Foxes Book Of Martyrs And Early Modern Print Culture

This book was first published in 2006. Second only to the Bible and Book of Common Prayer, John Foxe's Acts and Monuments, known as the Book of Martyrs, was the most influential book published in England during the sixteenth and seventeenth centuries. The most complex and best-illustrated English book of its time, it recounted in detail the experiences of hundreds of people who were burned alive for their religious beliefs. John N. King offers the most comprehensive investigation yet of the compilation, printing, publication, illustration, and reception of the Book of Martyrs. He charts its reception across different editions by learned and unlearned, sympathetic and antagonistic readers. The many illustrations included here introduce readers to the visual features of early printed books and general printing practices both in England and continental Europe, and enhance this important contribution to early modern literary studies, cultural and religious history, and the history of the Book.

Foxe's Book of Martyrs is a collection of unforgettable accounts of religious persecution. This modernized selection brings together some of the most stirring tales of the interrogation and execution of heretics burnt at the stake in the reign of Mary, with some of the original woodcut illustrations and an illuminating introduction.

In early modern England, epitomes-texts promising to pare down, abridge, or sum up the essence of their authoritative sources-provided readers with key historical knowledge without the bulk, expense, or time commitment demanded by greater volumes. Epic poets in turn addressed the habits of reading and thinking that, for better and for worse, were popularized by the publication of predigested works. Analyzing popular texts such as chronicle summaries, abridgements of sacred epic, and abstracts of civil war debate, Chloe Wheatley charts the efflorescence of a lively early modern epitome culture, and demonstrates its impact upon Edmund Spenser's The Faerie Queene, Abraham Cowley's Davideis, and John Milton's Paradise Lost. Clearly and elegantly written, this new study presents fresh insight into how poets adapted an important epic convention-the representation of the hero's confrontation with summaries of past and future-to reflect contemporary trends in early modern history writing.

Explores the production of John Foxe's 'Book of Martyrs', a milestone in the history of the English book.

Interpreting textual mediations of history in early modernity, this volume adds nuance to our understanding of the contributions fiction and fictionalizing make to the shape and texture of versions of and debates about history during that period. Geographically, the scope of the essays extends beyond Europe and England to include Asia and Africa. Contributors take a number of different approaches to understand the relationship between history, fiction, and broader themes in early modern culture. They analyze the ways fiction writers use historical sources, fictional texts translate ideas about the past into a vernacular accessible to broad audiences, fictional depictions and interpretations shape historical action, and the ways in which nonfictional texts and accounts were given fictional histories of their own, intentionally or not, through transmission and interpretation. By combining the already contested idea of fiction with performance, action, and ideas/ideology, this collection provides a more thorough consideration of fictional histories in the early modern period. It also covers more than two centuries of primary material, providing a longer perspective on the changing and complex role of history in forming early modern national, gendered, and cultural identities.

Authority and accessibility combine to bring the history and the drama of Tudor England to life. Almost 900 engaging entries cover the life and times of Henry VIII, Mary I, Elizabeth I, William Shakespeare, and much, much more. Written for high school students, college undergraduates, and public library patrons—indeed, for anyone interested in this important and colorful period—the three-volume Encyclopedia of Tudor England illuminates the era's most important people, events, ideas, movements, institutions, and publications. Concise, yet in-depth entries offer comprehensive coverage and an engaging mix of accessibility and authority. Chronologically, the encyclopedia spans the period from the accession of Henry VII in 1485 to the death of Elizabeth I in 1603. It also examines pre-Tudor people and topics that shaped the Tudor period, as well as individuals and events whose influence extended into the Jacobean period after 1603. Geographically, the encyclopedia covers England, Scotland, Wales, and Ireland, and also Russia, Asia, America, and important states in continental Europe. Topics include: the English Reformation; the development of Parliament; the expansion of foreign trade; the beginnings of American exploration; the evolution of the nuclear family; and the flowering of English theater and poetry, culminating in the works of William Shakespeare.

EXACT reproduction from an original copy of the book Foxe's Book of Martyrs by John Foxe. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.Beginning with the story of Stephen from the book of Acts, considered the first Christian martyr, the drama builds to the passion of the early Church's persecution under the Roman Empire. The hardy and radical faith of those first believers spawned medieval missionary movements that spread the gospel across Europe and into England, Scotland, and Ireland. As the story continues, it places a significant emphasis on the sufferings of the early Protestants during the Reformation. As a vicar in the Church of England, author John Foxe strongly identified with the Protestant sects throughout Europe, and his loyalty to their cause comes through in his descriptions of many early clashes between Catholic and Protestant believers. Listeners are given an opportunity to experience the storytelling that incited several wars between Catholic and Protestant forces. The political and personal passion of the Reformation continues with the stories of the French Protestants during and after the French Revolution.

Martyrs' Mirror examines the folklore of martyrdom among seventeenth-century New England Protestants, exploring how they imagined themselves within biblical and historical narratives of persecution. Memories of martyrdom, especially stories of the Protestants killed during the reign of Queen Mary in the mid-sixteenth century, were central to a model of holiness and political legitimacy. The colonists of early New England drew on this historical imagination in order to strengthen their authority in matters of religion during times of distress. By examining how the notions of persecution and martyrdom move in and out of the writing of the period, Adrian Chastain Weimer finds that the idea of the true church as a persecuted church infused colonial identity. Though contested, the martyrs formed a shared heritage, and fear of being labeled a persecutor, or even admiration for a cheerful sufferer, could serve to inspire religious tolerance. The sense of being persecuted also allowed colonists to avoid responsibility for aggression against Algonquian tribes. Surprisingly, those wishing to defend maltreated Christian Algonquians wrote their history as a continuation of the persecutions of the true church. This examination of the historical imagination of martyrdom contributes to our understanding of the meaning of suffering and holiness in English Protestant culture, of the significance of religious models to debates over political legitimacy, and of the cultural history of persecution and tolerance.

Books and Readers in Early Modern England examines readers, reading, and publication practices from the Renaissance to the Restoration. The essays draw on an array of documentary evidence—from library catalogs, prefaces, title pages and dedications, marginalia, commonplace books, and letters to ink, paper, and bindings—to explore individual reading habits and experiences in a period of religious dissent, political instability, and cultural transformation. Chapters in the volume cover oral, scribal, and print cultures, examining the emergence of the "public spheres" of reading practices. Contributors, who include Christopher Grose, Ann Hughes, David Scott Kastan, Kathleen Lynch, William Sherman, and Peter Stallybrass, investigate interactions among publishers, texts, authors, and audience. They discuss the continuity of the written word and habits of mind in the world of print, the formation and differentiation of readerships, and the increasing influence of public opinion. The work demonstrates that early modern publications appeared in a wide variety of forms—from periodical literature to polemical pamphlets—and reflected the radical transformations occurring at the time in the dissemination of knowledge through the written word. These forms were far more ephemeral, and far more widely available, than modern stereotypes of writing from this period suggest.