly styled presentation as much as possible. It is the first book which discusses fractals solely from the point of view of computer graphics. Though fundamental concepts and algo rithms are not introduced and discussed in mathematical rigor we have made a serious attempt to justify and motivate wherever it appeared to be desirable. Ba sic algorithms are typically presented in pseudo-code or a description so close to code that a reader who is familiar with elementary computer graphics should find no problem to get started. Mandelbrot's fractal geometry provides both a description and a mathemat ical model for many of the seemingly complex forms and patterns in nature and the sciences. Fractals have blossomed enormously in the past few years and have helped reconnect pure mathematics research with both natural sciences and computing. Computer graphics has played an essential role both in its de velopment and rapidly growing popularity. Conversely, fractal geometry now plays an important role in the rendering, modelling and animation of natural phenomena and fantastic shapes in computer graphics.

An undergraduate textbook devoted exclusively to relationships between mathematics and art, Viewpoints is ideally suited for math-for-liberal-arts courses and mathematics courses for fine arts majors. The textbook contains a wide variety of classroom-tested activities and problems, a series of essays by contemporary artists written especially for the book, and a plethora of pedagogical and learning opportunities for instructors and students. Viewpoints focuses on two mathematical areas: perspective related to drawing man-made forms and fractal geometry related to drawing natural forms. Investigating facets of the three-dimensional world in order to understand mathematical concepts behind the art, the textbook explores art topics including comic, anamorphic, and classical art, as well as photography, while presenting such mathematical ideas as proportion, ratio, self-similarity, exponents, and logarithms. Straightforward problems and rewarding solutions empower students to make accurate, sophisticated drawings. Personal essays and short biographies by contemporary artists are interspersed between chapters and are accompanied by images of their work. These fine artists--who include mathematicians and scientists--examine how mathematics influences their art. Accessible to students of all levels, Viewpoints encourages experimentation and collaboration, and captures the essence of artistic and mathematical creation and discovery. Classroom-tested activities and problem solving Accessible problems that move beyond regular art school curriculum Multiple solutions of varying difficulty and applicability Appropriate for students of all mathematics and art levels Original and exclusive essays by contemporary artists Forthcoming: Instructor's manual (available only to teachers)

Now approaching its tenth year, this hugely successful book presents an unusual attempt to publicise the field of Complex Dynamics. The text was originally conceived as a supplemented catalogue to the exhibition "Frontiers of Chaos", seen in Europe and the United States, and describes the context and meaning of these fascinating images. A total of 184 illustrations - including 88 full-colour pictures of Julia sets - are suggestive of a coffee-table book. However, the invited contributions which round off the book lend the text the required formality. Benoit Mandelbrot gives a very personal account, in his idiosyncratic self-centred style, of his discovery of the fractals named after him and Adrien Douady explains the solved and unsolved problems relating to this amusingly complex set.

This book provides a collection of 44 simple computer and physical laboratory experiments, including some for an artist's studio and some for a kitchen, that illustrate the concepts of fractal geometry. In addition to standard topics — iterated function systems (IFS), fractal dimension computation, the Mandelbrot set — we explore data analysis by driven IFS, construction of four-dimensional fractals, basic multifractals, synchronization of chaotic processes, fractal finger paints, cooking fractals, videofeedback, and fractal networks of resistors and oscillators.

Basic rules govern our universe, and an understanding of these rules makes a wide array of subjects crystal-clear. Fractal is such a rule: it completely describes the geometry of a leaf in 24 numbers. This book tells how to apply this fractal rule to photographic images.

Fractal geometry has become popular in the last 15 years, its applications can be found in technology, science, or even arts. Fractal methods and formalism are seen today as a general, abstract, but nevertheless practical instrument for the description of nature in a wide sense. But it was Computer Graphics which made possible the increasing popularity of fractals several years ago, and long after their mathematical formulation. The two disciplines are tightly linked. The book contains the scientificcontributions presented in an international workshop in the "Computer Graphics Center" in Darmstadt, Germany. The target of the workshop was to present the wide spectrum of interrelationships and interactions between Fractal Geometry and Computer Graphics. The topics vary from fundamentals and new theoretical results to various applications and systems development. All contributions are original, unpublished papers.The presentations have been discussed in two working groups; the discussion results, together with actual trends and topics of future research, are reported in the last section. The topics of the book are divides into four sections: Fundamentals, Computer Graphics and Optical Simulation, Simulation of Natural Phenomena, Image Processing and Image Analysis.

Since its original publication in 1990, Kenneth Falconer's Fractal Geometry: Mathematical Foundations and Applications has become a seminal text on the mathematics of fractals. It introduces the general mathematical theory and applications of fractals in a way that is accessible to students from a wide range of disciplines. This new edition has been extensively revised and updated. It features much new material, many additional exercises, notes and references, and an extended bibliography that reflects the development of the subject since the first edition. * Provides a comprehensive and accessible introduction to the mathematical theory and applications of fractals. * Each topic is carefully explained and illustrated by examples and figures. * Includes all necessary mathematical background material. * Includes notes and references to enable the reader to pursue individual topics. * Features a wide selection of exercises, enabling the reader to develop their understanding of the theory. * Supported by a Web site featuring solutions to exercises, and additional material for students and lecturers. Fractal Geometry: Mathematical Foundations and Applications is aimed at undergraduate and graduate students studying courses in fractal geometry. The book also provides an excellent source of reference for researchers who encounter fractals in mathematics, physics, engineering, and the applied sciences. Also by Kenneth Falconer and available from Wiley: Techniques in Fractal Geometry ISBN 0-471-95724-0 Please click here to download solutions to exercises found within this title: http://www.wileyeurope.com/fractal

The concept behind fractal geometry is extremely difficult to explain . . . but easy to see and enjoy. Eric Hammel, a professional author of military history books, is unable to explain fractals in a way that will be clear to anyone else, but most mathematicians canÕt explain fractals in language most people can understand. The simplest explanation is that fractals are graphic representations of high-order mathematical formulas that repeat patterns to infinity. DonÕt get hung up on the math. ItÕs really all in the seeing. Like Volumes 1 through 4 of Eric HammelÕs Fractal Dimensions, Volume 5 is filled with one hundred examples representing many types of fractals. The differences between and among fractal artists using the same array of fractal-generating software is the same as the differences between and among all portrait artists or between and among all landscape artists using oil paint, chalk, watercolors, charcoal, even fingers. It all comes down to the unique mindÕs eye the artist brings to the game and what he does to improve or transform the art once the fractal-generating software has been sufficiently exploited. For all that, all a lay person really needs to appreciate fractals in their infinite varieties is a collection of fractal art to peruse, to get lost in for awhile, and their own preferences for art. No two fractal artists will see or exploit the same fractal formula the same way. What we offer here is simply what one fractal artist has been able to see, and what he alone decided he wants to share.